What Is World Literature? (Translation/Transnation)

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9780691049861: What Is World Literature? (Translation/Transnation)
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World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world.


In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchú's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators.


Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales.


Contraportada:

"A stunning achievement. Damrosch gives 'world literature' the largest possible scope--ranging from cuneiform to hieroglyphics, from low German to Nahuatl--a jaunt across several millennia and a dozen languages."--Wai Chee Dimock, Yale University

"Displaying great intelligence, immense literary and historical culture, and unassuming modesty, Damrosch intervenes in contemporary debates over 'world literature.' Readers will be dumbfounded by his range. He treats cuneiform-inscribed shards, Egyptian hieroglyphics, medieval German female mystics, Inca chronicles, Kafka translations and contemporary Native protest literature will equal philological attention, poise and erudition."--Wlad Godzich, University of California, Santa Cruz

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David Damrosch
Editorial: Princeton University Press 2003-03-10 (2003)
ISBN 10: 0691049866 ISBN 13: 9780691049861
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Descripción Princeton University Press 2003-03-10, 2003. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-BER-00112881

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David Damrosch
Editorial: Princeton University Press, United States (2003)
ISBN 10: 0691049866 ISBN 13: 9780691049861
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Descripción Princeton University Press, United States, 2003. Paperback. Estado de conservación: New. 229 x 152 mm. Language: English . Brand New Book. World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of the masterpiece. The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchu s writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales. Nº de ref. de la librería AAU9780691049861

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David Damrosch
Editorial: Princeton University Press, United States (2003)
ISBN 10: 0691049866 ISBN 13: 9780691049861
Nuevos Paperback Cantidad: 1
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Descripción Princeton University Press, United States, 2003. Paperback. Estado de conservación: New. 229 x 152 mm. Language: English . Brand New Book. World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of the masterpiece. The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process.From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchu s writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales. Nº de ref. de la librería AAU9780691049861

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Damrosch, David
Editorial: Princeton University Press (2003)
ISBN 10: 0691049866 ISBN 13: 9780691049861
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Descripción Princeton University Press, 2003. Estado de conservación: New. 2003. Paperback. Probes the uses and abuses of world literature in a changing world. This book looks at the ways works change as they move from national to global contexts. It argues that world literature is work that gains in translation. Series: Translation/Transnation. Num Pages: 344 pages, 12 halftones. BIC Classification: DSB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 234 x 156 x 20. Weight in Grams: 506. . . . . . . Nº de ref. de la librería V9780691049861

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Damrosch, David
Editorial: Princeton University Press
ISBN 10: 0691049866 ISBN 13: 9780691049861
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Descripción Princeton University Press. Estado de conservación: New. 2003. Paperback. Probes the uses and abuses of world literature in a changing world. This book looks at the ways works change as they move from national to global contexts. It argues that world literature is work that gains in translation. Series: Translation/Transnation. Num Pages: 344 pages, 12 halftones. BIC Classification: DSB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 234 x 156 x 20. Weight in Grams: 506. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780691049861

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David Damrosch
Editorial: Princeton University Press (2003)
ISBN 10: 0691049866 ISBN 13: 9780691049861
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Descripción Princeton University Press, 2003. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780691049861

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Damrosch, David
Editorial: Princeton University Press 2003-03-10 (2003)
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Descripción Princeton University Press 2003-03-10, 2003. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-00408024

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David Damrosch
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97806910498610000000

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David Damrosch
Editorial: Princeton University Press 2003-04-15, Princeton, N.J. |Woodstock (2003)
ISBN 10: 0691049866 ISBN 13: 9780691049861
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Descripción Princeton University Press 2003-04-15, Princeton, N.J. |Woodstock, 2003. paperback. Estado de conservación: New. Nº de ref. de la librería 9780691049861

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David Damrosch
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Descripción Princeton University Press. Paperback. Estado de conservación: new. BRAND NEW, What is World Literature?, David Damrosch, World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchu's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales. Nº de ref. de la librería B9780691049861

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