FOR USE IN SCHOOLS AND LIBRARIES ONLY. After losing his daughter in a car wreck, Don Lark buries himself in the work of restoring a magnificent, long-neglected Southern mansion, but when he unearths an old tunnel in the cellar, he stirs up the demons of the house's tragic past.
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This romantic ghost story relies on a familiar horror backbone: a stranger with a tragic past moves into an old house that also has a tragic past, and is forced to reckon with the supernatural forces that dwell there. In Homebody, the stranger is an itinerant architect-builder who makes a lonely living by purchasing fixer-uppers, renovating them, and selling them. The house he buys in Greensboro, North Carolina, (where Orson Scott Card lives, in real life) has three mysteries attached to it: a tunnel in the basement, an attractive female squatter who refuses to leave, and a trio of weird doomsayers who live next door.
Card has a clear, well-honed writing style, full of human warmth--a style that is especially effective in the development of the central character, and in details of tools and techniques for renovating an old house. His approach to murder, danger, and threatening forces is so free of closeness or oppression that one might call it "anti-gothic." In an interview, he said, "I am completely uninterested in exploring evil. Evil (and weak and wicked) people are all evil (or weak, or wicked) in the same boring ways. But good people are infinitely interesting in the ways they manage to be good despite all the awful circumstances of their lives."
Homebody is a pleasant tale about the triumph of love over evil, with a couple of bizarre twists to give it spice. (Hint: don't read the Kirkus Review if you want to keep the plot a surprise.) --Fiona WebsterFrom the Back Cover:
Don Lark's cheery name belies his tragic past. When his alcoholic ex-wife killed their daughter in a car wreck, he retreated from the sort of settled, sociable lifestyle one takes for granted. Only the prospect of putting a roof over other people's heads seems to comfort Lark, and he goes from town to town, looking for dilapidated houses he can buy, restore, and resell at a profit. In Greensboro, North Carolina, Lark finds his biggest challenge yet - a huge, sturdy, gorgeous shell that's suffered almost a century of abuse at the hands of greedy landlords and transient tenants. As he sinks his teeth into his new project, Lark's new neighborhood starts to work its charms on him. He strikes up a romance with the wry real estate agent who sold him the house. His neighbors, two charming, chatty old ladies, ply him endlessly with delicious Southern cooking. Even Sylvie, the squatter Lark was once desperate to evict from the old house, is now growing on him. But when Lark unearths an old tunnel in the cellar, the house's enchantments start to turn ominous. Sylvie turns cantankerous, even dangerous. There's still a steady supply of food from next door, but it now comes laced with increasingly passionate pleas for Lark to vacate the house at once. In short, everybody seems to want to get rid of him. Whether this is for his own good or theirs, Lark digs in his heels for reasons even he's not sure of. If Lark wins, he gets the kind of home and community he's always dreamed of. If he loses, all is lost...
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