Wagner, Schumann, and the Lessons of Beethoven's Ninth

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9780520285569: Wagner, Schumann, and the Lessons of Beethoven's Ninth
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"Wagner, Schumann, and the Lessons of Beethoven's Ninth is a fascinating new examination... It is as though a careful magnifying glass were held to past interactions between two very different composers..." -- Nancy Lorraine The Midwest Book Review "This is a multilayered book. It is on one level a formidable piece of forensic musical detective work displaying detailed critical understanding of the works in question through identification of influences and tracing of possible thematic cross-references across generic boundaries; on another it is a musically highly intelligent study of interactive compositional processes in the different but related guises of operatic and instrumental music." Music & Letters

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In this original study, Christopher Alan Reynolds examines the influence of Beethoven's Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845 46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845 46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethoven's Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846. Two primary aspects that appear to have interested them both are Beethoven's use of counterpoint involving contrary motion and his gradual development of the Ode to Joy" melody through the preceding movements. Combining a novel examination of the historical record with careful readings of the music, Reynolds adds further layers to this argument, speculating that Wagner and Schumann may not have come to these discoveries entirely independently of each other. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony.

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Christopher Ala Reynolds
Editorial: University of California Press (2015)
ISBN 10: 0520285565 ISBN 13: 9780520285569
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Descripción University of California Press, 2015. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WF-9780520285569

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Christopher Alan Reynolds
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Descripción University of California Press, United States, 2015. Hardback. Estado de conservación: New. 224 x 157 mm. Language: English . Brand New Book. In this original study, Christopher Alan Reynolds examines the influence of Beethoven s Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845 46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845 46 stemmed from a deepened understanding of Beethoven s techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethoven s Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846. Two primary aspects that appear to have interested them both are Beethoven s use of counterpoint involving contrary motion and his gradual development of the Ode to Joy melody through the preceding movements. Combining a novel examination of the historical record with careful readings of the music, Reynolds adds further layers to this argument, speculating that Wagner and Schumann may not have come to these discoveries entirely independently of each other. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms s First Symphony. Nº de ref. de la librería AAH9780520285569

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Christopher Alan Reynolds
Editorial: University of California Press, United States (2015)
ISBN 10: 0520285565 ISBN 13: 9780520285569
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Descripción University of California Press, United States, 2015. Hardback. Estado de conservación: New. 224 x 157 mm. Language: English . Brand New Book. In this original study, Christopher Alan Reynolds examines the influence of Beethoven s Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845 46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845 46 stemmed from a deepened understanding of Beethoven s techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethoven s Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846. Two primary aspects that appear to have interested them both are Beethoven s use of counterpoint involving contrary motion and his gradual development of the Ode to Joy melody through the preceding movements. Combining a novel examination of the historical record with careful readings of the music, Reynolds adds further layers to this argument, speculating that Wagner and Schumann may not have come to these discoveries entirely independently of each other. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms s First Symphony. Nº de ref. de la librería AAH9780520285569

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Christopher Ala Reynolds
Editorial: University of California Press 2015-06-29 (2015)
ISBN 10: 0520285565 ISBN 13: 9780520285569
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Descripción University of California Press 2015-06-29, 2015. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-LBR-01640448

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Christopher Alan Reynolds
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Descripción University of California Press 2015-06-30, Berkerley, 2015. hardback. Estado de conservación: New. Nº de ref. de la librería 9780520285569

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Christopher Alan Reynolds
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Descripción University of California Press, 2015. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0520285565

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Descripción University of California Press, 2015. Estado de conservación: New. Nº de ref. de la librería L9780520285569

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Christopher Alan Reynolds
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Descripción University Of California Jul 2015, 2015. Buch. Estado de conservación: Neu. 236x156x25 mm. Neuware - In this original study, Christopher Alan Reynolds examines the influence of Beethovens Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845/46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845/46 stemmed from a deepened understanding of Beethovens techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethovens Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846 212 pp. Englisch. Nº de ref. de la librería 9780520285569

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Descripción 2015. Hardback. Estado de conservación: NEW. 9780520285569 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01137007

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