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Lee, Stewart How I Escaped My Certain Fate ISBN 13: 9780571254811

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9780571254811: How I Escaped My Certain Fate
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Experience how it feels to be the subject of a blasphemy prosecution! Find out why 'wool' is a funny word! See how jokes work, their inner mechanisms revealed, before your astonished face! In 2001, after over a decade in the business, Stewart Lee quit stand-up, disillusioned and drained, and went off to direct a loss-making musical, Jerry Springer: The Opera. Nine years later, How I Escaped My Certain Fate details his return to live performance, and the journey that took him from an early retirement to his position as the most critically acclaimed stand-up in Britain, the winner of BAFTAs and British Comedy Awards, and the affirmation of being rated the 41st best stand up ever. Here is Stewart Lee's own account of his remarkable comeback, told through transcripts of the three legendary full-length shows that sealed his reputation., Astonishingly frank and detailed in-depth notes reveal the inspiration and inner workings of his act. With unprecedented access to a leading comedian's creative process, this book tells us just what it was like to write these shows, develop the performance and take them on tour. How I Escaped My Certain Fate is everything we have come to expect from Stewart Lee: fiercely intelligent, unsparingly honest and very, very funny.

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Críticas:
'Lee's bumper DVD extras-style assemblage echoes the revelatory sprawl of David Foster Wallace's Infinite Jest.... Stewart Lee has created a book which is at once a notable repository of technical insight, an invaluable insider's guide to three decades of British comedy, and as revealing a portrait of its author's life and opinions as even the most self-consciously confessional of conventional celebrity memoirs.' -- Ben Thompson, Independent on Sunday>> ' (A) fascinatingly detailed account of what inspired, motivated and influenced his creativity ... the trials, insecurities and passions that have fuelled him over the past ten years are so honestly, amusingly, eloquently, and, often, viciously expressed that it only serves to further confirm his position as one of our leading 'alternative' national treasures. -- Time Out>> 'It s a simply remarkable piece of writing: funny, wise, partial, propulsive. And then there are the footnotes, which comment on the shows like some frank, deliciously-detailed DVD commentary ... His writing ... has the irony, honesty, petulance and righteous zeal that we Lee fans demand ... an essential, invigorating investigation into the art, craft and culture of stand-up comedy. -- Dominic Maxwell, The Times >> Required reading for comedy fans ... (Lee) is analytical, critical and perfectly willing to say when he finds himself proud of something he wrote, or occasionally ashamed. It is a fascinating insight into the process of creating comedy, and making months of work feel like a fresh, spontaneous show each night ... This book should win him some new fans and cement the dislike of old detractors. And it's impossible to imagine he would ever choose to do anything else. --Natalie Haynes, Observer

His marginalia offer an absorbing history of alternative comedy since the late 1980s, affectionate pen-portraits of misunderstood heroes, such as Johnny Vegas and Simon Munnery, and fascinating insights into his craft ... the wonderful achievement of this book is that it makes you as excited as Lee is by the capabilities of a man in a dark room with a microphone. -- Richard Godwin, Evening Standard>> It rules! Have you ever noticed how transcripts of stand-up shows can make for some of the best fun material going? ... so long, so bitter and so thoroughly enjoyable. --Dazed and Confused>> Funny, honest and insightful throughout. It deserves to make its author even more than he appeared on HIGNFY ... like the author s stage act, it is elliptical, repetitious and, inevitably, solipsistic. But in a good way ... in the hands of a lesser talent, this would be unbearably tedious, but Lee s verbal dexterity and exhaustive knowledge manages to make the experience cumulatively hilarious. --John Naughton, Word magazine

it works brilliantly ... complementing the very well-written autobiographical narrative that connects the routines and the footnotes are such rich mini-essays that I reached the end wishing there was an index, in order to relocate such observations as Lee s comparison of the Mighty Boosh s offbeat comic timing to dried stalks of spaghetti being dropped onto a china plate . How I Escaped My Certain Fate is a sophisticated demonstration of the poetics of comedy by an artist who, like Wilde, has been moved to public contrarianism in the belief that there is no sin except stupidity . -- Jeremy Noel-Todd, Daily Telegraph>> It s a sort of autobiography, but really just as much a book about the way British comedy has changed ... usually, such copious asides are the sign of a very bad book but Lee pulls it off, mainly because his notes are invariably insightful, and frequently very funny. --William Cook, Independent

You warm to Lee through the very distance he knowingly creates between himself and the reader, providing a morbidly fascinat --William Cook, Independent

'An excellent book, this ... [Lee] deconstructs his comic material, which is fascinating. There are bits which are amazingly funny, for sure. But the best thing about this book is it deep intellectual grasp of comedy itself.' -- Evening Standard>> 'Three transcripts of some of the funniest stand-up shows you're likely to see. A full introduction and extensive annotations reveal the in-depth workings of a comic genius.' -- Venue>> 'Truculent, unpredictable and sporadically brilliant ... Lee's footnotes contain as many conceptual leaps and subversive riffs as his live act.' -- Sunday Telegraph>> 'I was in the audience for all three of these shows. They were hilarious then and they're still hilarious on the page ... the material is non-arch, uncynical, energetic, genuine, modest, original and as spiky as a range of mountains. Oh, and did I say hilarious?' --Independent on Sunday

it works brilliantly ... complementing the very well-written autobiographical narrative that connects the routines and the footnotes are such rich mini-essays that I reached the end wishing there was an index, in order to relocate such observations as Lee s comparison of the Mighty Boosh s offbeat comic timing to dried stalks of spaghetti being dropped onto a china plate . How I Escaped My Certain Fate is a sophisticated demonstration of the poetics of comedy by an artist who, like Wilde, has been moved to public contrarianism in the belief that there is no sin except stupidity . -- Jeremy Noel-Todd, Daily Telegraph>> It s a sort of autobiography, but really just as much a book about the way British comedy has changed ... usually, such copious asides are the sign of a very bad book but Lee pulls it off, mainly because his notes are invariably insightful, and frequently very funny. --William Cook, Independent
Biografía del autor:
Stewart Lee began stand-up in 1988 at the age of 20, and won the Hackney Empire new act of the year award in 1990. In 2001 he was asked to write the libretto for Jerry Springer: The Opera which went on to win four Olivier awards. His most recent stand-up shows have been Stand Up Comedian (2004), 90s Comedian (2005), 41st Best Stand-up Comedian (2007), If You Prefer a Milder Comedian, Please Ask for One (2009) and Carpet Remnant World (2012). Stewart Lee's Comedy Vehicle, featuring stand-up shows and sketches, has run for three series on BBC2 since 2009, and won the BAFTA for Best Comedy Programme in 2012.

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  • EditorialFaber & Faber
  • Año de publicación2011
  • ISBN 10 0571254810
  • ISBN 13 9780571254811
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  • Número de páginas400
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9780571254804: How I Escaped My Certain Fate: The Life and Deaths of a Stand-Up Comedian

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ISBN 10:  0571254802 ISBN 13:  9780571254804
Editorial: Faber & Faber, 2010
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