This work provides a biography of Carvaggio, piecing together together what happened during his short, brilliant, violent, and ill-documented life. It evokes early 17th-century Italy and the cities where Carvaggio lived and painted in all their seething, crude and dangerous colour.
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Peter Robb was born in Australia and has lived in Naples and southern Italy for most of the past two decades. His first book, Midnight in Sicily, was a New York Times Notable Book and a New York Public Library Book of the Year.From Publishers Weekly:
Recognized now as a peer of 17th-century masters Rembrandt and Vermeer, Michelangelo Merisi da Caravaggio (1571-1610) painted notoriously provocative religious and classical tableaux, yet left few traces ("no letters, no table talk, no notebook or treatise") of his life beyond his art. Australian -born Robb, whose ex-pat tour-de-force Midnight in Sicily: On Art, Food, History, Travel, & La Cosa Nostra took readers through that fascinating island, has created an idiosyncratic but dazzling biography of Caravaggio by exploiting almost every extant fragment, including a handful of sightings by friends and enemies, and the scanty Italian police files. More audaciously, Robb spreads through the life many pages on every known canvas, leaving appropriately theatrical description in his wake. Robb's Caravaggio--or "M," as he insists on calling the multimonikered and aliased painter--was a violent man of "hairtrigger touchiness," who fueled the passionate intensity of his painting with his professional and emotional frustrations, managing to register raw life in a religious culture that demanded, according to Robb, vapid holiness. Bisexual, he painted and loved pubescent boys, and patronized the female prostitutes he used as models. To great effect, Robb inserts reflections by the painter's contemporaries within his own sentences, offsetting them with italics rather than quotation marks: "M's repeated and humiliating requests for small advances from Masetti confirmed the need. That wasn't his style and he reddens whenever he sees me." He studs his own descriptions with odd words, obscenities and anachronistic, out-of-place contemporary references ("... like Ronald Reagan playing the cowboy"). Yet it all works--Robb's flawed, melodramatic, swollen biography is crammed with more about the dark, driven Caravaggio than any previous life. Just as Caravaggio took art to the edge, Robb takes biography there. 16 pages of illus., 8 in color, not seen by PW.
Copyright 1999 Reed Business Information, Inc.
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Descripción Jan 17, 2000. Estado de conservación: New. First Printing. Hardcover in dust jacket, with no marks or flaws. No sign of wear. Nº de ref. de la librería 0P-1UB7-A2S7
Descripción Bloomsbury Publishing PLC, 2000. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0747545995