Man Booker Prize-winning author Julian Barnes' Flaubert's Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad; with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam; and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.
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Just what sort of book is Flaubert's Parrot, anyway? A literary biography of 19th-century French novelist, radical, and intellectual impresario Gustave Flaubert? A meditation on the uses and misuses of language? A novel of obsession, denial, irritation, and underhanded connivery? A thriller complete with disguises, sleuthing, mysterious meetings, and unknowing targets? An extended essay on the nature of fiction itself?
On the surface, at first, Julian Barnes's book is the tale of an elderly English doctor's search for some intriguing details of Flaubert's life. Geoffrey Braithwaite seems to be involved in an attempt to establish whether a particularly fine, lovely, and ancient stuffed parrot is in fact one originally "borrowed by G. Flaubert from the Museum of Rouen and placed on his worktable during the writing of Un coeur simple, where it is called Loulou, the parrot of Felicité, the principal character of the tale."
What begins as a droll and intriguing excursion into the minutiae of Flaubert's life and intellect, along with an attempt to solve the small puzzle of the parrot--or rather parrots, for there are two competing for the title of Gustave's avian confrere--soon devolves into something obscure and worrisome, the exploration of an arcane Braithwaite obsession that is perhaps even pathological. The first hint we have that all is not as it seems comes almost halfway into the book, when after a humorously cantankerous account of the inadequacies of literary critics, Braithwaite closes a chapter by saying, "Now do you understand why I hate critics? I could try and describe to you the expression in my eyes at this moment; but they are far too discoloured with rage." And from that point, things just get more and more curious, until they end in the most unexpected bang.
One passage perhaps best describes the overall effect of this extraordinary story: "You can define a net in one of two ways, depending on your point of view. Normally, you would say that it is a meshed instrument designed to catch fish. But you could, with no great injury to logic, reverse the image and define the net as a jocular lexicographer once did: he called it a collection of holes tied together with string." Julian Barnes demonstrates that it is possible to catch quite an interesting fish no matter how you define the net. --Andrew HimesFrom the Inside Flap:
A kind of detective story, relating a cranky amateur scholar's search for the truth about Gustave Flaubert, and the obsession of this detective whose life seems to oddly mirror those of Flaubert's characters.
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Descripción BLOOMSBURY, 1992. Estado de conservación: Fair. New Ed. Former Library book. Shows definite wear, and perhaps considerable marking on inside. Nº de ref. de la librería GRP81746835
Descripción Hardback. Estado de conservación: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Nº de ref. de la librería GOR003089189
Descripción Bloomsbury Publishing PLC, 1992. Hardcover. Estado de conservación: Very Good. Very Good condition with no significant faults. Clearly used but very few minor defects. Will look good on your book case after reading but may not be suitable as a present unless hard to find elsewhere SECURE DAILY POSTING FROM UK. 30 DAY GUARANTEE. Nº de ref. de la librería mon0002547546
Descripción Paperback. Estado de conservación: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Nº de ref. de la librería FPS0747513473G
Descripción Bloomsbury Publishing PLC, 1992. Estado de conservación: D'occasion - Très bon état. Rare exemplaire signé par Julian Barnes. Signed by the author. Nº de ref. de la librería T2-PCK8-6LUO
Descripción Bloomsbury Classics, London, 1992. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. 1st Thus. Very good in jacket. Reprint by Bloomsbury of this hilarious classic. Nº de ref. de la librería 1503
Descripción Bloomsbury Publishing PLC, 1992. Hardcover. Estado de conservación: Good. Light tanning to pages / some rubbing to dust jacket. Nº de ref. de la librería 001164
Descripción Bloomsbury. Reprint, London, 1992. Hardcover/Hardback. Estado de conservación: As New. Estado de la sobrecubierta: Fine. 2nd Edition. The author's third and best known novel though now under challenge as his best Review copy with publisher's material laid in. Fine in dustwrapper. book. Nº de ref. de la librería 44921
Descripción BLOOMSBURY, 1992. Hardcover; Import. Estado de conservación: Sehr gut. Abplatzung durch Etikettenentfernung auf der Rückseite des Schutzumschlags, kleine Lagerspuren am Buch, Inhalt einwandfrei und ungelesen 417842 Sprache: Englisch Gewicht in Gramm: 310. Nº de ref. de la librería 386056
Descripción Jonathan Cape, London, 1992 Reprint. Hardback. Dust Jacket., 1992. Small 8vo. pp 308. Original publisher's black cloth, lettered gilt on spine. Signed by the author on title page. ISBN: 0-7475-1347-3 Fine in very slightly rubbed, very good+ dust wrapper. Nº de ref. de la librería C5096