The Practice of Performance: Studies in Musical Interpretation

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9780521619394: The Practice of Performance: Studies in Musical Interpretation

The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience.

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Book Description:

The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. Individual chapters address such topics as musical expression, musical motion, the role of practice, the projection of meaning, performance as a dramatic narrative, and analysis through performance. There are several distinguished performers among the contributors.

Review:

'This is one of those books so rich and rewarding as to strongly resist precis and summary judgement.' Jonathan Dunsby, Musicae Scientiae

'...thought-provoking content and for the wide range of issues addressed within the area of performance studies.' Sarah Martin, Music Analysis

' ... a worthwhile addition to scholarly collections'. Notes (Quarterly Journal of the Music Library Association)

' ... a significant contribution to the literature on the psychology and semantics of performance, and the relationship between analysis and performance.' Music Teacher

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Rink, John
Editorial: Cambridge University Press 2004-12 (2004)
ISBN 10: 0521619394 ISBN 13: 9780521619394
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Descripción Cambridge University Press 2004-12, 2004. Estado de conservación: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-LSI-06917372

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Rink, John
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Descripción Cambridge University Press, 2005. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780521619394

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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2005. Paperback. Estado de conservación: New. Revised ed.. Language: English . Brand New Book ***** Print on Demand *****.The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience. Nº de ref. de la librería AAV9780521619394

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Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2005)
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2005. Paperback. Estado de conservación: New. Revised ed.. Language: English . Brand New Book ***** Print on Demand *****. The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience. Nº de ref. de la librería AAV9780521619394

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Edited by John Rink
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ISBN 10: 0521619394 ISBN 13: 9780521619394
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Descripción Cambridge Univ Pr, 2005. Paperback. Estado de conservación: Brand New. 290 pages. 9.50x7.75x0.75 inches. In Stock. Nº de ref. de la librería __0521619394

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Rink, John
Editorial: Cambridge University Press (2016)
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Descripción Cambridge University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780521619394_lsuk

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Descripción Cambridge University Press. Estado de conservación: Brand New. Ships from USA. FREE domestic shipping. Nº de ref. de la librería 0521619394

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Editorial: Cambridge University Press
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Descripción Cambridge University Press. Paperback. Estado de conservación: New. Paperback. 308 pages. Dimensions: 9.5in. x 7.4in. x 1.0in.The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780521619394

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Editorial: Cambridge University Press (2017)
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Descripción Cambridge University Press, 2017. Paperback. Estado de conservación: New. Never used! This item is printed on demand. Nº de ref. de la librería 0521619394

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EDITED BY JOHN RINK
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Descripción 2005. Paperback. Estado de conservación: NEW. 9780521619394 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0466501

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