Playing in the Dark : Whiteness and the Literary Imagination

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9780674673779: Playing in the Dark : Whiteness and the Literary Imagination

Pulitzer Prize-winning novelist Toni Morrison brings the genius of a master writer to this personal inquiry into the significance of African-Americans in the American literary imagination. Her goal, she states at the outset, is to "put forth an argument for extending the study of American literature...draw a map, so to speak, of a critical geography and use that map to open as much space for discovery, intellectual adventure, and close exploration as did the original charting of the New World--without the mandate for conquest."

Author of Beloved, The Bluest Eye, Song of Solomon, and other vivid portrayals of black American experience, Morrison ponders the effect that living in a historically racialized society has had on American writing in the nineteenth and twentieth centuries. She argues that race has become a metaphor, a way of referring to forces, events, and forms of social decay, economic division, and human panic. Her compelling point is that the central characteristics of American literature individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell--are responses to a dark and abiding Africanist presence.

Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daring perspective that is sure to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examine the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn. A final chapter on Ernest Hemingway is a brilliant exposition of the racial subtext that glimmers beneath the surface plots of his fiction.

Written with the artistic vision that has earned her a preeminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature.

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From the Publisher:

"A profound redefinition of American cultural identity."--Philadelphia Inquirer

From the Inside Flap:

The Pulitzer Prize-winning author of "Beloved and "Jazz now gives us a learned, stylish, and immensely persuasive work of literary criticism that promises to change the way we read American literature even as it opens a new chapter in the American dialogue on race.
Toni Morrison's brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly "unfree--and that came to serve white authors as embodiments of their own fears and desires.
Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature.
"By going for the American literary jugular...she places her arguments...at the very heart of contemporary public conversation about what it is to be authentically and originally American. [She] boldly...reimagines and remaps the possibility of America."
"--Chicago Tribune
"Toni Morrison is the closest thing the country has to a national writer."
"The New York Times Book Review

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Toni Morrison
Editorial: HARVARD UNIVERSITY PRESS, United States (1992)
ISBN 10: 0674673778 ISBN 13: 9780674673779
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Descripción HARVARD UNIVERSITY PRESS, United States, 1992. Hardback. Estado de conservación: New. New.. Language: English . Brand New Book. Morrison ponders the effect that living in a historically racialized society has had on American writing in the 19th and 20th centuries. She argues that race has become a metaphor, a way of referring to forces, events and forms of social decay, economic division and human panic. Her point is that the central characteristics of American literature - individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell - are responses to a dark and abiding Africanist presence. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daringly original perspective that aims to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examines the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn . A final chapter on Ernest Hemingway is an exposition of the racial subtext that glimmers beneath the surface plots of his fiction. Nº de ref. de la librería AAH9780674673779

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Toni Morrison
Editorial: HARVARD UNIVERSITY PRESS, United States (1992)
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Descripción HARVARD UNIVERSITY PRESS, United States, 1992. Hardback. Estado de conservación: New. New.. Language: English . Brand New Book. Morrison ponders the effect that living in a historically racialized society has had on American writing in the 19th and 20th centuries. She argues that race has become a metaphor, a way of referring to forces, events and forms of social decay, economic division and human panic. Her point is that the central characteristics of American literature - individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell - are responses to a dark and abiding Africanist presence. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daringly original perspective that aims to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examines the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn . A final chapter on Ernest Hemingway is an exposition of the racial subtext that glimmers beneath the surface plots of his fiction. Nº de ref. de la librería AAH9780674673779

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Descripción Harvard University Press 1992-04-07, Cambridge, Mass., 1992. hardback. Estado de conservación: New. Nº de ref. de la librería 9780674673779

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Descripción Harvard Univ Press. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2364355

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Descripción Harvard University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0674673778

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Descripción 1992. HRD. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TH-9780674673779

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Descripción Harvard University Press, 1992. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WH-9780674673779

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Descripción HARVARD UNIVERSITY PRESS, United States, 1992. Hardback. Estado de conservación: New. New.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Morrison ponders the effect that living in a historically racialized society has had on American writing in the 19th and 20th centuries. She argues that race has become a metaphor, a way of referring to forces, events and forms of social decay, economic division and human panic. Her point is that the central characteristics of American literature - individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell - are responses to a dark and abiding Africanist presence. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daringly original perspective that aims to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examines the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn . A final chapter on Ernest Hemingway is an exposition of the racial subtext that glimmers beneath the surface plots of his fiction. Nº de ref. de la librería BTE9780674673779

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Descripción Harvard University Press, 1992. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0674673778

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