A discussion which contrasts the make-believe West of Gene Autry, Buck Jones, Harry Carey, and others with the real American West is followed by discussion of the movies based on the work of such writers as Zane Grey, Louis L'Amour, Max Brand, Luke Short, and Ernest Haycox. Next examined are movies
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The late Buck Rainey wrote scores of articles for Western and serial fanzines and several books. He lived in Tishomingo, Oklahoma.From Library Journal:
Though both these books are on the Western in film and fiction, they differ sharply in their approach. Mitchell's work has two basic premises. First, he argues that overwhelmingly popular pieces obliquely raises critical contemporary anxieties in a manner that denies a straightforward reading, allowing competing groups to read it according to their own beliefs. For example, High Noon could be seen as both pro- and anti-McCarthyism. Second, he states that Westerns have always been about the problems of becoming a man, a question for which each generation seeks its own answer. These are interesting premises, but they would have benefited from less build-up and a wider range of illustrative examples. Unlike Westerns, which concentrated solely on A pictures, Reel Cowboy is devoted to B Westerns. Rainey is obviously extremely knowledgeable about his subject, but other than the stated goal of discovering and preserving such movies, his purpose and unifying theme are difficult to discern. In Part 1, he discusses the careers of B Westerns stars, both silent and talkie, and shows how their films fall into three categories: realistic, semirealistic, and mythic. Part 2 offers brief biographies of Western writers and their film credits, with special attention given to Zane Grey. Part 3 does the same in more detail for three authors who wrote about the great Northwest and Alaska (e.g., Jack London), none of whom are normally considered writers of Westerns. The last section details the experiences of some Western movie stars who worked in circuses and Wild West shows either on their way up or down the professional ladder. Both books are appropriate for comprehensive film collections.?Marianne Cawley, Enoch Pratt Free Lib., Baltimore
Copyright 1996 Reed Business Information, Inc.
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Descripción Mcfarland & Co Inc Pub, 1996. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P110786401060
Descripción McFarland & Co Inc Publisher, Jefferson, North Carolina, U.S.A., 1996. Hardcover. Estado de conservación: New. Clothbound hardback without dust jacket as issued. Book. Nº de ref. de la librería 011074
Descripción Mcfarland & Co Inc Pub, 1996. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0786401060