Schoenberg, Arnold Style and Idea

ISBN 13: 9780806530956

Style and Idea

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9780806530956: Style and Idea

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1.

Schoenberg, Arnold
ISBN 10: 0806530952 ISBN 13: 9780806530956
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Descripción Paperback. Estado de conservación: New. This item is printed on demand. Item doesn't include CD/DVD. Nº de ref. de la librería 1851910

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2.

Schoenberg, Arnold
Editorial: PHILOSOPHICAL LIB (1950)
ISBN 10: 0806530952 ISBN 13: 9780806530956
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Descripción PHILOSOPHICAL LIB, 1950. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780806530956

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3.

Schoenberg, Arnold
Editorial: Philosophical Library, United States (1950)
ISBN 10: 0806530952 ISBN 13: 9780806530956
Nuevos Paperback Cantidad: 10
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Descripción Philosophical Library, United States, 1950. Paperback. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****. This book is full of essays which Arnold Schoenberg wrote on style and idea. He talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other essays. Arnold Schoenberg (13 September 1874 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Schonberg until after his move to the United States in 1934 (Steinberg 1995, 463), in deference to American practice (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45). Schoenberg was known early in his career for successfully extending the traditionally opposed German Romantic traditions of both Brahms and Wagner, and later and more notably for his pioneering innovations in atonality. During the rise of the Nazi party in Austria, his music was labeled, alongside swing and jazz, as degenerate art. In the 1920s, he developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg s approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking and, in some cases, passionately reacted against it. Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, and later John Cage, Lou Harrison, Earl Kim, Wayne Barlow, and many other prominent musicians. Many of Schoenberg s practices, including the formalization of compositional method, and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many of the 20th century s significant musicologists and critics, including Theodor Adorno, Charles Rosen, and Carl Dahlhaus. Schoenberg s archival legacy is collected at the Arnold Schonberg Center in Vienna. Nº de ref. de la librería APC9780806530956

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4.

Schoenberg, Arnold
Editorial: Philosophical Library, United States (1950)
ISBN 10: 0806530952 ISBN 13: 9780806530956
Nuevos Paperback Cantidad: 10
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Descripción Philosophical Library, United States, 1950. Paperback. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****.This book is full of essays which Arnold Schoenberg wrote on style and idea. He talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other essays. Arnold Schoenberg (13 September 1874 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Schonberg until after his move to the United States in 1934 (Steinberg 1995, 463), in deference to American practice (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45). Schoenberg was known early in his career for successfully extending the traditionally opposed German Romantic traditions of both Brahms and Wagner, and later and more notably for his pioneering innovations in atonality. During the rise of the Nazi party in Austria, his music was labeled, alongside swing and jazz, as degenerate art. In the 1920s, he developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg s approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking and, in some cases, passionately reacted against it. Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, and later John Cage, Lou Harrison, Earl Kim, Wayne Barlow, and many other prominent musicians. Many of Schoenberg s practices, including the formalization of compositional method, and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many of the 20th century s significant musicologists and critics, including Theodor Adorno, Charles Rosen, and Carl Dahlhaus. Schoenberg s archival legacy is collected at the Arnold Schonberg Center in Vienna. Nº de ref. de la librería APC9780806530956

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5.

Schoenberg, Arnold
Editorial: Philosophical Library
ISBN 10: 0806530952 ISBN 13: 9780806530956
Nuevos Paperback Cantidad: 20
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BuySomeBooks
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Descripción Philosophical Library. Paperback. Estado de conservación: New. Paperback. 236 pages. Dimensions: 8.9in. x 6.0in. x 0.7in.This book is full of essays which Arnold Schoenberg wrote on style and idea. He talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other essays. Arnold Schoenberg (13 September 1874 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Schnberg until after his move to the United States in 1934 (Steinberg 1995, 463), in deference to American practice (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45). Schoenberg was known early in his career for successfully extending the traditionally opposed German Romantic traditions of both Brahms and Wagner, and later and more notably for his pioneering innovations in atonality. During the rise of the Nazi party in Austria, his music was labeled, alongside swing and jazz, as degenerate art. In the 1920s, he developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenbergs approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking and, in some cases, passionately reacted against it. Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, and later John Cage, Lou Harrison, Earl Kim, Wayne Barlow, and many other prominent musicians. Many of Schoenbergs practices, including the formalization of compositional method, and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many of the 20th centurys significant musicologists and critics, including Theodor Adorno, Charles Rosen, and Carl Dahlhaus. Schoenbergs archival legacy is collected at the Arnold Schnberg Center in Vienna. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780806530956

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6.

Schoenberg, Arnold
Editorial: Philosophical Library (2008)
ISBN 10: 0806530952 ISBN 13: 9780806530956
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Descripción Philosophical Library, 2008. Paperback. Estado de conservación: New. Nº de ref. de la librería INGM9780806530956

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7.

Schoenberg, Arnold
Editorial: Philosophical Library (2008)
ISBN 10: 0806530952 ISBN 13: 9780806530956
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Descripción Philosophical Library, 2008. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Nº de ref. de la librería ABE_book_new_0806530952

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8.

Schoenberg, Arnold
Editorial: PHILOSOPHICAL LIB (1950)
ISBN 10: 0806530952 ISBN 13: 9780806530956
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Descripción PHILOSOPHICAL LIB, 1950. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780806530956

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9.

Schoenberg, Arnold
Editorial: Philosophical Library 1950-01-01 (1950)
ISBN 10: 0806530952 ISBN 13: 9780806530956
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Descripción Philosophical Library 1950-01-01, 1950. paperback. Estado de conservación: New. Nº de ref. de la librería 9780806530956

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10.

Schoenberg, Arnold
Editorial: Philosophical Library (2008)
ISBN 10: 0806530952 ISBN 13: 9780806530956
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Irish Booksellers
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Descripción Philosophical Library, 2008. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0806530952

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