Forbidden Animation: Censored Cartoons and Blacklisted Animators in America

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9780786420322: Forbidden Animation: Censored Cartoons and Blacklisted Animators in America
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Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party.

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1.

Karl F. Cohen
Editorial: McFarland Co Inc, United States (2004)
ISBN 10: 0786420324 ISBN 13: 9780786420322
Nuevos Paperback Cantidad: 1
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The Book Depository
(London, Reino Unido)
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Descripción McFarland Co Inc, United States, 2004. Paperback. Estado de conservación: New. New edition. 229 x 152 mm. Language: English . Brand New Book. Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop s dress was lengthened so that her garter didn t show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce s Thank You Mask Man and Ralph Bakshi s Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party. Nº de ref. de la librería AAN9780786420322

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Karl F. Cohen
Editorial: McFarland Co Inc, United States (2004)
ISBN 10: 0786420324 ISBN 13: 9780786420322
Nuevos Paperback Cantidad: 1
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The Book Depository US
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Descripción McFarland Co Inc, United States, 2004. Paperback. Estado de conservación: New. New edition. 229 x 152 mm. Language: English . Brand New Book. Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop s dress was lengthened so that her garter didn t show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce s Thank You Mask Man and Ralph Bakshi s Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party. Nº de ref. de la librería AAN9780786420322

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Cohen, Karl F.
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97807864203220000000

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Karl F. Cohen
Editorial: McFarland & Co Inc
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Descripción McFarland & Co Inc. Paperback. Estado de conservación: new. BRAND NEW, Forbidden Animation: Censored Cartoons and Blacklisted Animators in America (New edition), Karl F. Cohen, Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party. Nº de ref. de la librería B9780786420322

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Cohen, Karl F.
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ISBN 10: 0786420324 ISBN 13: 9780786420322
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Descripción McFarland Publishing. Estado de conservación: BRAND NEW. BRAND NEW Laminated Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 724780

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Karl F. Cohen
Editorial: McFarland and Co Inc (2004)
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Descripción McFarland and Co Inc, 2004. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CE-9780786420322

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Karl F. Cohen
Editorial: McFarland & Co Inc Pub (2004)
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Descripción McFarland & Co Inc Pub, 2004. Paperback. Estado de conservación: Brand New. new edition edition. 238 pages. 8.75x6.00x0.75 inches. In Stock. Nº de ref. de la librería __0786420324

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Cohen, Karl F.
Editorial: McFarland & Company, Inc., Publishers (2004)
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Descripción McFarland & Company, Inc., Publishers, 2004. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0786420324

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Cohen, Karl F.
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Descripción McFarland & Company, Inc., Pub, 2004. Paperback. Estado de conservación: New. Nº de ref. de la librería P110786420324

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Karl F. Cohen
Editorial: McFarland & Co Inc (2004)
ISBN 10: 0786420324 ISBN 13: 9780786420322
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Descripción McFarland & Co Inc, 2004. Paperback. Estado de conservación: New. New edition. 15.2 x 23 cm. Our orders are sent from our warehouse locally or directly from our international distributors to allow us to offer you the best possible price and delivery time. Book. Nº de ref. de la librería MM-60697342

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