Dark Matter: Art and Politics in the Age of Enterprise Culture (Marxism and Culture)

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9780745327525: Dark Matter: Art and Politics in the Age of Enterprise Culture (Marxism and Culture)

Book by Sholette Gregory

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Críticas:

With great verve and urgency, Gregory Sholette explores the economics of contemporary art production in an era of neoliberalism, and outlines the promises and pitfalls of various tactics of resistance. Dark Matter is a salient call-to-arms to all cultural laborers. (Julia Bryan-Wilson, author of Art Workers: Radical Practice in the Vietnam War Era)

Based on a multitude of examples from the heterocosmos of invisible art practices, Dark Matter is the ultimate companion to contemporary activist art. In his exquisite and theoretically informed style Gregory Sholette investigates the problematic functions of art practices in the processes of neoliberal appropriation, but above all the wild, explosive and deterritorializing lines that are drawn in the dark matter between art and politics. (Gerald Raunig is a philosopher and art theorist who lives in Vienna, Austria. He is the author of Art and Revolution)

Greg Sholette masterfully illuminates the configurations, ideas, and behaviors of collectives dedicated to cultural resistance. Dark Matter is essential reading for anyone concerned with the fate of the avant-garde and the emergence of new possibilities in cultural production that suggest and create alternatives to global capitalism. (Critical Art Ensemble)

As both active participant and witness Greg Sholette sheds a welcome and overdue light on the dark matter of the so-called art world. (Hans Haacke, artist)

Focusing primarily on the anti-institutional, collective and politically critical artists that often willingly reject the light of the mainstream galleries and academies, Sholette both highlights a vast array of important contributors to art of the last decade and also challenges the ahistorical assumptions that ground the capitalist art market. (Paul B. Jaskot, Professor of Art History at DePaul University)

An important and necessary intervention. What's striking about the book is that it is less a set of reflections on 'art and politics' than a critique of art's very place within political economy, something that even erstwhile radicals rarely address. In this sense the book fits very well into what is now amounting to a revolutionary onslaught on the current crisis of capitalism. Dark Matter, is well placed to shift the debate on art's utility back within the domain of labour and value, where it has long been missing. (Professor John Roberts, University of Wolverhampton)

Reseña del editor:

Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it.

Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite.

This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this 'dark matter' of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world.

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Descripción PLUTO PRESS, United Kingdom, 2011. Paperback. Estado de conservación: New. 228 x 150 mm. Language: English . Brand New Book. Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the dark matter of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this dark matter of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world. Nº de ref. de la librería AAJ9780745327525

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Descripción PLUTO PRESS, United Kingdom, 2011. Paperback. Estado de conservación: New. 228 x 150 mm. Language: English . Brand New Book. Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the dark matter of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this dark matter of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world. Nº de ref. de la librería AAJ9780745327525

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Descripción Pluto Press 2010-11-05, 2010. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-MAR-00055962

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Descripción Pluto Press. Paperback. Estado de conservación: new. BRAND NEW, Dark Matter: Art and Politics in the Age of Enterprise Culture, Gregory Sholette, Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this 'dark matter' of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world. Nº de ref. de la librería B9780745327525

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Descripción Pluto Press 2011-01-05, London, 2011. paperback. Estado de conservación: New. Nº de ref. de la librería 9780745327525

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Descripción Pluto Press, 2011. Estado de conservación: New. Shows that the elite of the art world are sustained by new forms and styles created by artists outside the mainstream. Series: Marxism and Culture. Num Pages: 256 pages, 41 photographs. BIC Classification: ABQ; KCP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 151 x 16. Weight in Grams: 418. . 2011. Paperback. . . . . . Nº de ref. de la librería V9780745327525

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Descripción Pluto Press, 2010. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780745327525

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Descripción Pluto Press. Estado de conservación: New. Shows that the elite of the art world are sustained by new forms and styles created by artists outside the mainstream. Series: Marxism and Culture. Num Pages: 256 pages, 41 photographs. BIC Classification: ABQ; KCP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 151 x 16. Weight in Grams: 418. . 2011. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780745327525

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