In a survey of Californian-based artist Mike Kelly, the author of this volume discusses with the artist his various aesthetic and symbolic strategies in both the American and In European contexts. Kelly's work is considered in the context of his anti-art predecessors since Dada and chronicles all of Kelly's work, from his earliest performances in the late 1970s to his large sculptural installations in the 1990s.
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John C. Welchman is Professor of Modern Art History in the Visual Arts Department at the University of California, San Diego.
Nachtwey grew up in Massachusetts and graduated from Dartmouth College, where he studied Art History and Political Science. He's worked on photographic essays in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil, Iraq, and the US.
Mike Kelley is a Los Angeles-based artist, noise musician, and writer. He is a member of the graduate faculty in the M.F.A. program at Art Center College of Design, Pasadena.
Anthony Vidler is Dean and Professor of the Irwin S. Chanin School of Architecture at The Cooper Union, New York. He is the author of "Warped Space: Art, Architecture, and Anxiety in Modern Culture" (2000), and "The Architectural Uncanny: Essays in the Modern Unhomely" (1992), both published by The MIT Press, and other books.
On the Contemporary Artists Series "The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."-Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."-Time Out "A unique series of informative monographs on individual artists."-The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."-The Art Book
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Descripción Phaidon Press November 1999, 1999. Trade Paperback. Estado de conservación: New. Los Angeles-based sculptor, performance and installation artist Mike Kelley is one of the most important American artists to have emerged from the 1980s. Best known for his assemblage sculptures made from stuffed children's toys, often set upon the 'stage' of a homemade afghan, Kelley draws from popular culture as well as the modernist traditions of the found object and collage to comment on late twentieth-century American society. Familiar with his work from presentations at Documenta X (1997), and major solo museum exhibitions worldwide throughout the 1990s, Mike Kelley's audience is very broad, ranging from academics and teenage comic-book cultists to curators of the world's most prestigious museums. Nº de ref. de la librería 190011
Descripción Phaidon, 1999. Estado de conservación: Neuf. Nº de ref. de la librería 9780714838342
Descripción Phaidon, 2002. Estado de conservación: NEW. Nº de ref. de la librería 9780714838342
Descripción PHAIDON PRESS. Paperback. Estado de conservación: NEW. PHAIDON PRESS (04/11/1999) Weight: 1024g. / 2.26 lbs Binding Paperback Great Customer Service!. Nº de ref. de la librería 9780714838342
Descripción Phaidon Press. PAPERBACK. Estado de conservación: New. 0714838349 New Condition. Nº de ref. de la librería NEW7.0278674
Descripción Phaidon Press, 1999. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0714838349
Descripción Phaidon Press, 1999. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0714838349
Descripción Phaidon Press, 1999. Paperback. Estado de conservación: New. Never used!. Nº de ref. de la librería P110714838349