My Secret Book: 72 (The I Tatti Renaissance Library) - Tapa dura

An aristocratic devotion to our culture continues to manifest itself even today in the most prestigious centers of study and thought. One has merely to look at the very recent (begun in 2001), rigorous and elegant humanistic series of Harvard University, with the original Latin text, English translation, introduction and notes.--Vittore Branca "Il Sole 24 Ore " The Loeb Classical Library...has been of incalculable benefit to generations of scholars... It seems certain that the I Tatti Renaissance Library will serve a similar purpose for Renaissance Latin texts, and that, in addition to its obvious academic value, it will facilitate a broadening base of participation in Renaissance Studies... These books are to be lauded not only for their principles of inclusivity and accessibility, and for their rigorous scholarship, but also for their look and feel. Everything about them is attractive: the blue of their dust jackets and cloth covers, the restrained and elegant design, the clarity of the typesetting, the quality of the paper, and not least the sensible price. This is a new set of texts well worth collecting.--Kate Lowe "Times Literary Supplement " It's the careful, hard-working crew at Harvard University's I Tatti Renaissance Library who produced the best translation of 2016 with this meticulously-rendered and marvelously sensitive scholarly edition of Petrarch's most quietly astonishing work, a work of plaintive and rigorous self-examination cast in the form of a dialogue with St. Augustine. The I Tatti Library has been uniformly excellent, but even so, this volume stands out.--Steve Donoghue"Open Letters Monthly" (12/13/2016)

Francesco Petrarca (1304-1374), one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive literary Latin, the language of the Roman Empire, and Greco-Roman culture in general. My Secret Book (Secretum) records "the private conflict of my thoughts," in the form of a dialogue between Franciscus and Augustinus in the presence of a beautiful woman, Truth personified. The discussion reveals remarkable self-awareness as Petrarca probes and evaluates the springs of his own morally dubious addictions to Fame and Love.