The Beautiful Indifference - Tapa blanda

'Seven skilfully adrenalised stories, precise and sensual, in which the scent of violence is a constant.' -- Helen Simpson, Guardian Books of the Year >> 'Reaches a standard that makes award juries sit up and take note . . . Hall's voice is strong and distinctive even, in single, elevated passages, exquisite.' -- Lionel Shriver, Financial Times >> 'Shows her characteristic ability to cause disquiet ... Hall's sharply perceptive observations strike like slaps ... There is a deeply sensual element to her writing: it is visceral and instinctive ... It's like sinking into a Rothko painting. Language is used inventively. These are stimulating, unsettling stories... [they] intrigue and mesmerise.' -- Independent on Sunday >> 'Hall evokes her landscapes with bewitchingly vivid prose. Her writing is gutteral and visceral, and her characters are raw and sinewy ... Every one of the seven tales here delights and disturbs in equal measure. The Beautiful Indifference illustrates that short fiction is indeed a finely wrought art form, and Hall is an artist of considerable and concise skill. Each story is a gem, but together they form a collection of astonishingly sensuous power ... Hall is a writer of both rare vision and talent.' -- Sunday Times >> 'These stories constantly thwart one's dramatic expectations - and are all the more dramatic for it ... This prose, particularly when used to convey the bleakness of the Cumbrian landscape, is wonderful ... She does darkness so very well.' -- The Times >> 'Sarah Hall's four novels have already shown her to be a writer of extraordinary talents, whether in the rough magic of The Carhullan Army, about female resistance in a near-future police state, or the passionate intertwined narratives of art and identity that make up the Booker-longlisted How to Paint a Dead Man. With her first short-story collection, her writing takes another leap forward, into a landscape entirely her own ....The erotic charge of Hall's writing, its fierce physical power, coexists with her characters' sense of separation: each is a world entire, and they retain their depth, their mystery.' -- --Justine Jordan, Guardian