John O'Ryan is not a god...not exactly. He is an eternal warrior destined to combat the Dark Lord through all time for dominion of the Earth. Follow him, servant of a great race, as he battles his enemy down the halls of time, from the caves of our ancestors to the final confrontation under the hammer of nuclear annihilation.
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Born in Philadelphia, Ben Bova worked as a newspaper reporter, a technical editor for Project Vanguard (the first American satellite program), and a science writer and marketing manager for Avco Everett Research Laboratory, before being appointed editor of Analog, one of the leading science fiction magazines, in 1971. After leaving Analog in 1978, he continued his editorial work in science fiction, serving as fiction editor of Omni for several years and editing a number of anthologies and lines of books, including the "Ben Bova Presents" series for Tor. He has won science fiction's Hugo Award for Best Editor six times.
A published SF author from the late 1950s onward, Bova is one of the field's leading writers of "hard SF," science fiction based on plausible science and engineering. Among his dozens of novels are Millennium, The Kinsman Saga, Colony, Orion, Peacekeepers, Privateers, and the Voyagers series. Much of his recent work, including Mars, Venus, Jupiter, Saturn, The Precipice, and The Rock Rats, falls into the continuity he calls "The Grand Tour," a large-scale saga of the near-future exploration and development of our solar system.
A President Emeritus of the National Space Society and a past president of Science-fiction and Fantasy Writers of America, in 2001 Dr. Bova was elected a Fellow of the American Association for the Advancement of Science (AAAS). He lives in Naples, Florida, with his wife, the well-known literary agent Barbara Bova.
PART ONE: PHOENIX CHAPTER 1 I am not superhuman. I do have abilities that are far beyond those of any normal man's, but I am just as human and mortal as anyone on Earth. The core of my abilities is apparently in the structure of my nervous system. I can take completely conscious control of my entire body. I can direct my will along the chain of synapses instantly to make any part of my body do exactly what I wish it to do. Last year I learned to play the piano in two hours. My teacher, a mild, gray little man, absolutely refused to believe that I had never touched a keyboard before that day. Earlier this year I stunned a Tae Kwan Do master by learning in less than a week everything he had absorbed in a lifetime of unceasing work. He tried to be humble and polite about it, but it was clear that he was furious with me and deeply ashamed of himself for being so. I left his class. My powers are growing. I have always been able to control my heartbeat and breathing. I thought everyone could until I began reading about yogis and their "mystical" abilities. For me, their tricks are child's play. Two months ago I found myself sitting in a restaurant in midtown Manhattan. I tend to be a solitary man, so I often take my lunch hour lateenough to avoid the noisy crowds. It was after 3:00 p.m. and the restaurant was almost empty. A few couples were sitting at scattered tables, speaking in hushed tones. A middle-aged pair of tourists were studying the French menu warily, suspicious of food they had never heard of before. A couple of secret lovers sat well toward the rear, holding hands furtively, glancing up toward the door every few seconds. One young woman sat alone, not far from my own table near the front of the restaurant. She was beautiful, with dark hair curling at her shoulders and the strong, classic facial features that marked her as a photographer's model. She happened to glance in my direction, and her calm, intelligent eyes penetrated to my soul. Her eyes were large, gray as a polar sea, and seemed to hold all the knowledge of the world. Suddenly I realized that I was not merely a solitary man; I was a lonely man. Like a love-struck puppy, I wanted desperately to go over to her table and introduce myself. But her gaze shifted to the door. I turned to see a man enter, a strikingly handsome, gold-maned man of that indeterminate age between thirty and fifty. He stood by the door for a moment, then went to the bar up by the curtained plate glass window and took a stool. Even though he was wearing a conservative gray business suit, he looked more like a movie idol or an ancient Greek god than a Manhattan executive who was getting an early start on the cocktail hour. My gray-eyed beauty stared at him, as if unable to pull herself free of his spell. There was an aura about him, a golden radiance. The air almost seemed to glow where he was sitting. Deep inside me, a long-buried memory began to nag at me. I felt that I knew him, that I had met him long ago. But I could not remember where or when or under what circumstances. I looked back at the young woman. With a visible effort, she tore her gaze away from the golden man and looked toward me. The corners of her lips curled upward slightly in a smile that might have been an invitation. But the door opened again and she looked away from me once more. Another man entered the restaurant and went directly to the bar, sitting around its curve so that his back faced the curtained window. If the first man was a golden angel, this one had the look of a midnight netherworld about him. His face was heavy and grim; his muscular body bulged his clothing. His hair was jet black and his eyes burned angrily under heavy, bushy brows. Even his voice seemed heavy and dark with fury when he ordered a brandy. I finished my coffee and decided to ask for my check, then stop at the model's table on my way out. I started to look for my waiter among the four of them loafing by the kitchen doors in the rear of the restaurant, conversing in a mixture of French and Italian. That is what saved me. A bald little man in a black coat popped out of the kitchen's swinging door and tossed a black egg-shaped object the length of the restaurant. A hand grenade. I saw it all as if it were happening in slow motion. I realize now that my reflexes must have suddenly gone into overdrive, operating at a fantastically fast rate. I saw the man ducking back inside the kitchen, the waiters stiffening with surprise, the couples at the other tables still talking, not realizing that death was a second or two away. The young beauty a few tables away from me had her back to the grenade, but the bartender stared straight at it as it clunked on the carpet and rolled lumpily along to within five feet of me. I shouted a warning and leaped across the intervening tables to knock the young model out of theway of the blast. We thudded to the floor, me on top of her. The clatter of dishes and glassware was lost in the roar of the explosion. The room flashed and thundered. It shook. Then--smoke, screams, the heat of flames, the acrid smell of the explosive. I got to my feet unharmed. Her table was splintered and the wall behind us shredded by shrapnel. Smoke filled the room. I got to my knees and saw that the young woman was unconscious. There was a gash on her forehead, but she seemed otherwise unharmed. I turned and saw through the smoke the other people in the restaurant mangled and bleeding, sprawled on the floor, slumped against the walls. Some were moaning. A woman sobbed. I took the young model in my arms and carried her out to the sidewalk. Then I went back in and brought out another couple. As I stretched them out on the pavement among the shards of glass from the blown-out window, the police and firemen began to arrive, sirens shrieking. An ambulance was right behind them. I stood aside and let the professionals take over. There was no sign of either of the two men who had been sitting at the bar. Both the golden one and the dark man seemed to have disappeared the instant the grenade went off. They were gone by the time I had pulled myself up off the floor. The bartender had been cut in half by the blast. His two customers had vanished. As the firemen extinguished the smoldering blaze, the police laid out four dead bodies on the sidewalk and covered them with blankets. The medics were treating the wounded. They lifted the model, still unconscious, onto a stretcher. More ambulances arrived, and a crowd gathered around the scene, buzzing. "Goddamned I.R.A.," grumbled one of the cops. "Cheez, they're tossin' bombs around here, too, now?" "Coulda been the Puerto Ricans," another cop suggested, his voice weary, exasperated. "Or the Serbo-Croatians. They set that bomb off in the Statue of Liberty, remember?" They questioned me for several minutes, then turned me over to the medics for a quick checkup at the back of one of the ambulances. "You're lucky, mister," said the white-jacketed medic. "You didn't even get your hair mussed." Lucky. I felt numb, as if my whole body had been immersed in a thick enveloping fog. I could see and move and breathe and think. But I could not feel. I wanted to be angry, or grief-stricken, or even frightened. But I was as calm as a stupid cow, staring at the world with placid eyes. I thought about the young woman who was being taken off to a hospital. What made me try to save her? Who was responsible for the bombing? Were they trying to kill her? Or one of the men at the bar? Or me? Two TV vans had arrived by now, and the news reporters were speaking to the police captain in charge of the scene while their crews unlimbered their mini-cameras. One of the reporters, a sharpfaced woman with a penetratingly nasal voice, interviewed me for a few minutes. I responded to her questions automatically, my mind dull and slow. Once the police let me leave, I pushed my way through the milling crowd that had been drawn by the excitement and walked the three blocks back to my office. I told no one about the explosion. I went straight to my private cubicle and shut the door. As evening fell, I was still sitting at my desk--wondering why the grenade had been thrown and how I had escaped being killed by it. Which ledme to wondering why I have such physical abilities and whether those two strangers who disappeared from the bar had the same powers. I thought again about the young woman. Closing my eyes, I recalled from my memory the image of the ambulance that had taken her away. St. Mercy Hospital was printed along its side paneling. A quick check with my desktop computer gave me the hospital's address. I got up from my desk and left the office, the lights turning off automatically behind me. Copyright © 1984 by Ben Bova
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Descripción Simon & Schuster (Paper), 1984. Paperback. Estado de conservación: New. Nº de ref. de la librería P110671503863
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Descripción Simon & Schuster (Paper), 1984. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0671503863
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