Marx's Lost Aesthetic Paperback: Karl Marx and the Visual Arts

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9780521369794: Marx's Lost Aesthetic Paperback: Karl Marx and the Visual Arts
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This book offers an original and challenging study of Marx's contact with the visual arts, aeshetic theories, and art policies of nineteenth-century Europe. It differs from previous discussions of Marxist aesthetic theory in looking at Marx's views from an art-historical rather than from a literary perspective, and in placing those views in the context of the art practices, theories, and policies of Marx's own time.

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Rose, Margaret A.
Publicado por Cambridge University Press (1988)
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Descripción Cambridge University Press, 1988. PAP. Condición: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. del artículo: IQ-9780521369794

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Rose, Margaret A.
Publicado por Cambridge University Press 1988-12 (1988)
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Descripción Cambridge University Press 1988-12, 1988. Condición: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. del artículo: NU-LSI-06850774

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Margaret A. Rose
Publicado por CAMBRIDGE UNIVERSITY PRESS, United Kingdom (1988)
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 1988. Paperback. Condición: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****.This book offers an original and challenging study of Marx s contact with the visual arts, aesthetic theories, and art policies in nineteenth-century Europe. It differs from previous discussions of Marxist aesthetic theory in looking at Marx s views from an art-historical rather than from a literary perspective, and in placing those views in the context of the art practices, theories, and policies of Marx s own time. Dr Rose begins her work by discussing Marx s planned treatise on Romantic art of 1842 against the background of the philosophical debates, cultural policies, and art practices of the 1840s, and looks in particular at the patronage given to the group of German artists known as the Nazarenes in those years, who are discussed in relation to both the English Pre-Raphaelites, popular in the London known to Marx, and to the Russian Social Realists of the 1860s. The author goes on to consider claims of twentieth-century Marxist art theories and practices to have represented Marx s own views on art. The book the conflicting claims made on Marx s views by the Soviet avant-garde Constructivists of the 1920s and of the Socialist Realists who followed them are considered, and are related back to the aesthetic theories and practices discussed in the earlier chapters. Nº de ref. del artículo: AAV9780521369794

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Margaret A. Rose
Publicado por CAMBRIDGE UNIVERSITY PRESS, United Kingdom (1988)
ISBN 10: 0521369797 ISBN 13: 9780521369794
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 1988. Paperback. Condición: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****. This book offers an original and challenging study of Marx s contact with the visual arts, aesthetic theories, and art policies in nineteenth-century Europe. It differs from previous discussions of Marxist aesthetic theory in looking at Marx s views from an art-historical rather than from a literary perspective, and in placing those views in the context of the art practices, theories, and policies of Marx s own time. Dr Rose begins her work by discussing Marx s planned treatise on Romantic art of 1842 against the background of the philosophical debates, cultural policies, and art practices of the 1840s, and looks in particular at the patronage given to the group of German artists known as the Nazarenes in those years, who are discussed in relation to both the English Pre-Raphaelites, popular in the London known to Marx, and to the Russian Social Realists of the 1860s. The author goes on to consider claims of twentieth-century Marxist art theories and practices to have represented Marx s own views on art. The book the conflicting claims made on Marx s views by the Soviet avant-garde Constructivists of the 1920s and of the Socialist Realists who followed them are considered, and are related back to the aesthetic theories and practices discussed in the earlier chapters. Nº de ref. del artículo: AAV9780521369794

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Rose
ISBN 10: 0521369797 ISBN 13: 9780521369794
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Descripción Condición: New. Nº de ref. del artículo: ria9780521369794_ing

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Margaret A. Rose
Publicado por Cambridge University Press (1988)
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Descripción Cambridge University Press, 1988. PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. del artículo: IQ-9780521369794

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Rose, Margaret A.
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Descripción Cambridge University Press, 2018. Paperback. Condición: New. Never used! This item is printed on demand. Nº de ref. del artículo: 0521369797

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Rose, Margaret A.
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Descripción Cambridge University Press, 2016. Paperback. Condición: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. del artículo: ria9780521369794_lsuk

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Margaret A. Rose
Publicado por Cambridge Univ Pr (1988)
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Descripción Cambridge Univ Pr, 1988. Paperback. Condición: Brand New. reprint edition. 228 pages. 9.25x6.25x0.50 inches. In Stock. Nº de ref. del artículo: __0521369797

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Margaret A. Rose
Publicado por Cambridge University Press
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Descripción Cambridge University Press. Paperback. Condición: New. 228 pages. Dimensions: 9.0in. x 5.8in. x 0.5in.This book offers an original and challenging study of Marxs contact with the visual arts, aesthetic theories, and art policies in nineteenth-century Europe. It differs from previous discussions of Marxist aesthetic theory in looking at Marxs views from an art-historical rather than from a literary perspective, and in placing those views in the context of the art practices, theories, and policies of Marxs own time. Dr Rose begins her work by discussing Marxs planned treatise on Romantic art of 1842 against the background of the philosophical debates, cultural policies, and art practices of the 1840s, and looks in particular at the patronage given to the group of German artists known as the Nazarenes in those years, who are discussed in relation to both the English Pre-Raphaelites, popular in the London known to Marx, and to the Russian Social Realists of the 1860s. The author goes on to consider claims of twentieth-century Marxist art theories and practices to have represented Marxs own views on art. The book the conflicting claims made on Marxs views by the Soviet avant-garde Constructivists of the 1920s and of the Socialist Realists who followed them are considered, and are related back to the aesthetic theories and practices discussed in the earlier chapters. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. del artículo: 9780521369794

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