Understanding Mozart's Piano Sonatas

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9780754667698: Understanding Mozart's Piano Sonatas

Mozart's piano sonatas are among the most familiar of his works and stand alongside those of Haydn and Beethoven as staples of the pianist's repertoire. In this study, John Irving looks at a wide selection of contextual situations for Mozart's sonatas, focusing on the variety of ways in which they assume identities and achieve meanings. In particular, the book seeks to establish the provisionality of the sonatas' notated texts, suggesting that the texts are not so much identifiers as possibilities and that their identity resides in the usage. Close attention is paid to reception matters, analytical approaches, organology, the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows onto Mozart's sonatas. Treating the sonatas collectively as a repertoire, rather than as individual works, the book surveys broad thematic issues such as the role of historical writing about music in defining a generic space for Mozart's sonatas, their construction within pedagogical traditions, the significance of sound as opposed to sight in these works (and in particular their sound on fortepianos of the later eighteenth-century) , and the creative role of the performer in their representation beyond the frame of the text. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.

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About the Author:

John Irving is Reader in Historical Performance at Trinity Laban Conservatoire of Music and Dance. He was previously Professor of Music at Canterbury Christ Church University, Director of The Institute of Musical Research, School of Advanced Study, University of London, and Professor of Music History and Performance Practice at The University of Bristol. His five books on Mozart include studies of the solo keyboard music, string quartets and piano concertos. He is also a fortepianist, performing and recording both on historic keyboards and modern copies.

Review:

'Reading Irving will broaden appreciation and swiftly eliminate any notion that the page open on the piano's music stand is The Work... John Irving's books ought to become prescribed reading for serious aspiring pianists and their teachers; copies should be in every College/Academy Piano Department's library.' Musical pointers 'Especially informative are chapters on early editions, early texts, and primary sources...The bibliography is extensive and nudges the reader toward further exploration. Early music specialists and fortepianists will find this volume especially intriguing... Recommended.' Choice 'In becoming 'defamiliarised from the familiar', one's desire to know more and to understand better becomes enhanced; and Irving's two major contributions to the study of Mozart's keyboard sonatas achieve a great deal towards this better understanding.' Ad Parnassum '... an inspiring contribution to Mozart studies that addresses the meeting point of analysis, reception history and performance practice ... a wealth of information and well-reasoned analysis.' Early Music

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John Irving
Editorial: Taylor Francis Ltd, United Kingdom (2010)
ISBN 10: 0754667693 ISBN 13: 9780754667698
Nuevos Tapa dura Cantidad: 10
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Descripción Taylor Francis Ltd, United Kingdom, 2010. Hardback. Estado de conservación: New. Language: English . Brand New Book. Mozart s piano sonatas are among the most familiar of his works and stand alongside those of Haydn and Beethoven as staples of the pianist s repertoire. In this study, John Irving looks at a wide selection of contextual situations for Mozart s sonatas, focusing on the variety of ways in which they assume identities and achieve meanings. In particular, the book seeks to establish the provisionality of the sonatas notated texts, suggesting that the texts are not so much identifiers as possibilities and that their identity resides in the usage. Close attention is paid to reception matters, analytical approaches, organology, the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows onto Mozart s sonatas.Treating the sonatas collectively as a repertoire, rather than as individual works, the book surveys broad thematic issues such as the role of historical writing about music in defining a generic space for Mozart s sonatas, their construction within pedagogical traditions, the significance of sound as opposed to sight in these works (and in particular their sound on fortepianos of the later eighteenth-century) , and the creative role of the performer in their representation beyond the frame of the text. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire. Nº de ref. de la librería AA69780754667698

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John Irving
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ISBN 10: 0754667693 ISBN 13: 9780754667698
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Descripción Ashgate 2010-09-28, Farnham, 2010. hardback. Estado de conservación: New. Nº de ref. de la librería 9780754667698

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John Irving
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Descripción Taylor Francis Ltd, United Kingdom, 2010. Hardback. Estado de conservación: New. Language: English . Brand New Book. Mozart s piano sonatas are among the most familiar of his works and stand alongside those of Haydn and Beethoven as staples of the pianist s repertoire. In this study, John Irving looks at a wide selection of contextual situations for Mozart s sonatas, focusing on the variety of ways in which they assume identities and achieve meanings. In particular, the book seeks to establish the provisionality of the sonatas notated texts, suggesting that the texts are not so much identifiers as possibilities and that their identity resides in the usage. Close attention is paid to reception matters, analytical approaches, organology, the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows onto Mozart s sonatas. Treating the sonatas collectively as a repertoire, rather than as individual works, the book surveys broad thematic issues such as the role of historical writing about music in defining a generic space for Mozart s sonatas, their construction within pedagogical traditions, the significance of sound as opposed to sight in these works (and in particular their sound on fortepianos of the later eighteenth-century) , and the creative role of the performer in their representation beyond the frame of the text. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire. Nº de ref. de la librería AA69780754667698

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ISBN 10: 0754667693 ISBN 13: 9780754667698
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Descripción Ashgate Publishing Group. Hardback. Estado de conservación: new. BRAND NEW PRINT ON DEMAND., Understanding Mozart's Piano Sonatas (New edition), John Irving, Mozart's piano sonatas are among the most familiar of his works and stand alongside those of Haydn and Beethoven as staples of the pianist's repertoire. In this study, John Irving looks at a wide selection of contextual situations for Mozart's sonatas, focusing on the variety of ways in which they assume identities and achieve meanings. In particular, the book seeks to establish the provisionality of the sonatas' notated texts, suggesting that the texts are not so much identifiers as possibilities and that their identity resides in the usage. Close attention is paid to reception matters, analytical approaches, organology, the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows onto Mozart's sonatas. Treating the sonatas collectively as a repertoire, rather than as individual works, the book surveys broad thematic issues such as the role of historical writing about music in defining a generic space for Mozart's sonatas, their construction within pedagogical traditions, the significance of sound as opposed to sight in these works (and in particular their sound on fortepianos of the later eighteenth-century), and the creative role of the performer in their representation beyond the frame of the text. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire. Nº de ref. de la librería B9780754667698

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Irving, John
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ISBN 10: 0754667693 ISBN 13: 9780754667698
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Descripción Routledge, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780754667698_lsuk

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Descripción Ashgate Pub Co, 2010. HRD. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VT-9780754667698

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Descripción Routledge, 2010. HRD. Estado de conservación: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Nº de ref. de la librería IP-9780754667698

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John Irving
Editorial: Taylor Francis Ltd, United Kingdom (2010)
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Descripción Taylor Francis Ltd, United Kingdom, 2010. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Mozart s piano sonatas are among the most familiar of his works and stand alongside those of Haydn and Beethoven as staples of the pianist s repertoire. In this study, John Irving looks at a wide selection of contextual situations for Mozart s sonatas, focusing on the variety of ways in which they assume identities and achieve meanings. In particular, the book seeks to establish the provisionality of the sonatas notated texts, suggesting that the texts are not so much identifiers as possibilities and that their identity resides in the usage. Close attention is paid to reception matters, analytical approaches, organology, the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows onto Mozart s sonatas.Treating the sonatas collectively as a repertoire, rather than as individual works, the book surveys broad thematic issues such as the role of historical writing about music in defining a generic space for Mozart s sonatas, their construction within pedagogical traditions, the significance of sound as opposed to sight in these works (and in particular their sound on fortepianos of the later eighteenth-century) , and the creative role of the performer in their representation beyond the frame of the text. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire. Nº de ref. de la librería BTE9780754667698

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