The Three Pigs (Caldecott Medal Book)

4,14 valoración promedio
( 16.060 valoraciones por Goodreads )
 
9780618007011: The Three Pigs (Caldecott Medal Book)
Críticas:

"Wiesner's dialogue and illustrations are clever, whimsical and sophisticated."

Artwork explodes off the page and the layout pushes bookmaking convention as the porcine siblings and their pals explore new literary territory.

"Children will delight in the changing perspectives...and the whole notion of the interrupted narrative...fresh and funny...Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite.

With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993). The story begins with a traditional approach in both language and illustrations, but when the wolf huffs and puffs, he not only blows down the pigs' wood and straw houses, but also blows the pigs right out of the story and into a parallel story structure. The three pigs (illustrated in their new world in a more three-dimensional style and with speech balloons) take off on a postmodern adventure via a paper airplane folded from the discarded pages of the traditional tale. They sail through several spreads of white space and crash-land in a surreal world of picture-book pages, where they befriend the cat from "Hey Diddle Diddle" and a charming dragon that needs to escape with his cherished golden rose from a pursuing prince. The pigs, car and dragon pick up the pages of the original story and return to that flat, conventional world, concluding with a satisfying bowl of dragon-breath-broiled soup in their safe, sturdy brick house. The pigs have braved the new world and returned with their treasure: the cat for company and fiddle music, the dragon's golden rose for beauty, and the dragon himself for warmth and protection from the wolf, who is glimpsed through the window, sitting powerlessly in the distance. On the last few pages, the final wqords of the text break apart, sending letters drifting down into the illustrations to show us that once we have ventured out into the wider worl, out stories never stay the same.

David Wiesner's postmodern interpretation of this tale plays imaginatively with traditional picture book and story conventions and with readers' expectations of both. . . .Wiesner explores the possibilty of different realities within a book's pages. . . . Wiesner may not be the first to thumb his nose at picture-book design rules and storytelling techniques, but he puts his own distinct print on this ambitious endeavor. There are lots of teaching opportunities to be mined here--or you can just dig into the creative possibilities of unconventionality.

As readers have come to expect from the inventive works of Wiesner, nothing is ever quite as it seems in his picture books. This version of the pigs' tale starts off traditionally enough --warm, inviting watercolor panels show in succession the tiny houses, their owner-builders and their toothy visitor. But when the wolf begins to huff and puff, he blows the pigs right out of the illustrations. Though Wiesner briefly touched on this theme in his Free Fall (fans may note a strong resemblence between the dragon in that volume and the one featured in these pages), he takes the idea of 3-D characters operating independently of their storybooks to a new level here. The three pigs land in the margins, which open out onto a postmodern landscape hung with reams of pages made for climbing on, crawling under and folding up for paper airplane travel. Together the pigs visit a book of nursery rhymes and save the aforementioned dragon from death at the hands of the knight. When they get the dragon home, he returns their kindness by scaring the wolf off permenantly. Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brillant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endlesspossibilities --and that the range of story itself is limitless.

Wiesner has created a funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories.
Booklist, ALA, Starred Review
"Children will delight in the changing perspectives...and the whole notion of the interrupted narrative...fresh and funny...Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite.
School Library Journal, Starred
As readers have come to expect from the inventive works of Wiesner, nothing is ever quite as it seems in his picture books. This version of the pigs' tale starts off traditionally enough warm, inviting watercolor panels show in succession the tiny houses, their owner-builders and their toothy visitor. But when the wolf begins to huff and puff, he blows the pigs right out of the illustrations. Though Wiesner briefly touched on this theme in his Free Fall (fans may note a strong resemblence between the dragon in that volume and the one featured in these pages), he takes the idea of 3-D characters operating independently of their storybooks to a new level here. The three pigs land in the margins, which open out onto a postmodern landscape hung with reams of pages made for climbing on, crawling under and folding up for paper airplane travel. Together the pigs visit a book of nursery rhymes and save the aforementioned dragon from death at the hands of the knight. When they get the dragon home, he returns their kindness by scaring the wolf off permenantly.
Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brillant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilities and that the range of story itself is limitless.
Publishers Weekly, Starred
With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993). The story begins with a traditional approach in both language and illustrations, but when the wolf huffs and puffs, he not only blows down the pigs' wood and straw houses, but also blows the pigs right out of the story and into a parallel story structure. The three pigs (illustrated in their new world in a more three-dimensional style and with speech balloons) take off on a postmodern adventure via a paper airplane folded from the discarded pages of the traditional tale. They sail through several spreads of white space and crash-land in a surreal world of picture-book pages, where they befriend the cat from "Hey Diddle Diddle" and a charming dragon that needs to escape with his cherished golden rose from a pursuing prince. The pigs, car and dragon pick up the pages of the original story and return to that flat, conventional world, concluding with a satisfying bowl of dragon-breath-broiled soup in their safe, sturdy brick house. The pigs have braved the new world and returned with their treasure: the cat for company and fiddle music, the dragon's golden rose for beauty, and the dragon himself for warmth and protection from the wolf, who is glimpsed through the window, sitting powerlessly in the distance. On the last few pages, the final wqords of the text break apart, sending letters drifting down into the illustrations to show us that once we have ventured out into the wider worl, out stories never stay the same.
Kirkus Reviews with Pointers
David Wiesner's postmodern interpretation of this tale plays imaginatively with traditional picture book and story conventions and with readers' expectations of both. . . .Wiesner explores the possibilty of different realities within a book's pages. . . . Wiesner may not be the first to thumb his nose at picture-book design rules and storytelling techniques, but he puts his own distinct print on this ambitious endeavor. There are lots of teaching opportunities to be mined here or you can just dig into the creative possibilities of unconventionality.
Horn Book
null Children's Books: 100 Titles NYPL
Artwork explodes off the page and the layout pushes bookmaking convention as the porcine siblings and their pals explore new literary territory.
SLJ Best Books of the Year
null Best Books for Children Cahners"

Reseña del editor:

This Caldecott Medal-winningpicture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf s huffing and puffing blows the first pig right out of the story . . . and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight.
Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday s frogs and Sector 7 s clouds will be captivated by old friends the Three Pigs of nursery fame and their companions in a new guise.
"

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Descripción Houghton Muffin Hartcourt Trade. Estado de conservación: New. Brand New. Nº de ref. de la librería 0618007016

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97806180070110000000

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ISBN 10: 0618007016 ISBN 13: 9780618007011
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Descripción 2001. HRD. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780618007011

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Descripción Library Binding. Estado de conservación: New. Nº de ref. de la librería 848835

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Wiesner, David
ISBN 10: 0618007016 ISBN 13: 9780618007011
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Descripción Hardcover. Estado de conservación: New. This picture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf’s huffing and puffing blows the first pig right out of the story . . . and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects—cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight.Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday’s frogs and Sector 7’s clouds will be captivated by old friends—the Three Pigs of nursery fame and their companions—in a new guise. Nº de ref. de la librería 9524635

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Wiesner, David
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Descripción Clarion Books, 2001. Hardcover. Estado de conservación: New. Nº de ref. de la librería 0618007016

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Wiesner, David
Editorial: Clarion Books, NY (2001)
ISBN 10: 0618007016 ISBN 13: 9780618007011
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Descripción Clarion Books, NY, 2001. Hardcover. Estado de conservación: New. Estado de la sobrecubierta: New. David Wiesner Ilustrador. 1st Edition. 4to - over 9¾ - 12" tall. This is a New and Unread copy of the first edition (1st printing). There is a small crease to the bottom of the jacket - likely easily smoothed out. Book. Nº de ref. de la librería 040142

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David Wiesner
Editorial: HOUGHTON MIFFLIN, United States (2001)
ISBN 10: 0618007016 ISBN 13: 9780618007011
Nuevos Tapa dura Cantidad: 10
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Descripción HOUGHTON MIFFLIN, United States, 2001. Hardback. Estado de conservación: New. 295 x 231 mm. Language: English . Brand New Book. This Caldecott Medal-winning picture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf s huffing and puffing blows the first pig right out of the story . . . and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects--cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight. Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday s frogs and Sector 7 s clouds will be captivated by old friends--the Three Pigs of nursery fame and their companions--in a new guise. Nº de ref. de la librería AAS9780618007011

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9.

David Wiesner
Editorial: HOUGHTON MIFFLIN, United States (2001)
ISBN 10: 0618007016 ISBN 13: 9780618007011
Nuevos Tapa dura Cantidad: 10
Librería
The Book Depository US
(London, Reino Unido)
Valoración
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Descripción HOUGHTON MIFFLIN, United States, 2001. Hardback. Estado de conservación: New. 295 x 231 mm. Language: English . Brand New Book. This Caldecott Medal-winning picture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf s huffing and puffing blows the first pig right out of the story . . . and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects--cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight. Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday s frogs and Sector 7 s clouds will be captivated by old friends--the Three Pigs of nursery fame and their companions--in a new guise. Nº de ref. de la librería AAS9780618007011

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10.

Wiesner, David
ISBN 10: 0618007016 ISBN 13: 9780618007011
Nuevos Cantidad: 20
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(Wood Dale, IL, Estados Unidos de America)
Valoración
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Descripción 2001. HRD. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería V6-9780618007011

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