The New (ethno)musicologies (Europea: Ethnomusicologies & Modernities)

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9780810860377: The New (ethno)musicologies (Europea: Ethnomusicologies & Modernities)
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The book includes something for everybody. CHOICE, November 2008 This volume brings to the fore pivotal issues that problematize the contemporary disciplinary identity of ethnomusicology...It provides rich insights into ethnomusicological discourses and raises many unanswered questions that stimulate a re-thinking about the contemporary identity of ethnomusicology. In short, this volume will not only be an invaluable addition to university programs in ethnomusicology, but it will also be of significant interest to the wider academic community in ethnomusicology. Ethnomusicology

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Over the past twenty years, a range of radical developments has revolutionized musicology, leading certain practitioners to describe their discipline as "New." What has happened to ethnomusicology during this period? Have its theories, methodologies, and values remain rooted in the 1970s and 1980s or have they also transformed? What directions might or should it take in the new millennium? The New (Ethno)musicologies seeks to answer these questions by addressing and critically examining key issues in contemporary ethnomusicology. Set in two parts, the volume explores ethnomusicology's shifting relationship to other disciplines and to its own "mythic" histories and plots a range of potential developments for its future. It attempts to address how ethnomusicology might be viewed by those working both inside and outside the discipline and what its broader contribution and relevance might be within and beyond the academy. Henry Stobart has collected essays from key figures in ethnomusicology and musicology, including Caroline Bithell, Martin Clayton, Fabian Holt, Jim Samson, and Abigail Wood, as well as Europea series editors, Martin Stokes and Philip V. Bohlman. The engaging result presents a range of perspectives, reflecting on disciplinary change, methodological developments, and the broader sphere of music scholarship in a fresh and unique way, and will be a key source for students and scholars.

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Stobart, Henry
ISBN 10: 0810860376 ISBN 13: 9780810860377
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808108603770000000

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Henry Stobart
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Descripción Scarecrow Press. Hardback. Estado de conservación: new. BRAND NEW, The New (ethno)musicologies, Henry Stobart, Over the past twenty years, a range of radical developments has revolutionized musicology, leading certain practitioners to describe their discipline as "New." What has happened to ethnomusicology during this period? Have its theories, methodologies, and values remain rooted in the 1970s and 1980s or have they also transformed? What directions might or should it take in the new millennium? The New (Ethno)musicologies seeks to answer these questions by addressing and critically examining key issues in contemporary ethnomusicology. Set in two parts, the volume explores ethnomusicology's shifting relationship to other disciplines and to its own "mythic" histories and plots a range of potential developments for its future. It attempts to address how ethnomusicology might be viewed by those working both inside and outside the discipline and what its broader contribution and relevance might be within and beyond the academy. Henry Stobart has collected essays from key figures in ethnomusicology and musicology, including Caroline Bithell, Martin Clayton, Fabian Holt, Jim Samson, and Abigail Wood, as well as Europea series editors, Martin Stokes and Philip V. Bohlman. The engaging result presents a range of perspectives, reflecting on disciplinary change, methodological developments, and the broader sphere of music scholarship in a fresh and unique way, and will be a key source for students and scholars. Nº de ref. de la librería B9780810860377

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Stobart, Henry
Editorial: Scarecrow Press, United States (2008)
ISBN 10: 0810860376 ISBN 13: 9780810860377
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Descripción Scarecrow Press, United States, 2008. Hardback. Estado de conservación: New. 229 x 150 mm. Language: English . Brand New Book. Over the past twenty years, a range of radical developments has revolutionized musicology, leading certain practitioners to describe their discipline as New. What has happened to ethnomusicology during this period? Have its theories, methodologies, and values remain rooted in the 1970s and 1980s or have they also transformed? What directions might or should it take in the new millennium? The New (Ethno)musicologies seeks to answer these questions by addressing and critically examining key issues in contemporary ethnomusicology. Set in two parts, the volume explores ethnomusicology s shifting relationship to other disciplines and to its own mythic histories and plots a range of potential developments for its future. It attempts to address how ethnomusicology might be viewed by those working both inside and outside the discipline and what its broader contribution and relevance might be within and beyond the academy. Henry Stobart has collected essays from key figures in ethnomusicology and musicology, including Caroline Bithell, Martin Clayton, Fabian Holt, Jim Samson, and Abigail Wood, as well as Europea series editors, Martin Stokes and Philip V. Bohlman. The engaging result presents a range of perspectives, reflecting on disciplinary change, methodological developments, and the broader sphere of music scholarship in a fresh and unique way, and will be a key source for students and scholars. Nº de ref. de la librería ANB9780810860377

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Stobart, Henry
Editorial: Scarecrow Press, United States (2008)
ISBN 10: 0810860376 ISBN 13: 9780810860377
Nuevos Tapa dura Cantidad: 1
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Descripción Scarecrow Press, United States, 2008. Hardback. Estado de conservación: New. 229 x 150 mm. Language: English . Brand New Book. Over the past twenty years, a range of radical developments has revolutionized musicology, leading certain practitioners to describe their discipline as New. What has happened to ethnomusicology during this period? Have its theories, methodologies, and values remain rooted in the 1970s and 1980s or have they also transformed? What directions might or should it take in the new millennium? The New (Ethno)musicologies seeks to answer these questions by addressing and critically examining key issues in contemporary ethnomusicology. Set in two parts, the volume explores ethnomusicology s shifting relationship to other disciplines and to its own mythic histories and plots a range of potential developments for its future. It attempts to address how ethnomusicology might be viewed by those working both inside and outside the discipline and what its broader contribution and relevance might be within and beyond the academy. Henry Stobart has collected essays from key figures in ethnomusicology and musicology, including Caroline Bithell, Martin Clayton, Fabian Holt, Jim Samson, and Abigail Wood, as well as Europea series editors, Martin Stokes and Philip V. Bohlman. The engaging result presents a range of perspectives, reflecting on disciplinary change, methodological developments, and the broader sphere of music scholarship in a fresh and unique way, and will be a key source for students and scholars. Nº de ref. de la librería ANB9780810860377

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Henry Stobart
Editorial: Scarecrow Press (2008)
ISBN 10: 0810860376 ISBN 13: 9780810860377
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Descripción Scarecrow Press, 2008. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CW-9780810860377

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ISBN 10: 0810860376 ISBN 13: 9780810860377
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Descripción RL, 2017. Hardback. Estado de conservación: NEW. 9780810860377 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Print on Demand title, produced to the highest standard, and there would be a delay in dispatch of around 10 working days. Nº de ref. de la librería HTANDREE01237500

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Henry Stobart
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Descripción 2008. Hardcover. Estado de conservación: New. 165mm x 19mm x 230mm. Hardcover. Over the past twenty years, a range of radical developments has revolutionized musicology, leading certain practitioners to describe their discipline as New. What has happened to ethnomusi.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 226 pages. 0.494. Nº de ref. de la librería 9780810860377

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Stobart, Henry
Editorial: Scarecrow Pr (2008)
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Descripción Scarecrow Pr, 2008. Hardcover. Estado de conservación: Brand New. 226 pages. 9.25x6.25x0.75 inches. In Stock. Nº de ref. de la librería __0810860376

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Henry Stobart (Editor), John Baily (Contributor), Michelle Bigenho (Contributor), Caroline Bithell (Contributor), Philip V. Bohlman (Contributor), Martin Clayton (Contributor), Nicholas Cook (Contributor), Fabian Holt (Contributor), Laudan Nooshin (Contri
Editorial: Scarecrow Press (2008)
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Descripción Scarecrow Press, 2008. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0810860376

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Editorial: Scarecrow Press (2008)
ISBN 10: 0810860376 ISBN 13: 9780810860377
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Descripción Scarecrow Press, 2008. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0810860376

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