The Address of the Eye: A Phenomenology of Film Experience (27)

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9780691008745: The Address of the Eye: A Phenomenology of Film Experience (27)
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Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two 'viewers' viewing: the spectator and the film, each existing as both subject and object of vision.

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Sobchack, Vivian
Editorial: Princeton University Press, United States (1991)
ISBN 10: 0691008744 ISBN 13: 9780691008745
Nuevos Paperback Cantidad: 1
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Descripción Princeton University Press, United States, 1991. Paperback. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book. Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two viewers viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both mine and another s. In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture. Nº de ref. de la librería AAZ9780691008745

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Sobchack, Vivian
Editorial: Princeton University Press (1992)
ISBN 10: 0691008744 ISBN 13: 9780691008745
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Descripción Princeton University Press, 1992. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WP-9780691008745

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Sobchack, Vivian
Editorial: Princeton University Press, United States (1991)
ISBN 10: 0691008744 ISBN 13: 9780691008745
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Descripción Princeton University Press, United States, 1991. Paperback. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book. Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two viewers viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both mine and another s. In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture. Nº de ref. de la librería AAZ9780691008745

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Sobchack, Vivian
Editorial: Princeton University Press 1991-12-03 (1991)
ISBN 10: 0691008744 ISBN 13: 9780691008745
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Descripción Princeton University Press 1991-12-03, 1991. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-04838618

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Sobchack, Vivian
Editorial: Princeton University Press (1991)
ISBN 10: 0691008744 ISBN 13: 9780691008745
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Descripción Princeton University Press, 1991. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author proposes that the cinematic experience depends on two viewers viewing: the spectator and the film, each existing as both subject and object of vision. Nº de ref. de la librería ABE_book_new_0691008744

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Sobchack, Vivian
Editorial: Princeton University Press 1992-03 (1992)
ISBN 10: 0691008744 ISBN 13: 9780691008745
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Descripción Princeton University Press 1992-03, 1992. Estado de conservación: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-LSI-06856138

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Sobchack, Vivian
Editorial: Princeton University Press 1991-12-03, New Jersey (1991)
ISBN 10: 0691008744 ISBN 13: 9780691008745
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Descripción Princeton University Press 1991-12-03, New Jersey, 1991. paperback. Estado de conservación: New. Nº de ref. de la librería 9780691008745

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Sobchack, Vivian
ISBN 10: 0691008744 ISBN 13: 9780691008745
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Descripción Paperback. Estado de conservación: New. Not Signed; Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparat. book. Nº de ref. de la librería ria9780691008745_rkm

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Sobchack, Vivian
Editorial: Princeton University Press (1991)
ISBN 10: 0691008744 ISBN 13: 9780691008745
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Descripción Princeton University Press, 1991. Paperback. Estado de conservación: New. Brand New Book. Shipping: Once your order has been confirmed and payment received, your order will then be processed. The book will be located by our staff, packaged and despatched to you as quickly as possible. From time to time, items get mislaid en route. If your item fails to arrive, please contact us first. We will endeavour to trace the item for you and where necessary, replace or refund the item. Please do not leave negative feedback without contacting us first. All orders will be dispatched within two working days. If you have any quesions please contact us. Nº de ref. de la librería V9780691008745

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Sobchack, Vivian
Editorial: Princeton University Press, United States (1991)
ISBN 10: 0691008744 ISBN 13: 9780691008745
Nuevos Paperback Cantidad: 1
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The Book Depository
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Descripción Princeton University Press, United States, 1991. Paperback. Estado de conservación: New. 229 x 152 mm. Brand New Book. Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two viewers viewing: the spectator and the film, each existing as both subject and object of vision. Nº de ref. de la librería LVN9780691008745

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