Vision, Race, and Modernity: A Visual Economy of the Andean Image World (Princeton Studies in Culture/Power/History)

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9780691006451: Vision, Race, and Modernity: A Visual Economy of the Andean Image World (Princeton Studies in Culture/Power/History)

Book by Poole Deborah

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One of Choice's Outstanding Academic Titles for 1997

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Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, anthropologist Deborah Poole explores the role visual images and technologies have played in shaping modern perceptions of race. Although focused primarily on Andean peoples, Poole's findings apply to the entire colonized world of the 19th century. 75 photos.

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ISBN 10: 0691006458 ISBN 13: 9780691006451
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Deborah Poole
Editorial: Princeton University Press, United States (1997)
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Descripción Princeton University Press, United States, 1997. Paperback. Estado de conservación: New. 229 x 150 mm. Language: English . Brand New Book. Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of racial difference. While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this scientific or biological discourse of race cannot be understood outside a modern visual economy. Although the book specifically documents the depictions of Andean peoples, Poole s findings apply to the entire colonized world of the nineteenth century. Poole presents a wide range of images from operas, scientific expeditions, nationalist projects, and picturesque artists that both effectively elucidate her argument and contribute to an impressive history of photography. Vision, Race, and Modernity is a fascinating attempt to study the changing terrain of racial theory as part of a broader reorganization of vision in European society and culture. Nº de ref. de la librería AAH9780691006451

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Deborah Poole
Editorial: Princeton University Press, United States (1997)
ISBN 10: 0691006458 ISBN 13: 9780691006451
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Descripción Princeton University Press, United States, 1997. Paperback. Estado de conservación: New. 229 x 150 mm. Language: English . Brand New Book. Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of racial difference. While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this scientific or biological discourse of race cannot be understood outside a modern visual economy. Although the book specifically documents the depictions of Andean peoples, Poole s findings apply to the entire colonized world of the nineteenth century. Poole presents a wide range of images from operas, scientific expeditions, nationalist projects, and picturesque artists that both effectively elucidate her argument and contribute to an impressive history of photography. Vision, Race, and Modernity is a fascinating attempt to study the changing terrain of racial theory as part of a broader reorganization of vision in European society and culture. Nº de ref. de la librería AAH9780691006451

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Descripción Princeton University Press, 1997. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WP-9780691006451

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Descripción Princeton University Press, 1997. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780691006451

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Descripción Princeton University Press, 1997. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0691006458

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Descripción Princeton University Press, 2017. Paperback. Estado de conservación: New. This item is printed on demand. Nº de ref. de la librería P110691006458

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Descripción Princeton University Press, 1997. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780691006451

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Descripción Princeton University Press, United States, 1997. Paperback. Estado de conservación: New. 229 x 150 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of racial difference. While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this scientific or biological discourse of race cannot be understood outside a modern visual economy. Although the book specifically documents the depictions of Andean peoples, Poole s findings apply to the entire colonized world of the nineteenth century. Poole presents a wide range of images from operas, scientific expeditions, nationalist projects, and picturesque artists that both effectively elucidate her argument and contribute to an impressive history of photography. Vision, Race, and Modernity is a fascinating attempt to study the changing terrain of racial theory as part of a broader reorganization of vision in European society and culture. Nº de ref. de la librería BTE9780691006451

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Descripción Princeton University Press 1997-07-19|NU-ING-18944327, 1997. Paperback. Estado de conservación: New. 9780691006451. Nº de ref. de la librería NU-ING-18944327

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