Common Places: Mythologies of Everyday Life in Russia (Library of African Adventure; 3)

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9780674146266: Common Places: Mythologies of Everyday Life in Russia (Library of African Adventure; 3)

What is the "real Russia"? What is the relationship between national dreams and kitsch, between political and artistic utopia and everyday existence? Commonplaces of daily living would be perfect clues for those seeking to understand a culture. But all who write big books on Russian life confess their failure to get properly inside Russia, to understand its "doublespeak."

Boym is a unique guide. A member of the last Soviet Generation, the Russian equivalent of our Generation X, she grew up in Leningrad and has lived in the West for the past thirteen years. Her book provides a view of Russia that is historically informed, replete with unexpected detail, and everywhere stamped with authority. Alternating analysis with personal accounts of Russian life, Boym conveys the foreignness of Russia and examines its peculiar conceptions of private life and common good, of Culture and Trash, of sincerity and banality. Armed with a Dictionary of Untranslatable Terms, we step around Uncle Fedia asleep in the hall, surrounded by a puddle of urine, and enter the Communal Apartment, the central exhibit of the book. It is the ruin of the communal utopia and a unique institution of Soviet daily life; a model Soviet home and a breeding ground for grassroots informants. Here, privacy is forbidden; here the inhabitants defiantly treasure their bits of "domestic trash," targets of ideological campaigns for the transformation (perestroika) of everyday life.

Against the Russian and Soviet myths of national destiny, the trivial, the ordinary, even the trashy, take on a utopian dimension. Boym studies Russian culture in a broad sense of the word; she ranges from nineteenth- and twentieth-century intellectual thought to art and popular culture. With her we go walking in Moscow and Leningrad, eavesdrop on domestic life, and discover jokes, films, and TV programs. Boym then reflects on the 1991 coup that marked the end of the Soviet Union and evoked fin de siècle apocalyptic visions. The book ends with a poignant reflection on the nature of communal utopia and nostalgia, on homesickness and the sickness of being home.

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About the Author:

Svetlana Boym was Curt Hugo Reisinger Professor of Slavic and Comparative Literatures at Harvard University.

From Library Journal:

Visitors and outsiders have long lamented that the real lives of Soviet citizens were hidden behind a veil of official rhetoric. The private self was kept separate from the public self as a sort of defensive or coping mechanism. Boym (humanities, Harvard), who was raised in Leningrad but has lived in the West for 13 years, analyzes the dichotomy between the common meeting places of public life and the no-places of private life and discerns a cultural tradition that still persists. Her themes are the communal apartment (which deprived all residents of a private life), graphomania (the compulsion to bad writing), and the spiritual self in Russian philosophy. Examples are drawn from film, literature, painting, and philosophy of the 19th and, primarily, 20th centuries. Appropriate for academic and specialized collections.
Marcia L. Sprules, Council of Foreign Relations Lib., New York
Copyright 1994 Reed Business Information, Inc.

"Sobre este título" puede pertenecer a otra edición de este libro.

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Descripción HARVARD UNIVERSITY PRESS, United States, 1995. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.What is the real Russia ? What is the relationship between national dreams and kitsch, between political and artistic utopia and everyday existence? Commonplaces of daily living would be perfect clues for those seeking to understand a culture. But in Russia, everyday life was hidden behind political, ideological or artistic screens, deemed irrelevant or inscrutable. And all who write big books on Russian life confess their failure to get properly inside Russia, to understand its doublespeak . This book provides a view of Russia that is historically informed and filled with unexpected detail. Alternating analysis with personal accounts of Russian life, Boym conveys the foreignness of Russia and examines peculiar conceptions of private life and common good, of culture and trash , of sincerity and banality. Armed with a dictionary of untranslatable terms, we step around uncle Fedia asleep in the hall, surrounded by a puddle of urine, and enter the communal apartment, the central exhibit of the book. It is the ruin of the communal utopia and a unique institution of Soviet daily life; a model Soviet home and a breeding ground for grass-root informants. Here, privacy is forbidden; here the inhabitants defiantly treasure their bits of domestic trash , targets of ideological campaigns for the transformation (perestroika) of everyday life. Against the Russian and Soviet myths of national destiny, the trivial, the ordinary, even the trashy, take on a utopian dimension. Not even the books can be simply good reads. They must be Great Literature or they are junk. In Russia, a bad writer, a graphomaniac, is a threat to the national dream. Boym studies Russian culture in a broad sense of the word; she ranges from 19th- and 20th-century intellectual thought to art and popular culture. With her we go walking in Moscow and Leningrad, eavesdrop on domestic life, and discover jokes, films and TV programmes. In the final chapter, Boym reflects on the 1991 coup that marked the end of the Soviet Union and evoked fin de siecle apocalyptic visions. The book ends with a poignant reflection on the nature of communal utopia and nostalgia, on homesickness and the sickness of being home. Nº de ref. de la librería APC9780674146266

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Svetlana Boym
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ISBN 10: 0674146263 ISBN 13: 9780674146266
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Descripción HARVARD UNIVERSITY PRESS, United States, 1995. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. What is the real Russia ? What is the relationship between national dreams and kitsch, between political and artistic utopia and everyday existence? Commonplaces of daily living would be perfect clues for those seeking to understand a culture. But in Russia, everyday life was hidden behind political, ideological or artistic screens, deemed irrelevant or inscrutable. And all who write big books on Russian life confess their failure to get properly inside Russia, to understand its doublespeak . This book provides a view of Russia that is historically informed and filled with unexpected detail. Alternating analysis with personal accounts of Russian life, Boym conveys the foreignness of Russia and examines peculiar conceptions of private life and common good, of culture and trash , of sincerity and banality. Armed with a dictionary of untranslatable terms, we step around uncle Fedia asleep in the hall, surrounded by a puddle of urine, and enter the communal apartment, the central exhibit of the book. It is the ruin of the communal utopia and a unique institution of Soviet daily life; a model Soviet home and a breeding ground for grass-root informants. Here, privacy is forbidden; here the inhabitants defiantly treasure their bits of domestic trash , targets of ideological campaigns for the transformation (perestroika) of everyday life. Against the Russian and Soviet myths of national destiny, the trivial, the ordinary, even the trashy, take on a utopian dimension. Not even the books can be simply good reads. They must be Great Literature or they are junk. In Russia, a bad writer, a graphomaniac, is a threat to the national dream. Boym studies Russian culture in a broad sense of the word; she ranges from 19th- and 20th-century intellectual thought to art and popular culture. With her we go walking in Moscow and Leningrad, eavesdrop on domestic life, and discover jokes, films and TV programmes. In the final chapter, Boym reflects on the 1991 coup that marked the end of the Soviet Union and evoked fin de siecle apocalyptic visions. The book ends with a poignant reflection on the nature of communal utopia and nostalgia, on homesickness and the sickness of being home. Nº de ref. de la librería APC9780674146266

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