The consistent wit and charm of the music of Francis Poulenc (1899-1963), has often led to an underestimation of its value, yet there is now a growing recognition of his stature. His music is simple and direct, and neither rhythmically nor harmonically innovative, but he was a distinguished and inventive melodist. In Ivry's biography, Poulenc's work is dicussed in the context of his homosexuality and against the colourful background of Paris in the first half of the century. His love affairs with working-class men and his sensitivity about his role in the wartime occupation of France have been somewhat obscured; in this fresh and amusing biography, however, the author uses recently published documents to shed new light on the composer and the man, and presents a three-dimensional portrait of this complex and sometimes contradictory composer.
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The French composer Francis Poulenc (1899-1963) is often dismissed as the lightweight composer of short, clever pieces, lumped in with the rest of "Les Six." In this volume--one of Phaidon's 20th-Century Composers series--author Benjamin Ivry argues for more consideration and respect for the man who wrote Dialogues of the Carmelites. As is the rule with Phaidon's series, the book is rich in photographs and integrates the composer's life and work in a relatively brief (240 pages, including index), very accessible form; there are no musical examples, although they might be helpful. Mr. Ivry approaches his task with more humor than some of his colleagues, and he is open throughout about Poulenc's homosexuality and its effect on the composer's work and personal life.About the Author:
Benjamin Ivry is an arts correspondent based in Paris. He has been music critic for Seven Days and a regular contributor to Opera News.
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Descripción Phaidon Press, 1996. Paperback. Estado de conservación: New. Never used!. Nº de ref. de la librería P11071483503X