From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.
Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled.
The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.
The Weird is the winner of the 2012 World Fantasy Award for Best Anthology
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THE WEIRD was compiled and edited by Hugo Award-winner Ann VanderMeer and World Fantasy Award-winner Jeff VanderMeer. They have recently co-edited such anthologies as Best American Fantasy; Best American Fantasy 2; Steampunk; Steampunk II: Steampunk Reloaded; The New Weird; Last Drink Bird Head; Fast Ships, Black Sails; and The Thackery T. Lambshead Cabinet of Curiosities. They are the co-authors of The Kosher Guide to Imaginary Animals: The Evil Monkey Dialogues. Jeff's latest books include Finch, a World Fantasy and Nebula Award-finalist; the short story collection The Third Bear; the non-fiction collection Monstrous Creatures; the coffee table book The Steampunk Bible (co-authored with S. J. Chambers); and the writing guide Booklife. Ann is the editor-in-chief of Weird Tales magazine, the oldest fantasy magazine in the world, and is a regular contributor to the popular science fiction and fantasy web-site io9. Together, they have been profiled by National Public Radio and online at WIRED. com and the New York Times's Arts Beat blog. Both active teachers, they have taught at the Clarion and Odyssey writing workshops and the teen summer camp Shared Worlds, where Jeff serves as the assistant director. They live in Tallahassee, Florida, with too many books and four cats.
Alfred Kubin, “The Other Side” (excerpt), 1908
F. Marion Crawford, “The Screaming Skull,” 1908
Algernon Blackwood, “The Willows,” 1907
Saki, “Sredni Vashtar,” 1910
M.R. James, “Casting the Runes,” 1911
Lord Dunsany, “How Nuth Would Have Practiced his Art,” 1912
Gustav Meyrink, “The Man in the Bottle,” 1912
Georg Heym, “The Dissection,” 1913
Hanns Heinz Ewers, “The Spider,” 1915
Rabindranath Tagore, “The Hungry Stones,” 1916
Luigi Ugolini, “The Vegetable Man,” 1917
A. Merritt, “The People of the Pit,” 1918
Ryunosuke Akutagawa, “The Hell Screen,” 1918
Francis Stevens, “Unseen---Unfeared,” 1919
Franz Kafka, “In the Penal Colony,” 1919
Stefan Grabinski, “The White Weyrak,” 1921
H.F. Arnold, “The Night Wire,” 1926
H.P. Lovecraft, “The Dunwich Horror,” 1929
Margaret Irwin, “The Book,” 1930
Jean Ray, “The Mainz Psalter,” 1930
Jean Ray, “The Shadowy Street,” 1931
Clark Ashton Smith, “Genius Loci,” 1933
Hagiwara Sakutoro, “The Town of Cats,” 1935
Hugh Walpole, “The Tarn,” 1936
Bruno Schulz, “Sanatorium at the Sign of the Hourglass,” 1937
Robert Barbour Johnson, “Far Below,” 1939
Fritz Leiber, “Smoke Ghost,” 1941
Leonora Carrington, “White Rabbits,” 1941
Donald Wollheim, “Mimic,” 1942
Ray Bradbury, “The Crowd,” 1943
William Sansom, “The Long Sheet,” 1944
Jorge Luis Borges, “The Aleph,” 1945
Olympe Bhely-Quenum, “A Child in the Bush of Ghosts,” 1949
Shirley Jackson, “The Summer People,” 1950
Margaret St. Clair, “The Man Who Sold Rope to the Gnoles,” 1951
Robert Bloch, “The Hungry House,” 1951
Augusto Monterroso, “Mister Taylor,” 1952
Amos Tutuola, “The Complete Gentleman,” 1952
Jerome Bixby, “It's a Good Life,” 1953
Julio Cortazar, “Axolotl,” 1956
William Sansom, “A Woman Seldom Found,” 1956
Charles Beaumont, “The Howling Man,” 1959
Mervyn Peake, “Same Time, Same Place,” 1963
Dino Buzzati, “The Colomber,” 1966
Michel Bernanos, “The Other Side of the Mountain,” 1967
Merce Rodoreda, “The Salamander,” 1967
Claude Seignolle, “The Ghoulbird,” 1967
Gahan Wilson, “The Sea Was Wet As Wet Could Be,” 1967
Daphne Du Maurier, “Don't Look Now,” 1971
Robert Aickman, “The Hospice,” 1975
Dennis Etchison, “It Only Comes Out at Night,” 1976
James Tiptree Jr., “The Psychologist Who Wouldn't Do Terrible Things to Rats,” 1976
Eric Basso, “The Beak Doctor,” 1977
Jamaica Kincaid, “Mother,” 1978
George R.R. Martin, “Sandkings,” 1979
Bob Leman, “Window,” 1980
Ramsey Campbell, “The Brood,” 1980
Michael Shea, “The Autopsy,” 1980
William Gibson/John Shirley, “The Belonging Kind,” 1981
M. John Harrison, “Egnaro,” 1981
Joanna Russ, “The Little Dirty Girl,” 1982
M. John Harrison, “The New Rays,” 1982
Premendra Mitra, “The Discovery of Telenapota,” 1984
F. Paul Wilson, “Soft,” 1984
Octavia Butler, “Bloodchild,” 1984
Clive Barker, “In the Hills, the Cities,” 1984
Leena Krohn, “Tainaron,” 1985
Garry Kilworth, “Hogfoot Right and Bird-hands,” 1987
Lucius Shepard, “Shades,” 1987
Harlan Ellison, “The Function of Dream Sleep,” 1988
Ben Okri, “Worlds That Flourish,” 1988
Elizabeth Hand, “The Boy in the Tree,” 1989
Joyce Carol Oates, “Family,” 1989
Poppy Z Brite, “His Mouth Will Taste of Wormwood,” 1990
Michal Ajvaz, “The End of the Garden,” 1991
Karen Joy Fowler, “The Dark,” 1991
Kathe Koja, “Angels in Love,” 1991
Haruki Murakami, “The Ice Man,” 1991 (translation, Japan)
Lisa Tuttle, “Replacements,” 1992
Marc Laidlaw, “The Diane Arbus Suicide Portfolio,” 1993
Steven Utley, “The Country Doctor,” 1993
William Browning Spenser, “The Ocean and All Its Devices,” 1994
Jeffrey Ford, “The Delicate,” 1994
Martin Simpson, “Last Rites and Resurrections,” 1994
Stephen King, “The Man in the Black Suit,” 1994
Angela Carter, “The Snow Pavilion,” 1995
Craig Padawer, “The Meat Garden,” 1996
Stepan Chapman, “The Stiff and the Stile,” 1997
Tanith Lee, “Yellow and Red,” 1998
Kelly Link, “The Specialist's Hat,” 1998
Caitlin R. Kiernan, “A Redress for Andromeda,” 2000
Michael Chabon, “The God of Dark Laughter,” 2001
China Mieville, “Details,” 2002
Michael Cisco, “The Genius of Assassins,” 2002
Neil Gaiman, “Feeders and Eaters,” 2002
Jeff VanderMeer, “The Cage,” 2002
Jeffrey Ford, “The Beautiful Gelreesh,” 2003
Thomas Ligotti, “The Town Manager,” 2003
Brian Evenson, “The Brotherhood of Mutilation,” 2003
Mark Samuels, “The White Hands,” 2003
Daniel Abraham, “Flat Diana,” 2004
Margo Lanagan, “Singing My Sister Down,” 2005
T.M. Wright, “The People on the Island,” 2005
Laird Barron, “The Forest,” 2007
Liz Williams, “The Hide,” 2007
Reza Negarestani, “The Dust Enforcer,” 2008
Micaela Morrissette, “The Familiars,” 2009
Steve Duffy, “In the Lion's Den,” 2009
Stephen Graham Jones, “Little Lambs,” 2009
J. Robert Lennon, “The Portal,” 2010
K.J. Bishop, “Saving the Gleeful Horse,” 2010
Excerpted from The Weird by Jeff VanderMeer Copyright © 2012 by Jeff VanderMeer. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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