Singing the French Revolution: Popular Culture and Politics, 1787 1799: Popular Culture and Politics, 1787-99

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9780801432330: Singing the French Revolution: Popular Culture and Politics, 1787 1799: Popular Culture and Politics, 1787-99

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1.

Mason, Laura
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Cantidad: 2
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808014323300000000

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Mason, Laura
Editorial: Rutgers University Press
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Cantidad: > 20
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Descripción Rutgers University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0801432332

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Mason, Laura
Editorial: Cornell University Press (1996)
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Cantidad: > 20
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Descripción Cornell University Press, 1996. HRD. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IP-9780801432330

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Mason, Laura
Editorial: Cornell University Press (1996)
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Cantidad: > 20
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Descripción Cornell University Press, 1996. HRD. Estado de conservación: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Nº de ref. de la librería IP-9780801432330

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Mason, Laura
Editorial: Cornell University Press, United States (1996)
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Tapa dura Cantidad: 10
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Descripción Cornell University Press, United States, 1996. Hardback. Estado de conservación: New. 229 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****. Laura Mason examines the shifting fortunes of singing as a political gesture to highlight the importance of popular culture to revolutionary politics. Arguing that scholars have overstated the uniformity of revolutionary political culture, Mason uses songwriting and singing practices to reveal its diverse nature. Song performances in the streets, theaters, and clubs of Paris showed how popular culture was invested with new political meaning after 1789, becoming one of the most important means for engaging in revolutionary debate.Throughout the 1790s, French citizens came to recognize the importance of anthems for promoting their interpretations of revolutionary events, and for championing their aspirations for the Revolution. By opening new arenas of cultural activity and demolishing Old Regime aesthetic hierarchies, revolutionaries permitted a larger and infinitely more diverse population to participate in cultural production and exchange, Mason contends. The resulting activism helps explain the urgency with which successive governments sought to impose an official political culture on a heterogeneous and mobilized population. After 1793, song culture was gradually depoliticized as popular classes retreated from public arenas, middle brow culture turned to the strictly entertaining, and official culture became increasingly rigid. At the same time, however, singing practices were invented which formed the foundation for new, activist singing practices in the next century. The legacy of the Revolution, according to Mason, was to bestow new respectability on popular singing, reshaping it from an essentially conservative means of complaint to an instrument of social and political resistance. Nº de ref. de la librería APC9780801432330

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6.

Mason, Laura
Editorial: Cornell University Press, United States (1996)
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Tapa dura Cantidad: 10
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The Book Depository
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Descripción Cornell University Press, United States, 1996. Hardback. Estado de conservación: New. 229 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****.Laura Mason examines the shifting fortunes of singing as a political gesture to highlight the importance of popular culture to revolutionary politics. Arguing that scholars have overstated the uniformity of revolutionary political culture, Mason uses songwriting and singing practices to reveal its diverse nature. Song performances in the streets, theaters, and clubs of Paris showed how popular culture was invested with new political meaning after 1789, becoming one of the most important means for engaging in revolutionary debate.Throughout the 1790s, French citizens came to recognize the importance of anthems for promoting their interpretations of revolutionary events, and for championing their aspirations for the Revolution. By opening new arenas of cultural activity and demolishing Old Regime aesthetic hierarchies, revolutionaries permitted a larger and infinitely more diverse population to participate in cultural production and exchange, Mason contends. The resulting activism helps explain the urgency with which successive governments sought to impose an official political culture on a heterogeneous and mobilized population. After 1793, song culture was gradually depoliticized as popular classes retreated from public arenas, middle brow culture turned to the strictly entertaining, and official culture became increasingly rigid. At the same time, however, singing practices were invented which formed the foundation for new, activist singing practices in the next century. The legacy of the Revolution, according to Mason, was to bestow new respectability on popular singing, reshaping it from an essentially conservative means of complaint to an instrument of social and political resistance. Nº de ref. de la librería APC9780801432330

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7.

Mason, Laura
Editorial: Cornell University Press
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Tapa dura Cantidad: 20
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BuySomeBooks
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Descripción Cornell University Press. Hardcover. Estado de conservación: New. Hardcover. 280 pages. Dimensions: 8.7in. x 6.1in. x 0.8in.Laura Mason examines the shifting fortunes of singing as a political gesture to highlight the importance of popular culture to revolutionary politics. Arguing that scholars have overstated the uniformity of revolutionary political culture, Mason uses songwriting and singing practices to reveal its diverse nature. Song performances in the streets, theaters, and clubs of Paris showed how popular culture was invested with new political meaning after 1789, becoming one of the most important means for engaging in revolutionary debate. Throughout the 1790s, French citizens came to recognize the importance of anthems for promoting their interpretations of revolutionary events, and for championing their aspirations for the Revolution. By opening new arenas of cultural activity and demolishing Old Regime aesthetic hierarchies, revolutionaries permitted a larger and infinitely more diverse population to participate in cultural production and exchange, Mason contends. The resulting activism helps explain the urgency with which successive governments sought to impose an official political culture on a heterogeneous and mobilized population. After 1793, song culture was gradually depoliticized as popular classes retreated from public arenas, middle brow culture turned to the strictly entertaining, and official culture became increasingly rigid. At the same time, however, singing practices were invented which formed the foundation for new, activist singing practices in the next century. The legacy of the Revolution, according to Mason, was to bestow new respectability on popular singing, reshaping it from an essentially conservative means of complaint to an instrument of social and political resistance. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Nº de ref. de la librería 9780801432330

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8.

Mason, Laura
Editorial: Cornell Univ Pr (1996)
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Tapa dura Cantidad: 15
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English-Book-Service Mannheim
(Mannheim, Alemania)
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Descripción Cornell Univ Pr, 1996. Estado de conservación: New. This item is printed on demand for shipment within 3 working days. Nº de ref. de la librería LP9780801432330

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9.

Mason, Laura
Editorial: Cornell University Press (1996)
ISBN 10: 0801432332 ISBN 13: 9780801432330
Nuevos Tapa dura Cantidad: 1
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Booked Again
(Summit, NJ, Estados Unidos de America)
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Descripción Cornell University Press, 1996. Hardcover. Estado de conservación: New. New item. Nº de ref. de la librería QX-052-23-6305806

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