A swinging bio of young Ella Fitzgerald, who pushed through the toughest of times to become one of America’s most beloved jazz singers.
When Ella Fitzgerald danced the Lindy Hop on the streets of 1930s Yonkers, passersby said good-bye to their loose change. But for a girl who was orphaned and hungry, with raggedy clothes and often no place to spend the night, small change was not enough. One amateur night at Harlem’s Apollo Theater, Ella made a discovery: the dancing beat in her feet could travel up and out of her mouth in a powerful song —and the feeling of being listened to was like a salve to her heart. With lively prose, Roxane Orgill follows the gutsy Ella from school-girl days to a featured spot with Chick Webb’s band and all the way to her number-one radio hit "A-Tisket, A-Tasket." Jazzy mixed-media art by illustrator Sean Qualls brings the singer’s indomitable spirit to life.
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"Although I’d known Ella Fitzgerald’s singing for ages, I didn’t ‘get’ her until I saw a film clip of her singing ‘A-Tisket, A-Tasket’ standing in the aisle of a bus. She was both guileless child and determined adult, a combination I had never encountered in all the singers I had known or researched." —Roxane Orgill
Roxane Orgill is an award-winning writer on music and the author of several biographies for young readers, including MAHALIA: A LIFE IN GOSPEL MUSIC AND FOOTWORK: THE STORY OF FRED AND ADELE ASTAIRE. She is also the author of DREAM LUCKY, a book for adults about big-band jazz, race, and politics in the 1930s. She lives in New York City.
Sean Qualls is the illustrator of many books for children, including DIZZY; BEFORE JOHN WAS A JAZZ GIANT: A SONG OF JOHN COLTRANE; THE POET SLAVE OF CUBA: A BIOGRAPHY OF JUAN FRANCISCO MONZANO; and PHILLIS'S BIG TEST. He lives in Brooklyn.
Grade 3-6 As the title cleverly indicates, this book describes how the poor, raggedy cat scat-sang her way into jazz history. Orgill begins with Fitzgerald as a child dancing to her mother's records and closes with the 21-year-old woman joining the Chick Webb Band in Harlem. The interim includes frank, but not frightening, descriptions of Fitzgerald's tenure in an abusive orphanage and of the impoverished days when she slept where she could and sang on the streets for money. The prose account of Fitzgerald's life often includes sound effects that recall her unique vocal style. For instance, she does not run away from the orphanage, she dashes off in a skit-scat skedaddle. Snatches of her famous songs are woven throughout the narrative. Meanwhile, Qualls firmly establishes himself as a leading illustrator of jazz biographies for children. He uses rich reds and blues to illustrate the history of this quintessentially American art form, just as he did for Jonah Winter's Dizzy (Scholastic, 2006) and Carole Boston Weatherford's Before John Was a Jazz Giant (Holt, 2008). His mixed media of acrylic, collage, and pencil capture the richness of Fitzgerald's life and song. The back matter provides plenty of resources for further reading, listening, and Web exploration. Mary Landrum, Lexington Public Library, KY
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Descripción Candlewick, 2010. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0763617334
Descripción Candlewick, 2010. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110763617334
Descripción Candlewick. Hardcover. Estado de conservación: New. 0763617334 New Condition. Nº de ref. de la librería NEW6.1288658