Upon the publication of her posthumous volume of poetry, Ariel, in the mid-1960s, the author became a household name. Readers may be surprised to learn that the draft of Ariel left behind by her when she died in 1963 is different from the volume of poetry eventually published to worldwide acclaim. This facsimile edition restores, for the first time, the selection and arrangement of the poems as she left them at the point of her death. In addition to the facsimile pages of her manuscript, this edition also includes in facsimile the complete working drafts of the title poem 'Ariel', in order to offer a sense of her creative process, as well as notes the author made for the BBC about some of the manuscript's poems. In her insightful foreword to this volume the author's daughter explains the reasons for the differences between the previously published edition of Ariel as edited by her father, and her mother's original version published here. With this publication, the author's legacy and vision will be re-evaluated in the light of her original working draft.
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Sylvia Plath churned out her final poems at the remarkable rate of two or three a day, and Robert Lowell describes them as written by "hardly a person at all ... but one of those super-real, hypnotic, great classical heroines." Even more remarkable, she wrote them during one of the coldest, snowiest winters (1962-63) Londoners have ever known. Snowbound, without central heating, she and her two children spent much of their time sniffling, coughing, or running temperatures (In "Fever 103°" she writes, "I have been flickering, off, on, off on. / The sheets grow heavy as a lecher's kiss."). Pipes froze, lights failed, and candles were unobtainable.
As if these physical privations weren't enough, Plath was out in the cold in another sense--her husband, Ted Hughes, had left her for another woman earlier that year. Despite all this (or perhaps because of it), the Ariel poems dazzle with their lyricism, their surprising and vivid imagery, and their wit. Rather than confining herself to her bleak surroundings, Plath draws from a wide array of experience. In "Berck-Plage," for instance, clouds are "electrifyingly-coloured sherbets, scooped from the freeze." In "The Night Dances," the poet stands crib-side, reveling in her son's own brand of do-si-do: "Such pure leaps and spirals--Surely they travel / The world forever, I shall not entirely / Sit emptied of beauties, the gift / Of your small breath..."
Though at times they present the reader with hopelessness laid bare, these poems also teem with the brightest shards of a life, confounding those who merely look for the words of a gloomy, dispassionate suicide. Plath rose each morning in the final months of her life to "that still blue, almost eternal hour before the baby's cry" and left us these words like "axes/After whose stroke the wood rings..."About the Author:
Sylvia Plath (1932-1963) was born in Boston, Massachusetts, and studied at Smith College. In 1955 she went to Cambridge University on a Fulbright scholarship, where she met and later married Ted Hughes. She published one collection of poems in her lifetime, The Colossus (1960), and a novel, The Bell Jar (1963). Her Collected Poems, which contains her poetry written from 1956 until her death, was published in 1981 and was awarded the Pulitzer Prize for poetry.
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Descripción Faber and Faber, 2004. Hardcover. Estado de conservación: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence!. Nº de ref. de la librería mon0002212871
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Descripción Faber & Faber, 2004. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. 1st edition. a very clean tight unmarked copy with crisp pages and a mylar protected dust cover. Nº de ref. de la librería 00460173
Descripción Faber & Faber. Hardcover. Estado de conservación: GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, thatâ€™ll have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included. Nº de ref. de la librería 2812292501
Descripción Faber and Faber, 2004. Hard Cover. Estado de conservación: Fine. Estado de la sobrecubierta: Fine. First Thus. Nº de ref. de la librería 011381
Descripción Faber and Faber, 2004. Hard Cover. Dust Jacket Included. Very near fine book slight creasing to the head of the spine in a very near fine dust jacket with slight edge creasing mostly at the head of the spine . First edition, first printing. Nº de ref. de la librería 20150703
Descripción London Faber and Faber Limited 2004, 2004. Estado de conservación: As New. First Edition Thus with printing sequence line '24681097531'. Publisher's black paper-covered boards with gilt lettering to spine and red endpapers. Clear, removable, archival protective sleeve fitted to dust-jacket. Octavo. pp. [xviii], 206 with a facsimile of Plath's manuscript. A book in Fine condition in a Fine dust-jacket which is not price-clipped. Nº de ref. de la librería 100542
Descripción Faber & Faber, London, 2004. Publishers Black Cloth. Estado de conservación: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 240mm. Pp: 201. Fine in Fine Jacket. Foreword by Frieda Hughes. Nº de ref. de la librería 005589
Descripción Faber & Faber, 2004. Hardcover. Estado de conservación: As New. Estado de la sobrecubierta: As New. 1st Edition. 2004 Faber Hardcover 1st Edition 1st Impression. Like new with unclipped dustjacket. Wonderful jacket design as shown. Appears unread. . Nº de ref. de la librería ABE-1509876524882
Descripción Faber and Faber, 2004. Hard Cover. Estado de conservación: As New. Estado de la sobrecubierta: As New. Nº de ref. de la librería 001037