The tumultuous life of England's greatest novelist, beautifully rendered by unparalleled literary biographer Claire Tomalin.
When Charles Dickens died in 1870, The Times of London successfully campaigned for his burial in Westminster Abbey, the final resting place of England's kings and heroes. Thousands flocked to mourn the best recognized and loved man of nineteenth-century England. His books had made them laugh, shown them the squalor and greed of English life, and also the power of personal virtue and the strength of ordinary people. In his last years Dickens drew adoring crowds to his public appearances, had met presidents and princes, and had amassed a fortune.
Like a hero from his novels, Dickens trod a hard path to greatness. Born into a modest middle-class family, his young life was overturned when his profligate father was sent to debtors' prison and Dickens was forced into harsh and humiliating factory work. Yet through these early setbacks he developed his remarkable eye for all that was absurd, tragic, and redemptive in London life. He set out to succeed, and with extraordinary speed and energy made himself into the greatest English novelist of the century.
Years later Dickens's daughter wrote to the author George Bernard Shaw, "If you could make the public understand that my father was not a joyous, jocose gentleman walking about the world with a plum pudding and a bowl of punch, you would greatly oblige me." Seen as the public champion of household harmony, Dickens tore his own life apart, betraying, deceiving, and breaking with friends and family while he pursued an obsessive love affair.
Charles Dickens: A Life gives full measure to Dickens's heroic stature-his huge virtues both as a writer and as a human being- while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great-his indomitable energy, boldness, imagination, and showmanship-finally destroyed him. The man who emerges is one of extraordinary contradictions, whose vices and virtues were intertwined as surely as his life and his art.
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Claire Tomalin is the author of eight highly acclaimed biographies including Thomas Hardy and Samuel Pepys: The Unequalled Self, which won the 2002 Whitbread Book of the Year Award. She has previously won the James Tait Black Memorial Prize for Biography, the Whitbread First Novel Award, the Hawthornden Prize, the NCR Book Award for Non-Fiction, and the Whitbread Biography Award.Review:
"As Claire Tomalin demonstrates in her vivid and moving new biography, Dickens’s own life was rich in the attributes we call “Dickensian” — shameless melodrama, gargantuan appetites, reversals of fortune... To encompass this frenzy, Tomalin keeps the story racing. She brings Dickens to life in all his maddening contradictions... Dickens walks off the page, and the pace never flags. Tomalin accomplishes this resurrection in a mere 417 pages of text, supplemented by dozens of illustrations, several maps of Dickens’s London and a helpful dramatis personae... if you plan to read only one biography of the most popular Victorian writer, it should be this one."
--THE WASHINGTON POST
"Enormously ambitious... admirable... warmly sympathetic and often eloquent."
--Joyce Carol Oates, THE NEW YORK REVIEW OF BOOK
“Clear-eyed, sympathetic and scholarly, she spreads the whole canvas, alive with incident and detail, with places and people. She writes of publishers, illustrators, collaborators and all Dickens’s intersecting circles of friends and family. It is wonderfully done.”
“[A] splendid history... Tomalin skillfully presents the chief trauma of Dickens' young life — being sent to work in a factory at age 12, after his father was imprisoned for debt — and suggests the ways it left a lasting mark, from his sympathy for the working class to his towering ambition and herculean work ethic.”
"[O]nward-driving, hypnotically vivid... the result of Claire Tomalin's unrivalled talent for telling a story and keeping a reader enthralled: long as the book is, I wanted more.”
--THE GUARDIAN (UK)
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