The Illuminations - Tapa dura

You could argue ( as I would) that only in fiction as good as this will you find war, sex, nationalism and the care of the elderly , truthfully handled. The Illuminations is a novel which validates the greatness of fiction in hands as masterly as Andrew O'Hagan. Read it and see what I mean (John Sutherland The Times)

[Andrew O'Hagan's] impressive new novel ... moves with bold, imaginative daring and a troubled intensity between men at war and women with their children, between Scotland and Afghanistan, between photography and fiction, and between memory and secrets ... it is using the real world to ask real, difficult and important questions: about how the truth gets reshaped and rearranged, and about whether, under every kind of circumstance, it is possible to be true to yourself. (Hermione Lee Guardian)

It's a measure of O'Hagan's compassion that after balancing these stories of war and family - braving the battlefield and braving the passing of time - the ultimate note is hopeful and almost gentle, of something that seems real and vital. (Lucy Daniel Daily Telegraph)

'The Illuminations is a book at once both tender and ambitious. In the writing of it, O'Hagan has cast a shimmering light on love and memory, life and loss and on the secrets we keep from those closest to us, sometimes even from ourselves.' (Elizabeth Day Observer)

In his fifth novel, Andrew O'Hagan examines topical subjects - war, nationalism, technology - and eternal themes like family and the effects of time. As you'll expect if you've read [O'Hagan's] other novels, which include the Man Booker shortlisted Be Near Me, he achieves this with such elegance that it's easy to underestimate the power of The Illuminations until its ending. Several times I was reminded of Jonathan Franzen's The Corrections because O'Hagan dramatises the ways lives twist and turn in concert with history, locating the precious and profound in the everyday. (Max Liu Independent on Sunday)

What a brilliantly versatile writer Andrew O'Hagan is ... [he] pulls the threads of his narrative together with consummate skill. It is beautifully done. (Max Davidson Mail on Sunday)

A bold and significant work of art ... an eloquent and often beautiful anatomy of the way we live now - in love, in war and in our imagination. (Jane Shilling Evening Standard)