Art Donald Kuspit The End of Art

ISBN 13: 9780521832526

The End of Art

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9780521832526: The End of Art

Donald Kuspit argues here that art is over because it has lost its aesthetic import. Art has been replaced by "postart," a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is in its final state. In contrast to modern art, which expressed the universal human unconscious, postmodern art degenerates into an expression of narrow ideological interests. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the old masters. The End of Art points the way to the future for the visual arts. Donald Kuspit is Professor of Art History at SUNY Stony Brook. A winner of the Frank Jewett Mather Award for Distinction in Art Criticism, Professor Kuspit is a Contributing Editor at Artforum, Sculpture and New Art Examiner. His most recent book is The Cult of the Avant-Garde (Cambridge, 1994).

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Book Description:

In The End of Art, Donald Kuspit argues that art is over because it has lost is aesthetic import. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is if final state. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the New Old Masters.

About the Author:

Donald Kuspit is one of America's most distinguished art critics. Winner of the prestigious Frank Jewett Mather Award for Distinction in Art Criticism, given by the College Art Association, he is a Contributing Editor to Artforum, Sculpture, New Art Examiner, and Tema Celeste magazines, as well as Editor of Art Criticism. Professor of Art History and Philosophy at the State University of New York, Stony Brook, he also holds honorary degrees from Davidson College, the San Francisco Institute of Arts, and the University of Illinois at Urbana-Champaign, and he has been the A. D. White Professor-at-Large at Cornell University. Dr Kuspit has received fellowships from the Ford Foundation, Fulbright Commission, the National Endowment for the Humanities, and the Guggenheim Foundation. He is the author and editor of hundreds of articles and books, most recently The Rebirth of Painting in the Late 20th Century and Psychostrategies of Avant-Garde Art.

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Kuspit, Donald
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Descripción Cambidge, 2004. Estado de conservación: Nuevo. Cartoné en tela ed. con sobrecubierta ilustrada. 206 págs. 24 x 15.5 cm. Ilust. b/n. Arte / Libros de Importación. Obra nueva, sin recorrido comercial. Restos de Edición. Nº de ref. de la librería 001349

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Donald Kuspit
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2004. Hardback. Estado de conservación: New. Language: English . Brand New Book. In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by postart , a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is its final state. In contrast to modern art, which expressed the universal human unconscious, postmodern art degenerates into an expression of narrow ideological interests. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the New Old Masters. The End of Art points the way to the future for the visual arts. Nº de ref. de la librería AAA9780521832526

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Donald Kuspit
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ISBN 10: 0521832527 ISBN 13: 9780521832526
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2004. Hardback. Estado de conservación: New. Language: English . Brand New Book. In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by postart , a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is its final state. In contrast to modern art, which expressed the universal human unconscious, postmodern art degenerates into an expression of narrow ideological interests. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the New Old Masters. The End of Art points the way to the future for the visual arts. Nº de ref. de la librería AAA9780521832526

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Kuspit, Donald
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Descripción Cambridge University Press, 2004. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería FM-9780521832526

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Donald Kuspit
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2004. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by postart , a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is its final state. In contrast to modern art, which expressed the universal human unconscious, postmodern art degenerates into an expression of narrow ideological interests. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the New Old Masters. The End of Art points the way to the future for the visual arts. Nº de ref. de la librería BTE9780521832526

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