With such masterworks as the Schindler-Chace House and the Lovell Beach House in California, the Vienna-born modernist R. M. Schindler (1887-1953) is recognized as one of the most innovative architects of the 20th century. Nearly 50 years after his death, admiration for his breathtakingly original houses and apartment buildings is at an all-time peak.Containing many never-published drawings and photographs and spanning Schindler's early years in Vienna, his apprenticeship with Frank Lloyd Wright, and his bold contributions to West Coast modernism, this book -- which accompanies the first major Schindler retrospective -- offers the most comprehensive view of his genius to date.
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Intuitive and pragmatic, embracing the free flow of indoor and outdoor space, the houses designed in California by R.M. Schindler are among the most celebrated examples of 20th-century domestic architecture in the United States. Yet it took decades for the Austrian émigré, who died in 1953, to convince the East Coast architecture establishment that his kind of modernism was worthy.
While his sometime colleague Richard Neutra pursued the Corbusian ideal of the house as a "machine for living," Schindler designed organic forms--angled walls, variously sized windows, plans that shift off-axis--that respond to multiple aspects of the individual site.
In 1921, while still employed by Frank Lloyd Wright, Schindler designed the tilt-up concrete Kings Road House for himself and his wife, Pauline. This landmark early project--fulfilling, in his words, "the basic requirements for a camper's shelter"--was designed to be shared with a contractor friend and his wife. The house became a haven for fellow bohemians, a scene entertainingly described in one chapter of this excellent and copiously illustrated study of Schindler's contribution to modernism and the architecture of Los Angeles.
During the following years, the "rustic complexity" of the Lovell Beach House (1922-26) gave way to increasing international style influence, visible in the John J. Buck Residence (1934), with its flat roofs and sliding walls of glass. Schindler's late work explored increasingly personal forms of "space architecture," culminating in the delicate crow's nest design of the Ellen Janson Residence (1948-49).
This book accompanies an exhibition that travels to the National Building Museum in Washington, D.C. (June 28 to October 7, 2001) and then to the MAK Center in Vienna (November 13, 2001, to February 5, 2002). --Cathy CurtisAbout the Author:
Elizabeth A. T. Smith, curator of the related exhibition, is the James W. Alsdorf Chief Curator at the Museum of Contemporary Art, Chicago. Michael Darling is assistant curator of the exhibition.
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Descripción Harry N. Abrams, 2001. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110810942232
Descripción Harry N. Abrams, 2001. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0810942232
Descripción Harry N. Abrams. Hardcover. Estado de conservación: New. 0810942232 New Condition. Nº de ref. de la librería NEW6.0481467
Descripción Harry N. Abrams, 2001. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0810942232