'A magnificent book, appealingly designed and filled with valuable information.' (Mail & Guardian, South Africa) 'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)From the Publisher:
William Kentridge's (b.1955) black-and-white, animated films offer an emblematic and unprecedented insight into the South Africa of today, from the hearings of the Truth and Reconciliation Commission to traces of apartheid's violence in the landscape around Johannesburg. This is the first book to document the work of this extraordinary artist, who exploded on the international art scene in 1997 after working for some 20 years little known outside of his native South Africa. The images in Kentridge's films depict political realities, expressed in terms of individual human suffering. They are patiently made up of dozens of drawings, often made from the erasure as well as the addition of lines and forms. A week's drawing can give rise to just 40 seconds of animation. Socio-political traumas such as apartheid and the Holocaust are enigmatically narrated through his melancholy, tormented images. Like some of the Expressionists who also relied on strong draughtsmanship, such as Max Backman and Kathe Kollwitz, Kentridge presents politically engaged art via depictions of the personal. This invaluable book is the first extensive monograph available on his work. American curator and critic Dan Cameron surveys Kentridge's work withing the context of politicized art practice while analysing the formal innovations of his animation techniques. European art critic and curator Carolyn Christov-Bakargiev discusses with the artist the political and philosophical dimensions of his relationship to drawing. Booker Prize-winning South African novelist J. M. Coetzee focusses on the artist's animated film History of the Main Complaint (1996) as a pivotal point in the development of Kentridge's best-known characters Soho Eckstein and Felix Teitlebaum. The Artist's Choice selection is an extract from Confessions of Zeno (1923) by Italo Svevo, which reflects the autobiographical content of the artist's work. Kentridge's writings span meditations on the process of drawing, the political situation in South Africa and traditions of representation upon which he has drawn, ranging from Goya and Hogarth to Beckmann and Eisenstein.
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Descripción Phaidon Press, 1999. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0714838292
Descripción Phaidon Press, 1999. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0714838292
Descripción Phaidon Inc Ltd, 1999. Paperback. Estado de conservación: Brand New. first paperback edition edition. 160 pages. 11.50x9.75x0.75 inches. In Stock. Nº de ref. de la librería 0714838292
Descripción Phaidon Press, 1999. Paperback. Estado de conservación: New. Nº de ref. de la librería P110714838292
Descripción Phaidon Press, 1999. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: William Kentridge's animated films offer a unique view of South Africa today, from the hearings of the Truth and Reconciliation Commission to traces of apartheid's violence in the landscape around Johannesburg. This is the first book to document the work of this extraordinary artist who has gained major international recognition in the 1990s. The images in Kentridge's films depict political realities, expressed in terms of individual human suffering. The films are composed of patiently reworked drawings; a week's drawing can give rise to just forty seconds of animation. A major touring exhibition of Kentridge's work is presented at the Museum of Contemporary Art, Chicago, the New Museum of Contemporary Art, New York and the Hirshhorn Museum, Washington, DC, during 2000-2001. Nº de ref. de la librería ABE_book_new_0714838292
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97807148382981.0
Descripción Phaidon Press, 1999. Taschenbuch. Estado de conservación: Neu. Neu Neuware, Importqualität, auf Lager, Versand per Büchersendung - An exploration of the extraordinary artist's socio-political films and drawings. 160 pp. Deutsch. Nº de ref. de la librería INF1000377944