The Graphic Unconscious in Early Modern French Writing (Cambridge Studies in French)

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9780521032223: The Graphic Unconscious in Early Modern French Writing (Cambridge Studies in French)

This 1992 book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing.This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing.

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Review:

"...lively and provocative..." Virginia Quarterly Review

"[Conley] is very convincing. We are taken through a labyrinth of puns, amphibolies, alliterations, symmetries, inversions, analogies, and in a variety of tones. We are gradually won over, in spite of the difficulty of the text. Repetitive patterns and the author's insistence, backed by a solid method of demonstration, work. Moreover, this book is very well documented. Numerous notes reveal a mine of information embracing all points of view on the letter. Conley's historical and critical approaches to the subject bear witness to his scholarship." Danielle Raquidel, French Review

"...a unique and highly creative work, full of erudition, striking and persuasive interpretations, and daringly creative play with and through Renaissance texts. Many readers will be enthralled, some outraged, and none bored by Conley's willingness to follow the 'screen memories,'... Conley's willingness to take risks and his prodigious ability both to perceive the potential recombination of graphic material and to relate detail to large semantic units make The Graphic Unconscious a rewarding and refreshing book." John D. Lyons, Renaissance Quarterly

From the Publisher:

This 1992 book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate, revealing compositional patterns that do not appear to be under authorial control. Professor Conley shows that graphic forms are crucial for the development of complex interactions of verbal and visual materials in the early years of print culture. Marot and Rabelais articulate a religious programme through the letter; Ronsard conflates the arts in poetry of the French court in the middle years of the sixteenth century; Montaigne stages the birth of the self in print and inscribes political dimensions in the relationship between the letter and meaning. This unconscious, proto-Freudian writing has complex historical relations with verbal and visual practices in the media of the twentieth century.

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Conley, Tom
Editorial: Cambridge University Press 2006-10 (2006)
ISBN 10: 0521032229 ISBN 13: 9780521032223
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Descripción Cambridge University Press 2006-10, 2006. Estado de conservación: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-LSI-07002551

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Conley, Tom
Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2006)
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2006. Paperback. Estado de conservación: New. Revised ed.. 211 x 140 mm. Language: English . Brand New Book ***** Print on Demand *****. This 1992 book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais s Gargantua, Ronsard s sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate, revealing compositional patterns that do not appear to be under authorial control. Professor Conley shows that graphic forms are crucial for the development of complex interactions of verbal and visual materials in the early years of print culture. Marot and Rabelais articulate a religious programme through the letter; Ronsard conflates the arts in poetry of the French court in the middle years of the sixteenth century; Montaigne stages the birth of the self in print and inscribes political dimensions in the relationship between the letter and meaning. This unconscious, proto-Freudian writing has complex historical relations with verbal and visual practices in the media of the twentieth century. Nº de ref. de la librería AAV9780521032223

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Conley, Tom
Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2006)
ISBN 10: 0521032229 ISBN 13: 9780521032223
Nuevos Paperback Cantidad: 10
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2006. Paperback. Estado de conservación: New. Revised ed.. 211 x 140 mm. Language: English . Brand New Book ***** Print on Demand *****.This 1992 book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais s Gargantua, Ronsard s sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate, revealing compositional patterns that do not appear to be under authorial control. Professor Conley shows that graphic forms are crucial for the development of complex interactions of verbal and visual materials in the early years of print culture. Marot and Rabelais articulate a religious programme through the letter; Ronsard conflates the arts in poetry of the French court in the middle years of the sixteenth century; Montaigne stages the birth of the self in print and inscribes political dimensions in the relationship between the letter and meaning. This unconscious, proto-Freudian writing has complex historical relations with verbal and visual practices in the media of the twentieth century. Nº de ref. de la librería AAV9780521032223

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Descripción Cambridge University Press, 2006. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780521032223

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Conley, Tom
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Descripción Cambridge University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780521032223_lsuk

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Descripción Cambridge University Press, 2006. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780521032223

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Descripción Cambridge University Press, 2006. Paperback. Estado de conservación: New. Nº de ref. de la librería INGM9780521032223

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Descripción Cambridge University Press, 2006. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0521032229

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Descripción Cambridge University Press. Paperback. Estado de conservación: New. Paperback. 240 pages. Dimensions: 8.3in. x 5.5in. x 0.5in.This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelaiss Gargantua, Ronsards sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate. They often reveal compositional patterns that do not appear to be under authorial control, and open political and subjective dimensions through the interaction of verbal and visual materials. This unconscious, proto-Freudian writing has complex historical relations with practices found in the media of the twentieth century. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780521032223

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Conley, Tom
Editorial: Cambridge University Press (2006)
ISBN 10: 0521032229 ISBN 13: 9780521032223
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Descripción Cambridge University Press, 2006. Paperback. Estado de conservación: New. Nº de ref. de la librería SONG0521032229

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