Noting that motherhood is a common metaphor for film production, Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres. Until now discussions of maternity have focused mainly on melodramas, which, along with musicals and screwball comedies, have traditionally been viewed as "women's" cinema. Fischer defies gender-based classifications to show how motherhood has played a fundamental role in the overall cinematic experience. She argues that motherhood is often treated as a site of crisis--for example, the mother being blamed for the ills afflicting her offspring--then shows the tendency of certain genres to specialize in representing a particular social or psychological dimension in the thematics of maternity.
Drawing on social history and various cultural theories, Fischer first looks at Rosemary's Baby to show the prevalence of childbirth themes in horror films. In crime films (White Heat), she sees the linkage of male deviance and mothering. The Hand That Rocks the Cradle and The Guardian, both occult thrillers, uncover cultural anxieties about working mothers. Her discussion covers burlesques of male mothering, feminist documentaries on the mother-daughter relationship, trick films dealing with procreative metaphors, and postmodern films like High Heels, where fluid sexuality is the theme. These films tend to treat motherhood as a locus of irredeemable conflict, whereas History and Memory and High Tide propose a more sanguine, dynamic, and enabling view.
Originally published in 1996.
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"Cinematernity is unique in the range of films it investigates and in the critical breadth and cultural resonance of its argument.... It is an impressive treatment of the complicated relation between motherhood, genre, and cinema."--Maria DiBattista
"This engaging book makes for a unique contribution to film and women's studies.... Lucy Fischer puts forward intelligent arguments and writes in a literate, down-to-earth style."--Virginia Wexman
Lucy Fischer is Distinguished Professor of English and Film Studies at the University of Pittsburgh. She is the author of "Jacques Tati"; "Shot/Countershot: Film Tradition and Women's Cinema"; "Imitation of Life"; "Cinematernity: Film, Motherhood, Genre"; "Sunrise: A Song of Two Humans"; "Designing Women: Art Deco, Cinema, and the Female Form"; and "American Cinema of the 1920s: Themes and Variations". With Marcia Landy, she is the editor of "Stars: The Film Reader".
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Descripción Princeton University Press. PAPERBACK. Estado de conservación: New. 0691037744. Nº de ref. de la librería Z0691037744ZN
Descripción Princeton University Press, 1996. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0691037744
Descripción Princeton University Press 1996-09-30, 1996. Paperback. Estado de conservación: New. First Edition. 0691037744. Nº de ref. de la librería Z0691037744ZN
Descripción Princeton University Press, 1996. Paperback. Estado de conservación: New. Nº de ref. de la librería P110691037744