The first full biography - beautifully illustrated - of Britain's greatest photographer. Bill Brandt, the greatest of British photographers who visually defined the English identity in the mid-twentieth century, was an enigma. A shy and complex man, his life (prior to his arrival in England and the publication of his first book The English at Home in 1936) placed him at the centre of European artistic currents which were to shape his subsequent vision and equip him with the means to portray 'Englishness' unlike any photographer before him, and perhaps unlike any who have followed After his death in 1983, Brandt left a complicated trail behind him. In this first critical biography of Brandt, Paul Delany has ambitiously traced his early background - from a merchant's family in Hamburg and a period in a Davos TB sanatorium to an apprenticeship in a photographic studio in Vienna in the Twenties, where he met and photographed Ezra Pound and also underwent psychoanalysis; from his travels in Spain in the Thirties to his brief period in the Paris studio of Man Ray - and revealed how biographical facts and the fantasies that accompanied them deeply affected Brandt's work. Richly illustrated with duotone reproductions of his masterpieces and a number of unpublished private photographs, Bill Brandt's mystery is unravelled in this illuminating account.
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Bill Brandt, the greatest of British photographers, who visually defined the English identity in the mid-twentieth century, was an enigma. Indeed, despite his assertions to the contrary, he was not in fact English at all. His life, like much of his work, was an elaborate construction. England was his adopted homeland and the English were his chosen subject.
The England in which Brandt arrived in the Thirties was deeply polarized. He photographed both upstairs and downstairs, and recorded the industrial north as well as the society rounds of the affluent south. Although much of his work was for the new illustrated magazines, it was frequently influenced by surrealism and an eye for the slightly strange. The subjects of his portraits include the greatest creative figures of his age, and his English landscapes were sublime. His radical treatment of the female body forms a landmark in the history of the photography.
Paul Delany ambitiously traces the details of Brandt’s life and reveals how the biographical facts and the fantasies that accompanied them deeply affected Brandt’s work. The biography is richly illustrated with duotone reproductions of his masterpieces and a number of unpublished private photographs.
“...an utterly fascinating biography...”—Photo-Eye
“Delany...writes with verve and insight in thsi first critical biography of [Brandt], who died in 1983. Better yet, it is illustrated with high-quality duotones of the full range of Brandt’s works, from portraits to nudes to landscapes.”—San Jose Mercury News
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Descripción Pimlico, 2005. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0712665420