What determines “traditional” Aboriginal art in an era when modern media—such as aluminum, acrylic paint, and even cast-off fishing nets—is preferred by contemporary artists? What is the relationship between artworks that share similar forms, but whose ceremonial functions of the past wither beneath the imperatives of cultural and socio-economic survival in the 21st century? This compelling book considers these issues within the context of unique, stunning art from the remote north Queensland Aboriginal community of Aurukun. It explains how Aurukun art production absorbed the colonial impact of mission and government intervention throughout the 20th century and provides the powerful visual symbols for the political struggles of the Wik people to regain land ownership and social justice. Extensive high-quality reproductions of Aurukun's charismatic carvings, weavings, and paintings illustrate the inspiring connections between art and life, and demonstrate how a reinvention of artistic tradition fuels creativity and innovation in keeping culture relevant and vibrant.
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What determines “traditional” Aboriginal art in an era when modern media—such as aluminum, acrylic paint, and even cast-off fishing nets—is preferred by contemporary artists? What is the relationship between artworks that share similar forms, but whose ceremonial functions of the past wither beneath the imperatives of cultural and socio-economic survival in the 21st century? This compelling book considers these issues within the context of unique, stunning art from the remote north Queensland Aboriginal community of Aurukun. It explains how Aurukun art production absorbed the colonial impact of mission and government intervention throughout the 20th century and provides the powerful visual symbols for the political struggles of the Wik people to regain land ownership and social justice. Extensive high-quality reproductions of Aurukun's charismatic carvings, weavings, and paintings illustrate the inspiring connections between art and life, and demonstrate how a reinvention of artistic tradition fuels creativity and innovation in keeping culture relevant and vibrant.
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Destinos, gastos y plazos de envíoLibrería: Gotcha By The Books, Brisbane, QLD, Australia
paperback. Condición: Very Good. profusely illustrated Ilustrador. Published to accompany the exhibition of Aurukun Aboriginal Art, University of Queensland Art Museum 11 September-28 November 2010; edited by Sally Butler; colour photo illustrations throughout; illustrated stiff card wraps with French flaps; VG clean copy. . 159pp. 4to. Very Good. Nº de ref. del artículo: 21486
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Librería: Lawrence Jones Books, Ashmore, QLD, Australia
Soft Cover. Condición: Very Good. First Paperback. 159pp, bibliography, endnotes, num col ills. Or card covers with integral flaps. Near new. Contemporary Aboriginal art from Aurukun in remote northern Queensland. Published in association with an exhibition of the same name held from 11 September-28 November, 2010. Size: 4to. Nº de ref. del artículo: 034882
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Librería: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condición: new. Paperback. What determines 'traditional' Aboriginal art in an era when modern media such as aluminium, acrylic paint and even cast-off fishing nets have become the media of choice for contemporary artists? What is the relationship between artworks that share similar forms, but whose ceremonial functions of the past wither beneath the imperatives of cultural and socio-economic survival in the twenty-first century?Before time today- Reinventing tradition in Aurukun Aboriginal art considers these issues within the context of unique, stunning art from the remote north Queensland Aboriginal community of Aurukun.This book explains how Aurukun art production absorbed the colonial impact of mission and government cultural intervention throughout the twentieth century, shifting through demands for cultural display to outsiders and arts and crafts initiatives, and then providing the powerful visual symbols for the political struggles of Aurukun's Wik people to regain land ownership and social justice.Extensive high-quality reproductions of Aurukun's charismatic carvings, weavings and paintings illustrate the inspiring connections between art and life, and demonstrate how a reinvention of artistic tradition fuels creativity and innovation in keeping culture strong and vibrant; relevant and resistant.The complexity of Aurukun art is approached through a breadth of scholarship in anthropology, art history and curatorship, enriched by the wisdom and insights of Aurukun artists themselves. Contributors include Peter Sutton, David Martin and John von Sturmer, each of whom has worked closely with the Aurukun community for decades, and shares a profound understanding about how art 'matters' in the fight for cultural survival. All of the art historian contributors are also experienced curators, combining analysis of artworks with perspectives gained from working with artists on exhibitions and public events.Before time today is about the real world of contemporary Aboriginal art as it happens in Aurukun. It is compelling reading for those who want to look beyond the beautiful surfaces of Aboriginal art into the visual expression of people who have endured dramatic change, and who now embrace it in their lives and in their art. Before Time Today is about the real world of contemporary Aboriginal art as it happens in Aurukun. It is compelling reading for those who want to look beyond the beautiful surfaces of Aboriginal art into the visual expression of people who have endured dramatic change, and who now embrace it in their lives and in their art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780702238581
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Librería: CitiRetail, Stevenage, Reino Unido
Paperback. Condición: new. Paperback. What determines 'traditional' Aboriginal art in an era when modern media such as aluminium, acrylic paint and even cast-off fishing nets have become the media of choice for contemporary artists? What is the relationship between artworks that share similar forms, but whose ceremonial functions of the past wither beneath the imperatives of cultural and socio-economic survival in the twenty-first century?Before time today- Reinventing tradition in Aurukun Aboriginal art considers these issues within the context of unique, stunning art from the remote north Queensland Aboriginal community of Aurukun.This book explains how Aurukun art production absorbed the colonial impact of mission and government cultural intervention throughout the twentieth century, shifting through demands for cultural display to outsiders and arts and crafts initiatives, and then providing the powerful visual symbols for the political struggles of Aurukun's Wik people to regain land ownership and social justice.Extensive high-quality reproductions of Aurukun's charismatic carvings, weavings and paintings illustrate the inspiring connections between art and life, and demonstrate how a reinvention of artistic tradition fuels creativity and innovation in keeping culture strong and vibrant; relevant and resistant.The complexity of Aurukun art is approached through a breadth of scholarship in anthropology, art history and curatorship, enriched by the wisdom and insights of Aurukun artists themselves. Contributors include Peter Sutton, David Martin and John von Sturmer, each of whom has worked closely with the Aurukun community for decades, and shares a profound understanding about how art 'matters' in the fight for cultural survival. All of the art historian contributors are also experienced curators, combining analysis of artworks with perspectives gained from working with artists on exhibitions and public events.Before time today is about the real world of contemporary Aboriginal art as it happens in Aurukun. It is compelling reading for those who want to look beyond the beautiful surfaces of Aboriginal art into the visual expression of people who have endured dramatic change, and who now embrace it in their lives and in their art. Before Time Today is about the real world of contemporary Aboriginal art as it happens in Aurukun. It is compelling reading for those who want to look beyond the beautiful surfaces of Aboriginal art into the visual expression of people who have endured dramatic change, and who now embrace it in their lives and in their art. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780702238581
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Librería: Grand Eagle Retail, Mason, OH, Estados Unidos de America
Paperback. Condición: new. Paperback. What determines 'traditional' Aboriginal art in an era when modern media such as aluminium, acrylic paint and even cast-off fishing nets have become the media of choice for contemporary artists? What is the relationship between artworks that share similar forms, but whose ceremonial functions of the past wither beneath the imperatives of cultural and socio-economic survival in the twenty-first century?Before time today- Reinventing tradition in Aurukun Aboriginal art considers these issues within the context of unique, stunning art from the remote north Queensland Aboriginal community of Aurukun.This book explains how Aurukun art production absorbed the colonial impact of mission and government cultural intervention throughout the twentieth century, shifting through demands for cultural display to outsiders and arts and crafts initiatives, and then providing the powerful visual symbols for the political struggles of Aurukun's Wik people to regain land ownership and social justice.Extensive high-quality reproductions of Aurukun's charismatic carvings, weavings and paintings illustrate the inspiring connections between art and life, and demonstrate how a reinvention of artistic tradition fuels creativity and innovation in keeping culture strong and vibrant; relevant and resistant.The complexity of Aurukun art is approached through a breadth of scholarship in anthropology, art history and curatorship, enriched by the wisdom and insights of Aurukun artists themselves. Contributors include Peter Sutton, David Martin and John von Sturmer, each of whom has worked closely with the Aurukun community for decades, and shares a profound understanding about how art 'matters' in the fight for cultural survival. All of the art historian contributors are also experienced curators, combining analysis of artworks with perspectives gained from working with artists on exhibitions and public events.Before time today is about the real world of contemporary Aboriginal art as it happens in Aurukun. It is compelling reading for those who want to look beyond the beautiful surfaces of Aboriginal art into the visual expression of people who have endured dramatic change, and who now embrace it in their lives and in their art. Before Time Today is about the real world of contemporary Aboriginal art as it happens in Aurukun. It is compelling reading for those who want to look beyond the beautiful surfaces of Aboriginal art into the visual expression of people who have endured dramatic change, and who now embrace it in their lives and in their art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780702238581
Cantidad disponible: 1 disponibles