Horror Film and Psychoanalysis: Freud's Worst Nightmare (Cambridge Studies in Film)

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9780521107853: Horror Film and Psychoanalysis: Freud's Worst Nightmare (Cambridge Studies in Film)

Explores the subject of psychoanalysis and film in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre.

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Review of the hardback: 'Who can resist a volume which, apropos the most popular movie genre - horror, stages the debate between the main orientations of contemporary psychoanalytic film theory? And why should we resist a unique combination of top theory and fascinating topic? Everyone in cinema and cultural studies should just grab this collection, sit down and learn!' Slavoj Zizek , Ljubljana, University of Slovenia

Review of the hardback: 'This superb collection offers its readers a roller-coaster ride through contemporary film theory and the question of horror. Psychoanalysis is the central issue for many contributors, with essays exploring not only its place in relation to the Gothic Imagination at the heart of horror but also its consequent role in both forming and analysing the horror film. Sparks fly across the pages as the philosophical and epistemological premises of theories of horror are themselves subjected to analysis and evaluation as well as, in some cases, rejection. All the while the horror film, in all its gory glory, both uncanny and irrepressible, remains centre stage throughout the wide-ranging discussions and analyses of films from Nosferatu to Scream. The essays in The Horror Film and Psychoanalysis: Freud's Worst Nightmares are exemplary philosophical and aesthetic discussions, their complex and subtle arguments are both challenging and thought-provoking.' Elizabeth Cowie, University of Kent, Canterbury

Reseña del editor:

Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.

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Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2009)
ISBN 10: 0521107857 ISBN 13: 9780521107853
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2009. Paperback. Estado de conservación: New. Reissue. 224 x 152 mm. Language: English . Brand New Book. Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres. Nº de ref. de la librería AAZ9780521107853

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Steven Jay Schneider (editor)
Editorial: Cambridge University Press 2009-01-29, Cambridge (2009)
ISBN 10: 0521107857 ISBN 13: 9780521107853
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Descripción Cambridge University Press 2009-01-29, Cambridge, 2009. paperback. Estado de conservación: New. Nº de ref. de la librería 9780521107853

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Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2009)
ISBN 10: 0521107857 ISBN 13: 9780521107853
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2009. Paperback. Estado de conservación: New. Reissue. 224 x 152 mm. Language: English . Brand New Book. Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres. Nº de ref. de la librería AAZ9780521107853

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Schneider, Steven Jay
Editorial: Cambridge University Press (2009)
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Descripción Cambridge University Press, 2009. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería GB-9780521107853

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Descripción Cambridge University Press. Paperback. Estado de conservación: new. BRAND NEW PRINT ON DEMAND., Horror Film and Psychoanalysis: Freud's Worst Nightmare, Steven Jay Schneider, Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres. Nº de ref. de la librería B9780521107853

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Editorial: Cambridge University Press (2009)
ISBN 10: 0521107857 ISBN 13: 9780521107853
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Descripción Cambridge University Press, 2009. Estado de conservación: New. This volume explores the subject of psychoanalysis and film. Editor(s): Schneider, Steven Jay. Series: Cambridge Studies in Film. Num Pages: 320 pages, black & white illustrations. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 231 x 162 x 20. Weight in Grams: 490. . 2009. Reissue. Paperback. . . . . . Nº de ref. de la librería V9780521107853

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97805211078530000000

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Editorial: Cambridge University Press (2016)
ISBN 10: 0521107857 ISBN 13: 9780521107853
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Descripción Cambridge University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780521107853_lsuk

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Steven Jay Schneider
ISBN 10: 0521107857 ISBN 13: 9780521107853
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Descripción Paperback. Estado de conservación: New. Not Signed; Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven t. book. Nº de ref. de la librería ria9780521107853_rkm

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Descripción Cambridge University Press, 2009. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780521107853

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