Theatre David Rodowick Virtual Life of Film

ISBN 13: 9780674026988

Virtual Life of Film

3,81 valoración promedio
( 43 valoraciones por Goodreads )
 
9780674026988: Virtual Life of Film
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Over the years Rodowick has provided perhaps the most thorough readings and evaluations of contemporary, post-classical film theory any scholar has offered. The Virtual Life of Film offers his speculations about cinema's digital transformation. An important work, it raises vital issues...In the opening chapters Rodowick offers one of the most nuanced and complex descriptions of the photographic in cinema ever presented. -- Tom Gunning Film Comment 20070901 There is much to stimulate, provoke and argue within a book that successfully taps into the scholarly Zeitgeist. -- Ian Christie Times Higher Education Supplement 20080110

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As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema - and to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century.Here Rodowick proposes and examines three different critical responses to the disappearance of film in relation to other time-based media, and to the study of contemporary visual culture. Film, he suggests, occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persists - at least in the narrative forms imagined by Hollywood since 1915. Rodowick also observes that most so-called "new media" are fashioned upon a cinematic metaphor. His book helps us see how digital technologies are serving, like television and video before them, to perpetuate the cinematic as the mature audiovisual culture of the 20th century - and, at the same time, how they are preparing the emergence of a new audiovisual culture whose broad outlines we are only just beginning to distinguish.

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Rodowick, D. N.
Editorial: Harvard University Press (2007)
ISBN 10: 0674026985 ISBN 13: 9780674026988
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Descripción HARVARD UNIVERSITY PRESS, United States, 2007. Paperback. Estado de conservación: New. 234 x 155 mm. Language: English . Brand New Book. As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of watching a film is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema - and to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century.Here Rodowick proposes and examines three different critical responses to the disappearance of film in relation to other time-based media, and to the study of contemporary visual culture. Film, he suggests, occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persists - at least in the narrative forms imagined by Hollywood since 1915. Rodowick also observes that most so-called new media are fashioned upon a cinematic metaphor. His book helps us see how digital technologies are serving, like television and video before them, to perpetuate the cinematic as the mature audiovisual culture of the 20th century - and, at the same time, how they are preparing the emergence of a new audiovisual culture whose broad outlines we are only just beginning to distinguish. Nº de ref. de la librería AAU9780674026988

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D. N. Rodowick
Editorial: HARVARD UNIVERSITY PRESS, United States (2007)
ISBN 10: 0674026985 ISBN 13: 9780674026988
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Descripción HARVARD UNIVERSITY PRESS, United States, 2007. Paperback. Estado de conservación: New. 234 x 155 mm. Language: English . Brand New Book. As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of watching a film is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema - and to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century.Here Rodowick proposes and examines three different critical responses to the disappearance of film in relation to other time-based media, and to the study of contemporary visual culture. Film, he suggests, occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persists - at least in the narrative forms imagined by Hollywood since 1915. Rodowick also observes that most so-called new media are fashioned upon a cinematic metaphor.His book helps us see how digital technologies are serving, like television and video before them, to perpetuate the cinematic as the mature audiovisual culture of the 20th century - and, at the same time, how they are preparing the emergence of a new audiovisual culture whose broad outlines we are only just beginning to distinguish. Nº de ref. de la librería AAU9780674026988

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Rodowick, D. N.
ISBN 10: 0674026985 ISBN 13: 9780674026988
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Descripción 2007. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TH-9780674026988

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Descripción Harvard University Press. Paperback. Estado de conservación: new. BRAND NEW, The Virtual Life of Film, D. N. Rodowick, As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema - and to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century.Here Rodowick proposes and examines three different critical responses to the disappearance of film in relation to other time-based media, and to the study of contemporary visual culture. Film, he suggests, occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persists - at least in the narrative forms imagined by Hollywood since 1915. Rodowick also observes that most so-called "new media" are fashioned upon a cinematic metaphor. His book helps us see how digital technologies are serving, like television and video before them, to perpetuate the cinematic as the mature audiovisual culture of the 20th century - and, at the same time, how they are preparing the emergence of a new audiovisual culture whose broad outlines we are only just beginning to distinguish. Nº de ref. de la librería B9780674026988

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Rodowick, D. N.
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Descripción Harvard University Press, 2007. Estado de conservación: New. Proposes and examines three different responses to the disappearance of film in relation to other time-based media. This book suggests that film occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persists - at least in the narrative forms imagined by Hollywood. Num Pages: 216 pages, 18 halftones. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 15. Weight in Grams: 364. . 2007. Paperback. . . . . . Nº de ref. de la librería V9780674026988

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97806740269880000000

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D. N Rodowick
Editorial: Harvard University Press 2007-10-09, Cambridge, Mass. |London (2007)
ISBN 10: 0674026985 ISBN 13: 9780674026988
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Descripción Harvard University Press 2007-10-09, Cambridge, Mass. |London, 2007. paperback. Estado de conservación: New. Nº de ref. de la librería 9780674026988

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Descripción Harvard Univ Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2365115

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