Forbidden Animation: Censored Cartoons and Blacklisted Animators in America

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9780786420322: Forbidden Animation: Censored Cartoons and Blacklisted Animators in America
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Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party.

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Cohen, Karl F.
ISBN 10: 0786420324 ISBN 13: 9780786420322
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Cohen, Karl F.
Editorial: McFarland Co Inc, United States (2004)
ISBN 10: 0786420324 ISBN 13: 9780786420322
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Descripción McFarland Co Inc, United States, 2004. Paperback. Estado de conservación: New. New edition. 229 x 152 mm. Language: English . Brand New Book. Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop s dress was lengthened so that her garter didn t show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce s Thank You Mask Man and Ralph Bakshi s Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party. Nº de ref. de la librería AAN9780786420322

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Cohen, Karl F.
Editorial: McFarland Co Inc, United States (2004)
ISBN 10: 0786420324 ISBN 13: 9780786420322
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Descripción McFarland Co Inc, United States, 2004. Paperback. Estado de conservación: New. New edition. 229 x 152 mm. Language: English . Brand New Book. Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop s dress was lengthened so that her garter didn t show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce s Thank You Mask Man and Ralph Bakshi s Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party. Nº de ref. de la librería AAN9780786420322

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Cohen, Karl F.
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Descripción McFarland & Co Inc. Paperback. Estado de conservación: new. BRAND NEW, Forbidden Animation: Censored Cartoons and Blacklisted Animators in America (New edition), Karl F. Cohen, Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party. Nº de ref. de la librería B9780786420322

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Descripción McFarland & Company, Inc., Publishers, 2004. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0786420324

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Descripción McFarland & Co Inc Pub, 2004. Paperback. Estado de conservación: Brand New. new edition edition. 238 pages. 8.75x6.00x0.75 inches. In Stock. Nº de ref. de la librería __0786420324

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Descripción McFarland & Co Inc, 2004. Paperback. Estado de conservación: New. New edition. 15.2 x 23 cm. Our orders are sent from our warehouse locally or directly from our international distributors to allow us to offer you the best possible price and delivery time. Book. Nº de ref. de la librería MM-60697342

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