Uta Barth (Contemporary artists)

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9780714841533: Uta Barth (Contemporary artists)
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'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)

Reseña del editor:

German-born, American-based artist Uta Barth (b.1958) is among the key recent figures who have brought photography to the prominent position once occupied by painting. Her photographs of interior and exterior, urban and natural environments capture fleeting moments as if glimpsed out of the corner of one's eye, where we become aware of the beauty of everyday light, space, texture and luminous surfaces. Working in broad series, each body of work explores different details of our surroundings, such as the corner of a room (Ground #38, 1994), the headlights of a passing car (Field #3, 1995), bare trees seen through a window (white blind [bright red], 2002). A kind of 'portrait photography, but with the sitter removed', Barth's work focuses not on the subject of the photograph, but on the subtle play of light and shade on planes and surfaces: that is, the phenomena of vision itself. Often one element, such as a few leaves on a branch, is brought into focus while all else is dissolved and diffused, suggesting the atmospheric work of painters of the past, from Vermeer to Turner, or suggesting the background ambience of film. Barth's work has been exhibited at museums around the world, including the Museum of Modern Art, New York; Tate Modern, London; and the Solomon R. Guggenheim Museum, New York. In her Survey, Pamela M. Lee examines all the key series that have marked the artist's work, among them Ground (1994-7), Field (1995-6), nowhere near (1999), ...and of time (2000) and white blind (bright red) (2002). In the Interview curator Matthew Higgs discusses the artist's earliest introduction to photography and her work's possible misinterpretations as 'sentimental' or 'painterly'. Artist and critic Jeremy Gilbert-Rolfe focuses on the three-panel work Untitled 98.5 (1998), a turning point in her oeuvre. For her Artist's Choice Barth has selected extracts from Joan Didion's novel Democracy (1984) that reflect the visual nuances of her own work. Artist's Writings include a new text by the artist that mirrors her unique observations on vision, perception and photography.

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1.

Pamela M Lee
Editorial: Phaidon Press Ltd 2004-11 (2004)
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos Cantidad: 3
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Chiron Media
(Wallingford, Reino Unido)
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Descripción Phaidon Press Ltd 2004-11, 2004. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-00559841

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Jérémy Gilbert-Rolfe, Matthew Higgs, Pamela M. Lee
ISBN 10: 0714841536 ISBN 13: 9780714841533
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97807148415330000000

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Jérémy Gilbert-Rolfe, Matthew Higgs, Pamela M. Lee
Editorial: Phaidon Press Ltd, United Kingdom (2004)
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos Paperback Cantidad: 10
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The Book Depository
(London, Reino Unido)
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Descripción Phaidon Press Ltd, United Kingdom, 2004. Paperback. Estado de conservación: New. Second ed.. 288 x 252 mm. Language: English . Brand New Book. German-born, American-based artist Uta Barth (b.1958) is among the key recent figures who have brought photography to the prominent position once occupied by painting. Her photographs of interior and exterior, urban and natural environments capture fleeting moments as if glimpsed out of the corner of one s eye, where we become aware of the beauty of everyday light, space, texture and luminous surfaces. Working in broad series, each body of work explores different details of our surroundings, such as the corner of a room (Ground #38, 1994), the headlights of a passing car (Field #3, 1995), bare trees seen through a window (white blind [bright red], 2002). A kind of portrait photography, but with the sitter removed , Barth s work focuses not on the subject of the photograph, but on the subtle play of light and shade on planes and surfaces: that is, the phenomena of vision itself. Often one element, such as a few leaves on a branch, is brought into focus while all else is dissolved and diffused, suggesting the atmospheric work of painters of the past, from Vermeer to Turner, or suggesting the background ambience of film. Barth s work has been exhibited at museums around the world, including the Museum of Modern Art, New York; Tate Modern, London; and the Solomon R. Guggenheim Museum, New York. In her Survey, Pamela M. Lee examines all the key series that have marked the artist s work, among them Ground (1994-7), Field (1995-6), nowhere near (1999), .and of time (2000) and white blind (bright red) (2002). In the Interview curator Matthew Higgs discusses the artist s earliest introduction to photography and her work s possible misinterpretations as sentimental or painterly . Artist and critic Jeremy Gilbert-Rolfe focuses on the three-panel work Untitled 98.5 (1998), a turning point in her oeuvre. For her Artist s Choice Barth has selected extracts from Joan Didion s novel Democracy (1984) that reflect the visual nuances of her own work. Artist s Writings include a new text by the artist that mirrors her unique observations on vision, perception and photography. Nº de ref. de la librería AA99780714841533

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Jérémy Gilbert-Rolfe, Matthew Higgs, Pamela M. Lee
Editorial: Phaidon Press Ltd, United Kingdom (2004)
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos Paperback Cantidad: 10
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción Phaidon Press Ltd, United Kingdom, 2004. Paperback. Estado de conservación: New. Second ed.. 288 x 252 mm. Language: English . Brand New Book. German-born, American-based artist Uta Barth (b.1958) is among the key recent figures who have brought photography to the prominent position once occupied by painting. Her photographs of interior and exterior, urban and natural environments capture fleeting moments as if glimpsed out of the corner of one s eye, where we become aware of the beauty of everyday light, space, texture and luminous surfaces. Working in broad series, each body of work explores different details of our surroundings, such as the corner of a room (Ground #38, 1994), the headlights of a passing car (Field #3, 1995), bare trees seen through a window (white blind [bright red], 2002). A kind of portrait photography, but with the sitter removed , Barth s work focuses not on the subject of the photograph, but on the subtle play of light and shade on planes and surfaces: that is, the phenomena of vision itself. Often one element, such as a few leaves on a branch, is brought into focus while all else is dissolved and diffused, suggesting the atmospheric work of painters of the past, from Vermeer to Turner, or suggesting the background ambience of film. Barth s work has been exhibited at museums around the world, including the Museum of Modern Art, New York; Tate Modern, London; and the Solomon R. Guggenheim Museum, New York. In her Survey, Pamela M. Lee examines all the key series that have marked the artist s work, among them Ground (1994-7), Field (1995-6), nowhere near (1999), .and of time (2000) and white blind (bright red) (2002). In the Interview curator Matthew Higgs discusses the artist s earliest introduction to photography and her work s possible misinterpretations as sentimental or painterly . Artist and critic Jeremy Gilbert-Rolfe focuses on the three-panel work Untitled 98.5 (1998), a turning point in her oeuvre. For her Artist s Choice Barth has selected extracts from Joan Didion s novel Democracy (1984) that reflect the visual nuances of her own work. Artist s Writings include a new text by the artist that mirrors her unique observations on vision, perception and photography. Nº de ref. de la librería AA99780714841533

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5.

Higgs, Matthew
Editorial: Phaidon Press Ltd (2004)
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos Tapa blanda Cantidad: 5
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Valoración
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Descripción Phaidon Press Ltd, 2004. Estado de conservación: New. 2004. Paperback. The definitive look at one of the most influential artists using photography today. Series: Contemporary Artists Series. Num Pages: 160 pages, 120 colour illustrations. BIC Classification: AJB. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 287 x 243 x 17. Weight in Grams: 1030. . . . . . . Nº de ref. de la librería V9780714841533

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6.

Uta Barth, Uta Barth, Matthew Higgs, Timothy Martin, Jeremy Gilbert-Rolfe
Editorial: Phaidon Press Ltd
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos Paperback Cantidad: 2
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THE SAINT BOOKSTORE
(Southport, Reino Unido)
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Descripción Phaidon Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, Uta Barth, Uta Barth, Uta Barth, Matthew Higgs, Timothy Martin, Jeremy Gilbert-Rolfe, German-born, American-based artist Uta Barth (b.1958) is among the key recent figures who have brought photography to the prominent position once occupied by painting. Her photographs of interior and exterior, urban and natural environments capture fleeting moments as if glimpsed out of the corner of one's eye, where we become aware of the beauty of everyday light, space, texture and luminous surfaces. Working in broad series, each body of work explores different details of our surroundings, such as the corner of a room (Ground #38, 1994), the headlights of a passing car (Field #3, 1995), bare trees seen through a window (white blind [bright red], 2002). A kind of 'portrait photography, but with the sitter removed', Barth's work focuses not on the subject of the photograph, but on the subtle play of light and shade on planes and surfaces: that is, the phenomena of vision itself. Often one element, such as a few leaves on a branch, is brought into focus while all else is dissolved and diffused, suggesting the atmospheric work of painters of the past, from Vermeer to Turner, or suggesting the background ambience of film. Barth's work has been exhibited at museums around the world, including the Museum of Modern Art, New York; Tate Modern, London; and the Solomon R. Guggenheim Museum, New York. In her Survey, Pamela M. Lee examines all the key series that have marked the artist's work, among them Ground (1994-7), Field (1995-6), nowhere near (1999), .and of time (2000) and white blind (bright red) (2002). In the Interview curator Matthew Higgs discusses the artist's earliest introduction to photography and her work's possible misinterpretations as 'sentimental' or 'painterly'. Artist and critic Jeremy Gilbert-Rolfe focuses on the three-panel work Untitled 98.5 (1998), a turning point in her oeuvre. For her Artist's Choice Barth has selected extracts from Joan Didion's novel Democracy (1984) that reflect the visual nuances of her own work. Artist's Writings include a new text by the artist that mirrors her unique observations on vision, perception and photography. Nº de ref. de la librería B9780714841533

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7.

Lee, Pamela M./ Higgs, Matthew/ Gilbert-Rolfe, Jeremy
Editorial: Phaidon Press Ltd 2004-10-11, London (2004)
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos paperback Cantidad: 1
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Blackwell's
(Oxford, OX, Reino Unido)
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Descripción Phaidon Press Ltd 2004-10-11, London, 2004. paperback. Estado de conservación: New. Nº de ref. de la librería 9780714841533

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Higgs, Matthew
Editorial: Phaidon Press Ltd
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos Tapa blanda Cantidad: 5
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Kennys Bookstore
(Olney, MD, Estados Unidos de America)
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Descripción Phaidon Press Ltd. Estado de conservación: New. 2004. Paperback. The definitive look at one of the most influential artists using photography today. Series: Contemporary Artists Series. Num Pages: 160 pages, 120 colour illustrations. BIC Classification: AJB. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 287 x 243 x 17. Weight in Grams: 1030. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780714841533

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9.

Uta Barth
Editorial: Phaidon Press Ltd (2004)
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos Cantidad: 3
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Books2Anywhere
(Fairford, GLOS, Reino Unido)
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Descripción Phaidon Press Ltd, 2004. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería GB-9780714841533

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10.

Uta Barth, Uta Barth, Matthew Higgs, Timothy Martin
ISBN 10: 0714841536 ISBN 13: 9780714841533
Nuevos Paperback Cantidad: 3
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Ria Christie Collections
(Uxbridge, Reino Unido)
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Descripción Paperback. Estado de conservación: New. Not Signed; German-born, American-based artist Uta Barth (b.1958) is among the key recent figures who have brought photography to the prominent position once occupied by painting. Her photographs of interior and exterior, urban and natural environments capture fleeting moments as if glimpsed out of the corner o. book. Nº de ref. de la librería ria9780714841533_rkm

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