Mona Hatoum (Contemporary Artists Series)

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9780714836607: Mona Hatoum (Contemporary Artists Series)
Review:

'This valuable retrospective demonstrates the sense of alienation her work intends to create, and reinforces her artistic statements with essays from cultural commentators, including brilliant fellow-Palestinian Edward Said.' (Big Issue) 'Uncomfortable, compelling and often unexpectedly beautiful.' (World of Interiors) 'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)

From the Publisher:

Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness. Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews.

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1.

Michael Archer, Mona Hatoum
Editorial: Phaidon Press Ltd, United Kingdom (1997)
ISBN 10: 0714836605 ISBN 13: 9780714836607
Nuevos Paperback Cantidad: 10
Librería
The Book Depository
(London, Reino Unido)
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Descripción Phaidon Press Ltd, United Kingdom, 1997. Paperback. Estado de conservación: New. 284 x 239 mm. Language: English . Brand New Book. Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist s body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum s works are at the same time powerful evocations of statelessness, anxiety, denial and otherness. Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum s range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London s Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum s own notes, statements and interviews. Nº de ref. de la librería AA99780714836607

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2.

Michael Archer, Mona Hatoum
Editorial: Phaidon Press Ltd
ISBN 10: 0714836605 ISBN 13: 9780714836607
Nuevos Paperback Cantidad: 5
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THE SAINT BOOKSTORE
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Descripción Phaidon Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, Mona Hatoum, Guy Brett, Michael Archer, Catherine de Zegher, Edward W. Said, Piero Manzoni, Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness. Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews. Nº de ref. de la librería B9780714836607

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3.

Michael Archer, Mona Hatoum
Editorial: Phaidon Press Ltd, United Kingdom (1997)
ISBN 10: 0714836605 ISBN 13: 9780714836607
Nuevos Paperback Cantidad: 10
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción Phaidon Press Ltd, United Kingdom, 1997. Paperback. Estado de conservación: New. 284 x 239 mm. Language: English . Brand New Book. Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist s body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum s works are at the same time powerful evocations of statelessness, anxiety, denial and otherness. Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum s range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London s Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum s own notes, statements and interviews. Nº de ref. de la librería AA99780714836607

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4.

Michael Archer, Mona Hatoum
Editorial: Phaidon Press Ltd (1997)
ISBN 10: 0714836605 ISBN 13: 9780714836607
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Descripción Phaidon Press Ltd, 1997. Estado de conservación: New. An exploration of the artist's powerful evocations of statelessness, otherness and denial. Series: Contemporary Artists Series. Num Pages: 160 pages, 100 colour plates & 30 b&w halftones. BIC Classification: AFKP; AGB; JFFK. Category: (G) General (US: Trade). Dimension: 290 x 252 x 18. Weight in Grams: 1032. . 1997. First. Paperback. . . . . . Nº de ref. de la librería V9780714836607

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Michael Archer, Mona Hatoum
Editorial: Phaidon Press Ltd (1997)
ISBN 10: 0714836605 ISBN 13: 9780714836607
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Books2Anywhere
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Descripción Phaidon Press Ltd, 1997. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería GB-9780714836607

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Michael Archer, Mona Hatoum
Editorial: Phaidon Press (1997)
ISBN 10: 0714836605 ISBN 13: 9780714836607
Nuevos Paperback Cantidad: 1
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Green Books
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Descripción Phaidon Press, 1997. Paperback. Estado de conservación: New. Brand New Book. Shipping: Once your order has been confirmed and payment received, your order will then be processed. The book will be located by our staff, packaged and despatched to you as quickly as possible. From time to time, items get mislaid en route. If your item fails to arrive, please contact us first. We will endeavour to trace the item for you and where necessary, replace or refund the item. Please do not leave negative feedback without contacting us first. All orders will be dispatched within two working days. If you have any quesions please contact us. Nº de ref. de la librería V9780714836607

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Michael Archer, Mona Hatoum
Editorial: Phaidon Press (1997)
ISBN 10: 0714836605 ISBN 13: 9780714836607
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Book Deals
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Descripción Phaidon Press, 1997. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: An exploration of the artist's powerful evocations of statelessness, otherness and denial. Nº de ref. de la librería ABE_book_new_0714836605

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8.

Michael Archer, Mona Hatoum
Editorial: Phaidon Press Ltd
ISBN 10: 0714836605 ISBN 13: 9780714836607
Nuevos Tapa blanda Cantidad: 1
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Kennys Bookstore
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Descripción Phaidon Press Ltd. Estado de conservación: New. An exploration of the artist's powerful evocations of statelessness, otherness and denial. Series: Contemporary Artists Series. Num Pages: 160 pages, 100 colour plates & 30 b&w halftones. BIC Classification: AFKP; AGB; JFFK. Category: (G) General (US: Trade). Dimension: 290 x 252 x 18. Weight in Grams: 1032. . 1997. First. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780714836607

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Michael Archer, Mona Hatoum
ISBN 10: 0714836605 ISBN 13: 9780714836607
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Ria Christie Collections
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Descripción Paperback. Estado de conservación: New. Not Signed; Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inn. book. Nº de ref. de la librería ria9780714836607_rkm

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10.

Michael Archer, Mona Hatoum
Editorial: Hachette Book Group
ISBN 10: 0714836605 ISBN 13: 9780714836607
Nuevos Cantidad: 5
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INDOO
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Descripción Hachette Book Group. Estado de conservación: New. Brand New. Nº de ref. de la librería 0714836605

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