This work examines twenty-five paintings by Dürer in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Luber explains how Dürer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective.
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"The overall achievement of Luber's engaging book is to bring one to a closer, practical understanding of Durer's relationship with Venetian art and art theory. More than this, she has provided the tools with which to consider fundamental questions about the relationship between praxis and thought, between technique and idea, questions that bring us to the very heart of the creative process." H-Net Andrew Morrall, Bard Graduate Center, New YorkReview:
'Dr Luber's concise and clearly argued book is a welcome addition to the Dürer literature.' Art Newspaper
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Descripción Cambridge University Press, 2005. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0521562880