The Invention of Beethoven and Rossini: Historiography, Analysis, Criticism

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9780521768054: The Invention of Beethoven and Rossini: Historiography, Analysis, Criticism

Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' - a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.

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Book Description:

More than a pair of famous composers, Beethoven and Rossini came to represent an opposition that cast a shadow over the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. In this book, leading scholars re-evaluate the great symbolic duo of early nineteenth-century music.

About the Author:

Nicholas Mathew is a professor in the Department of Music at the University of California, Berkeley. He is the author of Political Beethoven (2013) and has published articles in, among others, Musical Quarterly, Eighteenth-Century Music, 19th-Century Music, Current Musicology, the Journal of the Royal Musical Association, and the volume Engaging Haydn (edited by Richard Will and Mary Hunter, 2012). He is currently editor, with W. Dean Sutcliffe, of the journal Eighteenth-Century Music.

Benjamin Walton is a Senior University Lecturer in Music at the University of Cambridge and a Fellow of Jesus College. He is the author of Rossini in Restoration Paris: The Sound of Modern Life (2007), and is currently writing a book about the spread of opera beyond Europe in the first half of the nineteenth century.

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Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2013)
ISBN 10: 0521768055 ISBN 13: 9780521768054
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2013. Hardback. Estado de conservación: New. Language: English . Brand New Book. Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming Beethoven and Rossini - a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories. Nº de ref. de la librería AAA9780521768054

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Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2013)
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2013. Hardback. Estado de conservación: New. Language: English . Brand New Book. Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming Beethoven and Rossini - a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories. Nº de ref. de la librería AAA9780521768054

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Mathew, Nicholas
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EDITED BY NICHOLAS MATHEW , BENJAMIN WALTON
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Descripción 2013. Hardback. Estado de conservación: NEW. 9780521768054 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0474746

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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2013. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming Beethoven and Rossini - a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories. Nº de ref. de la librería BTE9780521768054

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Descripción Cambridge Univ Pr, 2013. Hardcover. Estado de conservación: Brand New. 384 pages. 9.75x7.00x1.00 inches. In Stock. Nº de ref. de la librería __0521768055

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Nicholas Mathew (editor), Benjamin Walton (editor)
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