The Dehumanization of Art and Other Essays on Art, Culture, and Literature (Princeton Paperbacks, 128)

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9780691019611: The Dehumanization of Art and Other Essays on Art, Culture, and Literature (Princeton Paperbacks, 128)
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No work of Spanish philosopher and essayist José Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, "The Dehumanization of Art." In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century.


The "dehumanization" of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society.


Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is.


Princeton published the first English translation of the essay paired with another entitled "Notes on the Novel." Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature .


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1.

Jose Ortega y Gasset
Editorial: Princeton University Press, United States (1968)
ISBN 10: 0691019614 ISBN 13: 9780691019611
Nuevos Paperback Cantidad: 1
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Descripción Princeton University Press, United States, 1968. Paperback. Estado de conservación: New. Revised. 201 x 81 mm. Language: English . Brand New Book. No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, The Dehumanization of Art. In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century. The dehumanization of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society. Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is. Princeton published the first English translation of the essay paired with another entitled Notes on the Novel. Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature . Nº de ref. de la librería AAU9780691019611

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2.

Jose Ortega y Gasset
Editorial: Princeton University Press
ISBN 10: 0691019614 ISBN 13: 9780691019611
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Descripción Princeton University Press. Paperback. Estado de conservación: new. BRAND NEW, The Dehumanization of Art and Other Essays on Art, Culture and Literature, Jose Ortega y Gasset, No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, "The Dehumanization of Art." In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century. The "dehumanization" of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society. Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is. Princeton published the first English translation of the essay paired with another entitled "Notes on the Novel." Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature . Nº de ref. de la librería B9780691019611

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Jose Ortega y Gasset
Editorial: Princeton University Press, United States (1968)
ISBN 10: 0691019614 ISBN 13: 9780691019611
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Descripción Princeton University Press, United States, 1968. Paperback. Estado de conservación: New. Revised. 201 x 81 mm. Language: English . Brand New Book. No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, The Dehumanization of Art. In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century. The dehumanization of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society. Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is. Princeton published the first English translation of the essay paired with another entitled Notes on the Novel. Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature . Nº de ref. de la librería AAU9780691019611

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Ortega Y Gasset Jose; Ortega y. Gasset, Jose; Ortega y. Gasset, Jos
ISBN 10: 0691019614 ISBN 13: 9780691019611
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97806910196110000000

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Jose Ortega y Gasset
Editorial: Princeton University Press 1968-11-01, New Jersey (1968)
ISBN 10: 0691019614 ISBN 13: 9780691019611
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Descripción Princeton University Press 1968-11-01, New Jersey, 1968. paperback. Estado de conservación: New. Nº de ref. de la librería 9780691019611

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Josand#195;and#169; Ortega Y Gasset
Editorial: Princeton University Press (1992)
ISBN 10: 0691019614 ISBN 13: 9780691019611
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Descripción Princeton University Press, 1992. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780691019611

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Ortega y Gasset, José
Editorial: Princeton University Press (1968)
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Descripción Princeton University Press, 1968. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0691019614

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Josand#195;and#169; Ortega Y Gasset
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Descripción Princeton University Press, 1992. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780691019611

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Ortega Y Gasset Jose; Ortega y. Gasset, Jose; Ortega y. Gasset, Jos
Editorial: Princeton University Press (1968)
ISBN 10: 0691019614 ISBN 13: 9780691019611
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Descripción Princeton University Press, 1968. Estado de conservación: New. Nº de ref. de la librería EH9780691019611

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Jos Ortega y Gasset
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Descripción Paperback. Estado de conservación: New. Not Signed; No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, The Dehumanization of Art. In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresenta. book. Nº de ref. de la librería ria9780691019611_rkm

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