Playing in the Dark: Whiteness and the Literary Imagination (The William E. Massey Sr. Lectures in the History of American Civilization)

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9780674673779: Playing in the Dark: Whiteness and the Literary Imagination (The William E. Massey Sr. Lectures in the History of American Civilization)
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Whiteness and the Literary Imagination

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This is a major work by a major American author...It is an exuberant exercise, conducted by a writer in her prime who knows that her own work makes steady inroads on the unspeakable. -- Diane Middlebrook Los Angeles Times Morrison's delivery of the distinguished Massey lectures at Harvard in 1990 showed off her prowess as critic, for she brings the indomitable spirit of her fiction to her feelings about literature. In Playing in the Dark, the published lectures, Morrison argues that a black, or Africanist, presence exists throughout the history of American literature, and its understanding is essential to any body of criticism. Identifying what she calls "the rhetoric of dread and desire," then tracing its manifestations through works by Poe, Cather and Hemingway, Morrison believes that to ignore the presence of race in literature is to rob fiction of its power...But the most telling test of any critical argument, at least for those of us who prefer passion to theory, is whether such speculation will send you back to primary sources. By the time I'd finished Playing in the Dark, the floor around me was littered with Huck Finn and James Baldwin and Faulkner. -- Gail Caldwell Boston Globe In Playing in the Dark, Morrison explores how the temptation to enslave others instead of embracing freedom has shaded our national literature, and how an acceptance of this truth will enable us to see that literature's struggles and fears, and so better understand its exuberance...Her wisdom is to locate strength in what appears to be weakness. -- Jane Mendelsohn Voice Literary Supplement A brief and compelling dissection of U.S. fiction. -- Paul Skenazy San Francisco Chronicle In three compact and skillful essays, Morrison explores and illumines the gaggle of literary devices--conceits, tropes, metaphors--that have been mostly unconsciously deployed by white writers to refract the rays of blackness through the prism of literary silence, repression or avoidance. Morrison ably applies her therapeutic textual intervention to make these rays visible and to imaginatively envision how an Africanist presence was essential in forming and extending an American national literature...[This is her] impressive debut as a critical intellectual. -- Michael Eric Dyson Chicago Tribune [Her] thesis is an engaging one, and it becomes more so in a sequence of a few compressed but inspired readings of American works, Cather's Sapphira and the Slave Girl, Poe's Narrative of Arthur Gordon Pym, Hemingway's To Have and Have Not and Twain's Huckleberry Finn. -- Mark Edmundson Washington Post Book World In this beautifully written, immensely quotable study, Morrison attempts to overturn pervasive critical agendas that ignore racial representations in white texts and thus impoverish literary studies...Morrison's interest is not to designate texts as "racist" but to read the ways that the "racial" operates (xii). -- Linda Krumholz Signs

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Morrison ponders the effect that living in a historically racialized society has had on American writing in the 19th and 20th centuries. She argues that race has become a metaphor, a way of referring to forces, events and forms of social decay, economic division and human panic. Her point is that the central characteristics of American literature - individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell - are responses to a dark and abiding Africanist presence. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daringly original perspective that aims to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examines the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of "Huckleberry Finn". A final chapter on Ernest Hemingway is an exposition of the racial subtext that glimmers beneath the surface plots of his fiction.

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Otras ediciones populares con el mismo título

9780679745426: Playing in the Dark: Whiteness and the Literary Imagination

Edición Destacada

ISBN 10:  0679745424 ISBN 13:  9780679745426
Editorial: Vintage Books, 1993
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9784022595997: Imagination and whiteness - black image of American literature (Asahi Sensho) (1994) ISBN: 402259599X [Japanese Import]

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Descripción HARVARD UNIVERSITY PRESS, United States, 1992. Hardback. Condición: New. New. Language: English . Brand New Book. Morrison ponders the effect that living in a historically racialized society has had on American writing in the 19th and 20th centuries. She argues that race has become a metaphor, a way of referring to forces, events and forms of social decay, economic division and human panic. Her point is that the central characteristics of American literature - individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell - are responses to a dark and abiding Africanist presence. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daringly original perspective that aims to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examines the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn . A final chapter on Ernest Hemingway is an exposition of the racial subtext that glimmers beneath the surface plots of his fiction. Nº de ref. del artículo: AAH9780674673779

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Toni Morrison
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Descripción HARVARD UNIVERSITY PRESS, United States, 1992. Hardback. Condición: New. New. Language: English . Brand New Book. Morrison ponders the effect that living in a historically racialized society has had on American writing in the 19th and 20th centuries. She argues that race has become a metaphor, a way of referring to forces, events and forms of social decay, economic division and human panic. Her point is that the central characteristics of American literature - individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell - are responses to a dark and abiding Africanist presence. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daringly original perspective that aims to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examines the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn . A final chapter on Ernest Hemingway is an exposition of the racial subtext that glimmers beneath the surface plots of his fiction. Nº de ref. del artículo: AAH9780674673779

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Descripción HARVARD UNIVERSITY PRESS, United States, 1992. Hardback. Condición: New. New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Morrison ponders the effect that living in a historically racialized society has had on American writing in the 19th and 20th centuries. She argues that race has become a metaphor, a way of referring to forces, events and forms of social decay, economic division and human panic. Her point is that the central characteristics of American literature - individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell - are responses to a dark and abiding Africanist presence. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daringly original perspective that aims to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examines the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn . A final chapter on Ernest Hemingway is an exposition of the racial subtext that glimmers beneath the surface plots of his fiction. Nº de ref. del artículo: BTE9780674673779

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