These 21 original pieces for classical guitar feature bright melodies, convenient fingering, and exquisite harmonies. They are composed so that their performance gives an impression of two or three instruments sounding simultaneously. The collection contains 12 12-bar blues, all in different keys, at an intermediate level; a difficult etude in blues form; and six jazz preludes which are easy to intermediate. Written in notation only.
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Alexander Vinitsky the well known Russian guitarist, composer and arranger, musician with original, extensive, repertoire, refined taste and individual style. He plays an electro-acoustic guitar with nylon strings. Concert repertory of Alexander Vinitsky is comprises his own compositions in different jazz styles-swing, stride, bossa nova, jazz-samba, blues, jazz rock, new age. Also in concert program includes arrangements of jazz standards of G. Gershwin, C. Porter, R. Rodgers, D.Ellington, A.C.Jobim, J. Zavinul, G.Vood, V.Young, H.Carmichael and etc. He writes the music and arrangements for guitar solo combining different styles. Also he writes jazz music for guitar and chamber orchestra, guitar and a string quartet and for quartet of guitars. He has recorded 6 CD s. Reviews Magazine Classical Guitar . England. Kolin Cooper. Its compositions are always sustained in good taste and lungs as air. Its game quiet, constrained and nevertheless with self-respect, with good technics and with the big Russian charm... Magazine Classicall Guitar . England. Are Lansh Alexander Vinitsky performance which plays a jazz a classical guitar was an example intellectual a jazz and a poetic jazz, confirming that the tool possesses the richest expressive possibilities. A musical observer of the newspaper Noviny , Poland, Jatsek Ostrovsky Since the first instants of the concert Alexander Vinitsky has created heat and calmness atmosphere. Showing huge possibilities of the tool, changing on the mood is masterful, it transferred us from hot rhythms of the South America to a climate full of nostalgia, reflexions and meditation in its own compositions The weekly newspaper Seasons , Russia, Andrey Tretjakov It was music that simple, difficult, lyrical, sensual strict and academic it was mobile and unpredictable, as mercury, hot as a wind sirocco, filigranno-perfected as reliefs of Gothic cathedrals. It were cloths of a jazz within the limits of a classical guitar
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