Compositional Theory in the Eighteenth Century

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9780674155237: Compositional Theory in the Eighteenth Century
Review:

This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view.--David Lewin, Harvard University

From the Publisher:

"Compositional Theory in the Eighteenth Century" provides a comprehensive account of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving pre-eminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino, Lester then focuses on central traditions emerging from definitive works in the early 18th century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen; Rameau's harmonic theories; and Mattheson's views on melodic structure.

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ISBN 10: 0674155238 ISBN 13: 9780674155237
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Descripción Harvard University Press. PAPERBACK. Estado de conservación: New. 0674155238 Brand NEW Softcover, AY66, media mail delivery is free, Your orders are meticulously inspected, packed securely, and shipped fast, quick responsive customer service insures customer satisfaction, and our feedback score speaks louder than words, international and expedited shipping for most items. Nº de ref. de la librería SKU1050233

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Descripción Harvard Univ Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2363830

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Descripción Harvard University Press, 1994. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Nº de ref. de la librería ABE_book_new_0674155238

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Descripción Harvard University Press, 1994. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780674155237

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Descripción HARVARD UNIVERSITY PRESS, United States, 1994. Paperback. Estado de conservación: New. Revised ed.. 214 x 149 mm. Language: English . Brand New Book ***** Print on Demand *****. Compositional Theory in the Eighteenth Century provides a comprehensive account of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving pre-eminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino, Lester then focuses on central traditions emerging from definitive works in the early 18th century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen; Rameau s harmonic theories; and Mattheson s views on melodic structure. Nº de ref. de la librería APC9780674155237

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Descripción Harvard University Press. Paperback. Estado de conservación: New. Paperback. 368 pages. Dimensions: 10.0in. x 7.0in. x 1.0in.This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven. While giving preeminent theorists their due, Joel Lester also examines the works of over one hundred eighteenth- and seventeenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen Rameaus harmonic theories; and Matthesons views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues--Haydns careful study of Fuxs treatise, Mozarts instructions on harmony to his composition students, Beethovens own student exercises. The links between various theoretical traditions, the pervasive influence of Rameaus harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstood today. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780674155237

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Lester, Joel
Editorial: HARVARD UNIVERSITY PRESS, United States (1994)
ISBN 10: 0674155238 ISBN 13: 9780674155237
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Descripción HARVARD UNIVERSITY PRESS, United States, 1994. Paperback. Estado de conservación: New. Revised ed.. 214 x 149 mm. Language: English . Brand New Book ***** Print on Demand *****. Compositional Theory in the Eighteenth Century provides a comprehensive account of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving pre-eminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino, Lester then focuses on central traditions emerging from definitive works in the early 18th century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen; Rameau s harmonic theories; and Mattheson s views on melodic structure. Nº de ref. de la librería APC9780674155237

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