Inventing Falsehood, Making Truth: Vico and Neapolitan Painting (Essays in the Arts)

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9780691138848: Inventing Falsehood, Making Truth: Vico and Neapolitan Painting (Essays in the Arts)

Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.


Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.

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From the Inside Flap:

"Bull is a scholar with a gift for traversing traditional disciplinary boundaries, and his book acknowledges, as has rarely been done before, the wide philosophical dimensions of artistic practice in the 'long seventeenth century.' Given its originality of focus, this synthesis helps reconceptualize the period in a new way."--Tom Nichols, University of Glasgow

"Malcolm Bull is an extraordinary writer--lucid, far reaching, and entirely original. His book explains how painting does not merely provide the subject for philosophical debate when we interpret, but also, quite by itself, manifests a form of philosophical thinking. In what way do the fantasies represented in art manifest a truthful way of thinking? This book offers the answer."--David Carrier, coauthor of Wild Art

About the Author:

Malcolm Bull is university lecturer in fine art at the University of Oxford. His previous books include Anti-Nietzsche, The Mirror of the Gods, and Seeing Things Hidden.

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Malcolm Bull
Editorial: Princeton University Press, United States (2013)
ISBN 10: 0691138842 ISBN 13: 9780691138848
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Descripción Princeton University Press, United States, 2013. Hardback. Estado de conservación: New. Language: English . Brand New Book. Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science.Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed. Nº de ref. de la librería AAH9780691138848

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Malcolm Bull
Editorial: Princeton University Press, United States (2013)
ISBN 10: 0691138842 ISBN 13: 9780691138848
Nuevos Tapa dura Cantidad: 10
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Descripción Princeton University Press, United States, 2013. Hardback. Estado de conservación: New. Language: English . Brand New Book. Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science.Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed. Nº de ref. de la librería AAH9780691138848

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Malcolm Bull
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97806911388480000000

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Descripción Princeton University Press. Hardback. Estado de conservación: new. BRAND NEW, Inventing Falsehood, Making Truth: Vico and Neapolitan Painting, Malcolm Bull, Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed. Nº de ref. de la librería B9780691138848

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Malcolm Bull
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Descripción Princeton University Press, United States, 2013. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science.Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed. Nº de ref. de la librería BTE9780691138848

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Descripción Princeton University Press, 2013. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0691138842

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Descripción 2013. Hardcover. Estado de conservación: New. Hardcover. Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 160 pages. 0.454. Nº de ref. de la librería 9780691138848

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Descripción 2013. Hardback. Estado de conservación: NEW. 9780691138848 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01146171

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