The Alchemy of Paint: Art, Science and Secrets from the Middle Ages: Colour and Meaning Fom the Middle Ages

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9780714531724: The Alchemy of Paint: Art, Science and Secrets from the Middle Ages: Colour and Meaning Fom the Middle Ages
Reseña del editor:

"The Alchemy of Paint" is a critique of the modern world, which Spike Bucklow sees as the product of seventeenth-century ideas about science. In modern times, we have divorced color from its origins, using it for commercial advantage. Spike Bucklow shows us how in medieval times, color had mystical significance far beyond the enjoyment of shade and hue.

Each chapter demonstrates the mindset of medieval Europe and is devoted to just one color, acknowledging its connections with life in the pre-modern world. Colors examined and explained in detail include a midnight blue called ultramarine, an opaque red called vermilion, a multitude of colors made from metals, a transparent red called dragonsblood, and, finally, gold.

Today, scarlet describes a color, but it was originally a type of cloth. Henry VI's wardrobe accounts from 1438 to 1489 show that his cheapest scarlet was 14.2s.6d. and that scarlets could fetch up to twice that price. In the fifteenth century, a mid-priced scarlet cost more than two thousand kilos of cheese or one thousand liters of wine. This expense accounts for the custom of giving important visitors the "red carpet treatment."

The book looks at how color was read in the Middle Ages and returns to materials to look at the hidden meaning of the artists' version of the philosopher's stone. The penultimate chapter considers why everyone has always loved gold.

Spike Bucklow is a conservation scientist working with oil paintings at the Hamilton Kerr Institute in Cambridge."

Biografía del autor:

Spike Bucklow trained as a chemist. He worked in the film industry, creating puppets using prosthetics, including Ronald Reagan in Spitting Image and Jabba the Hut in Return of the Jedi. He became an art conservator, at the Hamilton Kerr Institute in Cambridge where he restores mediaeval art. He is an expert in craquelure, fixing the cracks in oil paintings.

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Spike Bucklow
Editorial: Marion Boyars Publishers Ltd, United Kingdom (2009)
ISBN 10: 0714531723 ISBN 13: 9780714531724
Nuevos Paperback Cantidad: 10
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Descripción Marion Boyars Publishers Ltd, United Kingdom, 2009. Paperback. Estado de conservación: New. 212 x 132 mm. Language: English . Brand New Book. The Alchemy of Paint is a critique of the modern world, which Spike Bucklow sees as the product of seventeenth-century ideas about science. In modern times, we have divorced color from its origins, using it for commercial advantage. Spike Bucklow shows us how in medieval times, color had mystical significance far beyond the enjoyment of shade and hue. Each chapter demonstrates the mindset of medieval Europe and is devoted to just one color, acknowledging its connections with life in the pre-modern world. Colors examined and explained in detail include a midnight blue called ultramarine, an opaque red called vermilion, a multitude of colors made from metals, a transparent red called dragonsblood, and, finally, gold. Today, -scarlet- describes a color, but it was originally a type of cloth. Henry VI s wardrobe accounts from 1438 to 1489 show that his cheapest scarlet was 14.2s.6d. and that scarlets could fetch up to twice that price. In the fifteenth century, a mid-priced scarlet cost more than two thousand kilos of cheese or one thousand liters of wine. This expense accounts for the custom of giving important visitors the -red carpet treatment.- The book looks at how color was -read- in the Middle Ages and returns to materials to look at the hidden meaning of the artists version of the philosopher s stone. The penultimate chapter considers why everyone has always loved gold. Spike Bucklow is a conservation scientist working with oil paintings at the Hamilton Kerr Institute in Cambridge. Nº de ref. de la librería AAO9780714531724

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Spike Bucklow
Editorial: Marion Boyars Publishers Ltd, United Kingdom (2009)
ISBN 10: 0714531723 ISBN 13: 9780714531724
Nuevos Paperback Cantidad: 10
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Descripción Marion Boyars Publishers Ltd, United Kingdom, 2009. Paperback. Estado de conservación: New. 212 x 132 mm. Language: English . Brand New Book. The Alchemy of Paint is a critique of the modern world, which Spike Bucklow sees as the product of seventeenth-century ideas about science. In modern times, we have divorced color from its origins, using it for commercial advantage. Spike Bucklow shows us how in medieval times, color had mystical significance far beyond the enjoyment of shade and hue. Each chapter demonstrates the mindset of medieval Europe and is devoted to just one color, acknowledging its connections with life in the pre-modern world. Colors examined and explained in detail include a midnight blue called ultramarine, an opaque red called vermilion, a multitude of colors made from metals, a transparent red called dragonsblood, and, finally, gold. Today, -scarlet- describes a color, but it was originally a type of cloth. Henry VI s wardrobe accounts from 1438 to 1489 show that his cheapest scarlet was 14.2s.6d. and that scarlets could fetch up to twice that price. In the fifteenth century, a mid-priced scarlet cost more than two thousand kilos of cheese or one thousand liters of wine. This expense accounts for the custom of giving important visitors the -red carpet treatment.- The book looks at how color was -read- in the Middle Ages and returns to materials to look at the hidden meaning of the artists version of the philosopher s stone. The penultimate chapter considers why everyone has always loved gold. Spike Bucklow is a conservation scientist working with oil paintings at the Hamilton Kerr Institute in Cambridge. Nº de ref. de la librería AAO9780714531724

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Spike Bucklow
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Descripción 2009. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería V7-9780714531724

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Descripción Marion Boyars Publishers Ltd 2009-07-01, 2009. Paperback. Estado de conservación: New. Nº de ref. de la librería NU-GRD-00620092

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Descripción Marion Boyars Publishers Ltd, United Kingdom, 2009. Paperback. Estado de conservación: New. 212 x 132 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The Alchemy of Paint is a critique of the modern world, which Spike Bucklow sees as the product of seventeenth-century ideas about science. In modern times, we have divorced color from its origins, using it for commercial advantage. Spike Bucklow shows us how in medieval times, color had mystical significance far beyond the enjoyment of shade and hue. Each chapter demonstrates the mindset of medieval Europe and is devoted to just one color, acknowledging its connections with life in the pre-modern world. Colors examined and explained in detail include a midnight blue called ultramarine, an opaque red called vermilion, a multitude of colors made from metals, a transparent red called dragonsblood, and, finally, gold. Today, -scarlet- describes a color, but it was originally a type of cloth. Henry VI s wardrobe accounts from 1438 to 1489 show that his cheapest scarlet was 14.2s.6d. and that scarlets could fetch up to twice that price. In the fifteenth century, a mid-priced scarlet cost more than two thousand kilos of cheese or one thousand liters of wine. This expense accounts for the custom of giving important visitors the -red carpet treatment.- The book looks at how color was -read- in the Middle Ages and returns to materials to look at the hidden meaning of the artists version of the philosopher s stone. The penultimate chapter considers why everyone has always loved gold. Spike Bucklow is a conservation scientist working with oil paintings at the Hamilton Kerr Institute in Cambridge. Nº de ref. de la librería BTE9780714531724

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Bucklow, Spike
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Descripción Marion Boyars Publishers Ltd, 2009. Paperback. Estado de conservación: New. Nº de ref. de la librería 0714531723

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