The Dehumanization of Art and Other Essays on Art, Culture, and Literature (Princeton Paperbacks, 128)

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9780691019611: The Dehumanization of Art and Other Essays on Art, Culture, and Literature (Princeton Paperbacks, 128)
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No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, "The Dehumanization of Art." In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century. The "dehumanization" of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society. Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is. Princeton published the first English translation of the essay paired with another entitled "Notes on the Novel." Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature .

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9780691071473: The Dehumanization of Art and Other Essays on Art, Culture, and Literature

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ISBN 10:  0691071470 ISBN 13:  9780691071473
Editorial: Princeton University Press, 1969
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Ortega Y Gasset Jose; Jose Ortega y. Gasset; Jos Ortega y. Gasset
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Jose Ortega y Gasset
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Descripción Princeton University Press, United States, 1968. Paperback. Condición: New. Revised. Language: English . Brand New Book. No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, The Dehumanization of Art. In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century. The dehumanization of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society. Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is. Princeton published the first English translation of the essay paired with another entitled Notes on the Novel. Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature . Nº de ref. del artículo: AAH9780691019611

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Jose Ortega y Gasset
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Descripción Princeton University Press, United States, 1968. Paperback. Condición: New. Revised. Language: English . Brand New Book. No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, The Dehumanization of Art. In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century. The dehumanization of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society. Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is. Princeton published the first English translation of the essay paired with another entitled Notes on the Novel. Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature . Nº de ref. del artículo: AAH9780691019611

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Ortega Y Gasset Jose; Jose Ortega y. Gasset; Jos Ortega y. Gasset
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José Ortega y Gasset
Publicado por Princeton University Press (1968)
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Descripción Princeton University Press, 1968. Paperback. Condición: New. Revised. Nº de ref. del artículo: DADAX0691019614

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Publicado por Princeton University Press 1968-11-21, Princeton (1968)
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Descripción Princeton University Press 1968-11-21, Princeton, 1968. paperback. Condición: New. Nº de ref. del artículo: 9780691019611

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Jose Ortega y Gasset
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Descripción Princeton University Press, United States, 1968. Paperback. Condición: New. Revised. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, The Dehumanization of Art. In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century. The dehumanization of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society. Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is. Princeton published the first English translation of the essay paired with another entitled Notes on the Novel. Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature . Nº de ref. del artículo: BTE9780691019611

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Ortega y Gasset, José
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Ortega y. Gasset, Jose
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Descripción Princeton University Press 11/21/1968, 1968. Paperback or Softback. Condición: New. The Dehumanization of Art and Other Essays on Art, Culture, and Literature. Book. Nº de ref. del artículo: BBS-9780691019611

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Ortega Y Gasset Jose; Jose Ortega y. Gasset; Jos Ortega y. Gasset
Publicado por Princeton University Press (1968)
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Descripción Princeton University Press, 1968. Condición: New. book. Nº de ref. del artículo: ria9780691019611_rkm

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