Various Minimalism

ISBN 13: 9780714856537

Minimalism

4,09 valoración promedio
( 90 valoraciones por Goodreads )
 
9780714856537: Minimalism

Minimalism offers the first straightforward and useful summary of the output and outlook of the artists associated with minimalism in its heyday, as well as its subsequent development into more nuanced visual forms and its relationship to postmodernism. Editor James Meyer is a specialist who has written extensively on Carl Andre, Donald Judd, Dan Flavin, and Sol LeWitt, four of the seminal minimalists (the fifth is Robert Morris). Despite the intellectual thorniness of this art, Meyer avoids the turgidity that marks much of the writing associated with it.

Tracing the origins of minimalism primarily to Frank Stella's "Black Paintings" of 1959, Meyer outlines the shifting, often warring definitions of this new kind of art. Once sculptors Andre and Judd had made their mark, there was doubt that painters could be minimalists. Brice Marden and Robert Ryman made the cut because their work was believed to be purely about the process of painting. Interestingly, although this was overwhelmingly a male club, curators also initially embraced the work of several women artists (including Agnes Martin and Anne Truitt) who retained such minimalist no-noes as irregular, handmade marks, color that could be perceived independently of form, and a belief in transcendent meaning.

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Review:

For more than 20 years, Gregory Battcock's Minimal Art: A Critical Anthology has been the book on this deceptively simple approach to art-making, which sought to remove any trace of the artist's hand or emotion from the work. (Detractors naturally found it ludicrous that such reductive sculpture, often consisting of no more than a few basic modular units attached to the wall or placed on the floor, generated such a voluminous and dense stream of critical analysis, beginning in the mid-1960s.)

Part of Phaidon's Themes and Movements series, Minimalism offers the first straightforward and useful summary of the output and outlook of the artists associated with minimalism in its heyday, as well as its subsequent development into more nuanced visual forms and its relationship to postmodernism. Editor James Meyer is a specialist who has written extensively on Carl Andre, Donald Judd, Dan Flavin, and Sol LeWitt, four of the seminal minimalists (the fifth is Robert Morris). Despite the intellectual thorniness of this art, Meyer avoids the turgidity that marks much of the writing associated with it.

Tracing the origins of minimalism primarily to Frank Stella's "Black Paintings" of 1959, Meyer outlines the shifting, often warring definitions of this new kind of art. Once sculptors Andre and Judd had made their mark, there was doubt that painters could be minimalists. Brice Marden and Robert Ryman made the cut because their work was believed to be purely about the process of painting. Interestingly, although this was overwhelmingly a male club, curators also initially embraced the work of several women artists (including Agnes Martin and Anne Truitt) who retained such minimalist no-noes as irregular, handmade marks, color that could be perceived independently of form, and a belief in transcendent meaning.

The 141 pages of color and black-and-white photographs (including rare glimpses of early work by some artists) and a generous assembly of texts by such key commentators as Michael Fried, Barbara Rose, Rosalind Krauss, and the artists themselves (including previously unpublished or hard-to-find material) make this volume indispensable for anyone seriously interested in contemporary art. --Cathy Curtis

From the Publisher:

Minimalism was a movement pioneered in America in the late 1960s that aimed at reducing sculpture and painting to its most essential forms. Through the work of its five key practitioners, Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt and Robert Morris, this book examines in words and pictures the defining characteristics--and the debates--of the art belonging to the movement. Although all these clean-edged works can be identified by certain recurring elements--symmetry, repetition, seriality and factory production--this book documents the surprising variety of work produced within these rigid confines. Alongside images of the key works and the historical exhibitions of Minimalism, author James Meyer presents the sides in the debate around Minimalism from the late 1950s to the present day along with artists' statements, reviews and commentary.

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Descripción Phaidon Press Ltd, United Kingdom, 2010. Paperback. Estado de conservación: New. Abridged, Revised, Updated. Language: English . Brand New Book. A beautifully illustrated book, internationally recognized as the definitive survey of Minimalism. Nº de ref. de la librería AA99780714856537

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ISBN 10: 0714856533 ISBN 13: 9780714856537
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Descripción Phaidon Press Ltd 2010-02-28, 2010. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-00482545

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Editorial: Phaidon Press Ltd, United Kingdom (2010)
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Descripción Phaidon Press Ltd, United Kingdom, 2010. Paperback. Estado de conservación: New. Abridged, Revised, Updated. Language: English . Brand New Book. A beautifully illustrated book, internationally recognized as the definitive survey of Minimalism. Nº de ref. de la librería AA99780714856537

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James Meyer
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Descripción Phaidon Press, 2010. Estado de conservación: New. 2010. Abr Rev Up. Paperback. Beautifully illustrated and internationally recognized as the definitive survey of Minimalism. Editor(s): Meyer, James. Num Pages: 200 pages, 296 illustrations. BIC Classification: ACXJ4. Category: (G) General (US: Trade). Dimension: 290 x 250 x 16. Weight in Grams: 982. . . . . . . Nº de ref. de la librería V9780714856537

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