Cardenio Between Cervantes and Shakespeare: The Story of a Lost Play

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9780745661858: Cardenio Between Cervantes and Shakespeare: The Story of a Lost Play
Críticas:

"Intriguing ... Chartier's elegant analysis of 'the story of a lost play' is predicated upon the disjunction between Renaissance literary production and post-Romantic ideas of authorship that obsess about the creative genius of the single author who breathes originality into a work that remains recognisably and forever, his own." Times Higher Education "Roger Chartier is one of our most enthralling historians of the book. Cardenio between Cervantes and Shakespeare is a brilliant investigation of elusive textual traces across borders, languages, and centuries. Chartier has written an essential case study of the pleasures and perils of cultural mobility." Stephen Greenblatt, Harvard University "In this magnificent new book, Roger Chartier extends cultural history into unexplored territory, a pre-modern world where texts proliferated promiscuously, crossing genres, languages, and publics in ways undreamt of today, except by writers like Borges. Chartier challenges the notions of fixed authorship and authoritative texts in a tour of literature between Cervantes and Shakespeare that will surprise and delight readers inside and outside the Academy." Robert Darnton, Harvard University "The great contribution of Chartier's book is to treat the Shakespearean and Theobaldean Cardenios as two among many versions of this story, for it seems that Cervantes's convoluted novella caught the imaginations of readers and spectators across Europe and even in the New World." Adrian Johns, University of Chicago

Reseña del editor:

How should we read a text that does not exist, or present a play the manuscript of which is lost and the identity of whose author cannot be established for certain? Such is the enigma posed by Cardenio -- a play performed in England for the first time in 1612 or 1613 and attributed forty years later to Shakespeare (and Fletcher). Its plot is that of a 'novella' inserted into Don Quixote, a work that circulated throughout the major countries of Europe, where it was translated and adapted for the theatre. In England, Cervantes' novel was known and cited even before it was translated in 1612 and had inspired Cardenio . But there is more at stake in this enigma. This was a time when, thanks mainly to the invention of the printing press, there was a proliferation of discourses. There was often a reaction when it was feared that this proliferation would become excessive, and many writings were weeded out. Not all were destined to survive, in particular plays for the theatre, which, in many cases, were never published. This genre, situated at the bottom of the literary hierarchy, was well suited to the existence of ephemeral works. However, if an author became famous, the desire for an archive of his works prompted the invention of textual relics, the restoration of remainders ruined by the passing of time or, in order to fill in the gaps, in some cases, even the fabrication of forgeries. Such was the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonder about the status, in the past, of works today judged to be canonical. In this book the reader will rediscover the malleability of texts, transformed as they were by translations and adaptations, their migrations from one genre to another, and their changing meanings constructed by their various publics. Thanks to Roger Chartier's forensic skills, fresh light is cast upon the mystery of a play lacking a text but not an author.

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Roger Chartier
Editorial: Polity Press, United Kingdom (2013)
ISBN 10: 0745661858 ISBN 13: 9780745661858
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Descripción Polity Press, United Kingdom, 2013. Paperback. Estado de conservación: New. New.. 226 x 152 mm. Language: English . Brand New Book. How should we read a text that does not exist, or present a play the manuscript of which is lost and the identity of whose author cannot be established for certain? Such is the enigma posed by Cardenio a play performed in England for the first time in 1612 or 1613 and attributed forty years later to Shakespeare (and Fletcher). Its plot is that of a novella inserted into Don Quixote, a work that circulated throughout the major countries of Europe, where it was translated and adapted for the theatre. In England, Cervantes novel was known and cited even before it was translated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when, thanks mainly to the invention of the printing press, there was a proliferation of discourses. There was often a reaction when it was feared that this proliferation would become excessive, and many writings were weeded out. Not all were destined to survive, in particular plays for the theatre, which, in many cases, were never published. This genre, situated at the bottom of the literary hierarchy, was well suited to the existence of ephemeral works. However, if an author became famous, the desire for an archive of his works prompted the invention of textual relics, the restoration of remainders ruined by the passing of time or, in order to fill in the gaps, in some cases, even the fabrication of forgeries. Such was the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonder about the status, in the past, of works today judged to be canonical. In this book the reader will rediscover the malleability of texts, transformed as they were by translations and adaptations, their migrations from one genre to another, and their changing meanings constructed by their various publics. Thanks to Roger Chartier s forensic skills, fresh light is cast upon the mystery of a play lacking a text but not an author. Nº de ref. de la librería AAH9780745661858

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Descripción Polity Press, United Kingdom, 2013. Paperback. Estado de conservación: New. New.. 226 x 152 mm. Language: English . Brand New Book. How should we read a text that does not exist, or present a play the manuscript of which is lost and the identity of whose author cannot be established for certain? Such is the enigma posed by Cardenio a play performed in England for the first time in 1612 or 1613 and attributed forty years later to Shakespeare (and Fletcher). Its plot is that of a novella inserted into Don Quixote, a work that circulated throughout the major countries of Europe, where it was translated and adapted for the theatre. In England, Cervantes novel was known and cited even before it was translated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when, thanks mainly to the invention of the printing press, there was a proliferation of discourses. There was often a reaction when it was feared that this proliferation would become excessive, and many writings were weeded out. Not all were destined to survive, in particular plays for the theatre, which, in many cases, were never published. This genre, situated at the bottom of the literary hierarchy, was well suited to the existence of ephemeral works. However, if an author became famous, the desire for an archive of his works prompted the invention of textual relics, the restoration of remainders ruined by the passing of time or, in order to fill in the gaps, in some cases, even the fabrication of forgeries. Such was the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonder about the status, in the past, of works today judged to be canonical. In this book the reader will rediscover the malleability of texts, transformed as they were by translations and adaptations, their migrations from one genre to another, and their changing meanings constructed by their various publics. Thanks to Roger Chartier s forensic skills, fresh light is cast upon the mystery of a play lacking a text but not an author. Nº de ref. de la librería AAH9780745661858

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Roger Chartier
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Descripción Polity Press, 2012. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería FW-9780745661858

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Roger Chartier
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Descripción Polity Press, United Kingdom, 2013. Paperback. Estado de conservación: New. New.. 226 x 152 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. How should we read a text that does not exist, or present a play the manuscript of which is lost and the identity of whose author cannot be established for certain? Such is the enigma posed by Cardenio a play performed in England for the first time in 1612 or 1613 and attributed forty years later to Shakespeare (and Fletcher). Its plot is that of a novella inserted into Don Quixote, a work that circulated throughout the major countries of Europe, where it was translated and adapted for the theatre. In England, Cervantes novel was known and cited even before it was translated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when, thanks mainly to the invention of the printing press, there was a proliferation of discourses. There was often a reaction when it was feared that this proliferation would become excessive, and many writings were weeded out. Not all were destined to survive, in particular plays for the theatre, which, in many cases, were never published. This genre, situated at the bottom of the literary hierarchy, was well suited to the existence of ephemeral works. However, if an author became famous, the desire for an archive of his works prompted the invention of textual relics, the restoration of remainders ruined by the passing of time or, in order to fill in the gaps, in some cases, even the fabrication of forgeries. Such was the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonder about the status, in the past, of works today judged to be canonical. In this book the reader will rediscover the malleability of texts, transformed as they were by translations and adaptations, their migrations from one genre to another, and their changing meanings constructed by their various publics. Thanks to Roger Chartier s forensic skills, fresh light is cast upon the mystery of a play lacking a text but not an author. Nº de ref. de la librería BZV9780745661858

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Chartier, Roger
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Descripción Polity, 2013. Paperback. Estado de conservación: New. Nº de ref. de la librería 0745661858

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Descripción Polity, 2013. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0745661858

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Chartier, Roger
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Descripción Polity Pr, 2013. Paperback. Estado de conservación: Brand New. 1st edition. 256 pages. 9.25x6.25x1.00 inches. In Stock. Nº de ref. de la librería __0745661858

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Roger Chartier
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Descripción Polity Press. Paperback. Estado de conservación: new. BRAND NEW, Cardenio Between Cervantes and Shakespeare: The Story of a Lost Play, Roger Chartier, How should we read a text that does not exist, or present a playthe manuscript of which is lost and the identity of whose authorcannot be established for certain? Such is the enigma posed by Cardenio a playperformed in England for the first time in 1612 or 1613 andattributed forty years later to Shakespeare (and Fletcher). Itsplot is that of a novella inserted into Don Quixote,a work that circulated throughout the major countries of Europe,where it was translated and adapted for the theatre. In England,Cervantes novel was known and cited even before it wastranslated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when,thanks mainly to the invention of the printing press, there was aproliferation of discourses. There was often a reaction when it wasfeared that this proliferation would become excessive, and manywritings were weeded out. Not all were destined to survive, inparticular plays for the theatre, which, in many cases, were neverpublished. This genre, situated at the bottom of the literaryhierarchy, was well suited to the existence of ephemeral works.However, if an author became famous, the desire for an archive ofhis works prompted the invention of textual relics, the restorationof remainders ruined by the passing of time or, in order to fill inthe gaps, in some cases, even the fabrication of forgeries. Suchwas the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonderabout the status, in the past, of works today judged to becanonical. In this book the reader will rediscover the malleabilityof texts, transformed as they were by translations and adaptations,their migrations from one genre to another, and their changingmeanings constructed by their various publics. Thanks to RogerChartier s forensic skills, fresh light is cast upon themystery of a play lacking a text but not an author. Nº de ref. de la librería B9780745661858

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ROGER CHARTIER
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Descripción 2012. Paperback. Estado de conservación: NEW. 9780745661858 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0784606

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